Sniffin Glue And Other Rock N Roll Habits

The seminal Sniffin' Glue fanzine, collected here in its entirety, is a potent slice of 1967 / 77 punk culture. The book, which reproduces all twelve issues as well as insights from its creator Mark Perry, is back in print and all copies come with a special print. Sniffin' Glue may have been the closest thing to perfection ever achieved by a fanzine. Untroubled by the demands of owners, publishers, designers and production editors, it was a one-man enterprise that perfectly mirrored the spirit and manners of its subject matter - punk rock - by being intentionally amateurish, passionate, and crude. Mark Perry's first issue (1 of 12) set the tone for an exercise in kitchen-table publishing that did not even have a kitchen table. Boldly scrawled in his bedroom, Sniffin' Glue started out as a fan's rallying cry, went on just long as it needed to (one year) and then stopped, as good punk enterprises should.

“1977 is the Queen's jubilee year, well let's make it our year as well. Let's get out and do something. Chuck away the f•••••g stupid safety-pins, think about people's ideas instead of their clothes. This "scene" is not just a thing to do in the evening. It's the only thing around that's honest...” Omnibus Press presents the definitive collection of Sniffin' Glue… And Other Rock ‘n’ Roll Habits, the most vital and cutting edge punk fanzine of its time. This book features both a digital recreation of every issue and all the original prints in their entirety. Danny Baker, who wrote for the original fanzine over four decades ago, provides a full-length interview on its impact. During its brief existence Sniffin' Glue… chronicled the birth, rise and demise of punk rock in the UK. Starting with a print run of a mere 50 copies, by Issue 3 the circulation was into the thousands. Interviews and reviews of all the key punk artists - The Damned, The Ramones, The Sex Pistols, Generation X, Chelsea, Blondie, The Jam, Iggy Pop and more - alongside news, editorials and gig reviews depict the grassroots punk scene from the inside. Its authentic voice made it a cult classic of its time and a much sought-after historical artefact to this day. On the 40th anniversary of the magazine’s final publication, Omnibus Press are providing the definitive edition of Sniffin Glue…. This is the best possible way to experience the counter-cultural revolution of the ‘70s that spread anarchy throughout the UK.

Sniffin' Glue is a key source of photographs of, and information about, contributors to the [punk] scene.

Contrastive media analysis is a vast field of academic research that - metaphorically speaking - comes in many shapes and sizes and therefore is confronted by manifold theoretical and methodological challenges. This contribution focuses on two interrelated aspects: a) the problem of equivalence as a prerequisite of comparison and b) the comparative constellation and its effects on the interpretation of cultural variance. It is important to mention that the discussion in this paper is set against the backdrop of a genre-based approach. Starting from the - initially rather unspectacular - observ.

In 1976 when Punk Rock was born, "Sniffin' Glue" magazine was the genre's very own magazine. Now the original "Sniffin' Glue" team returns with a retrospective of the Punk era, featuring hundreds of original photos and original text.

The historical significance of music-makers, music scenes, and music genres has long been mediated through academic and popular press publications such as magazines, films, and television documentaries. Media Narratives in Popular Music examines these various publications and questions how and why they are constructed. It considers the typically linear narratives that are based on simplifications, exaggerations, and omissions and the histories they construct - an approach that leads to totalizing “official” histories that reduce otherwise messy narratives to one-dimensional interpretations of a heroic and celebratory nature. This book questions the basis on which these mediated histories are constructed, highlights other, hidden, histories that have otherwise been neglected, and explores a range of topics including consumerism, the production pressure behind documentaries, punk fanzines, Rolling Stones covers, and more.

No-holds-barred political strategist Warren Kinsella’s colourful, no-holds-barred look at punk rock, and how it influenced him and millions of other kids to strive for nothing less than changing the world. Playing bass for Calgary punk-rock quartet the Hot Nasties might seem a strange way for one of Canada’s top political strategists to have spent his formative years, but in Fury’s Hour — Warren Kinsella’s exploration of punk’s history and heroes, its factions, failures and triumphs — he shares his unique view into a subculture that has long encouraged people to think big about the world. From early meetings with icons Joey Ramone and Joe Strummer, Kinsella has gone on to interview a who’s who of punk: Sex Pistols Johnny Rotten and Glen Matlock, Fugazi’s Ian MacKaye, Billy Idol, DOA’s Joey “Shithead” Keithly, Bad Religion’s Brett Gurewitz, Blink 182, Good Charlotte and many more. Since he was a teenager, Kinsella has challenged his heroes to put into words the true value of the music. How, after decades of co-optation by the record industry, neo-Nazis and misdirected radicals, are new generations continuing what he calls punk’s “search for the real”? In Fury’s Hour, with the iconoclasm and passion that have marked his career in politics, Warren Kinsella searches for the soul of a sound that invigorated the way he and millions of others have grown up — finding a way to turn anger into energy.