So I Claimed A Polar Bear

I made a massive mistake in the heat of the moment with bear shifter Bjorn. Not only is he my coworker, but I can’t stand the big, gorgeous beast. I haven’t been able to stop thinking of him since that night—okay, since we discovered an ancient mating relic on the last episode of The Mating Game. After confiding my predicament to host and fairy dragmother Bibi le Bonnet, she convinces me to become a contestant on the show. Problem is, my last job in the public eye crashed and burned—thanks to Bjorn. I expect the paparazzi to have a field day, but they’re not the ones I need to worry about. My mother sees my latest shot at fame as the perfect vehicle to revive the reality show that canceled us both. I’ll get three questions. Can I play by the rules this time? Will I ever be able to look at Bjorn with experiencing white-hot rage? Or thinking about what his gorgeous body looks like naked? Three potential suitors. When Bibi puts Bjorn on stage with me, I swear I won’t pick him. But I think the bear might actually want me. And worse, I might want him just as much. And three dates to find my forever. Bjorn’s a completely different bear when he’s not behind the camera. I’ll do whatever it takes to make sure these feelings are for real, even if it puts me at odds with every shifter in Sunset Springs. And Mom will use every cheap reality show trick in the book to keep me away from him. But when the bear delivers a plot twist that none of us saw coming, our lives will never be the same.

A Romeo-Juliet type family feud, polar bear style, tore them apart; can they find true love again? It’s nearly Christmas, no tours on the schedule for Edward MacMathan and his brother and so they’re working in their uncle and aunt’s tavern when the love of Edward's life returns with two young boys in tow, and they look a lot like him when he and Rob were that age. Robyn Conibear is in trouble and she's fled her deceased mate's sleuth to keep his parents from taking custody of her and Edward's sons. Can she and Edward renew the love they had for each other despite the six years that have passed? Or will her return only cause more grief between her family and his as the hostilities renew? But Edward is the boys' true father and she wants to be with him no matter what. Likewise, Edward is determined to protect her and the boys, both from her former mate's sleuth and her own, and take up where the two of them had left off.

Manhattan Prep’s LSAT Logical Reasoning guide, fully updated for the digital exam, will teach you how to untangle Logical Reasoning problems confidently and efficiently. Manhattan Prep’s LSAT guides use officially-released LSAT questions and are written by the company’s instructors, who have all scored a 172 or higher on the official LSAT—we know how to earn a great score and we know how to teach you to do the same. This guide will train you to approach LSAT logical reasoning problems as a 99th-percentile test-taker does: Recognize and respond to every type of question Deconstruct the text to find the core argument or essential facts Spot—and avoid—trap answers Take advantage of the digital format to work quickly and strategically Each chapter in LSAT Logical Reasoning features drill sets—made up of real LSAT questions—to help you absorb and apply what you’ve learned. The extensive solutions walk you through every step needed to master Logical Reasoning, including an in-depth explanation of every answer choice, correct and incorrect.

The Memoirs of a Polar Bear stars three generations of talented writers and performers—who happen to be polar bears The Memoirs of a Polar Bear has in spades what Rivka Galchen hailed in the New Yorker as “Yoko Tawada’s magnificent strangeness”—Tawada is an author like no other. Three generations (grandmother, mother, son) of polar bears are famous as both circus performers and writers in East Germany: they are polar bears who move in human society, stars of the ring and of the literary world. In chapter one, the grandmother matriarch in the Soviet Union accidentally writes a bestselling autobiography. In chapter two, Tosca, her daughter (born in Canada, where her mother had emigrated) moves to the DDR and takes a job in the circus. Her son—the last of their line—is Knut, born in chapter three in a Leipzig zoo but raised by a human keeper in relatively happy circumstances in the Berlin zoo, until his keeper, Matthias, is taken away... Happy or sad, each bear writes a story, enjoying both celebrity and “the intimacy of being alone with my pen.”

Climate change is one of the most controversial and misunderstood issues of the 21st century. This book provides a clear understanding of the issue by presenting scientific facts to refute falsehoods and misinformation-and to confirm the validity of other assertions. Is public understanding of global warming suffering from politically biased news coverage? Is it true that the global scientific community has not reached a consensus on whether humans are causing climate change? This important book addresses these questions and many more about global warming, identifying common claims about climate change and using quantifiable, evidence-based information to examine their veracity. The authors of this work examine 35 specific claims that have been made about global climate change by believers and skeptics. These assertions-some true, some false-will guide readers to a much deeper understanding of the extent of climate change; whether any climate change that is taking place is human-caused; whether climate change is likely to be a serious problem in the future; whether scientists agree on the fundamentals of climate change; and whether climate change impacts can be mitigated. Examples of specific issues that are scrutinized and explained in the book include: trends in the extent and condition of Arctic and Antarctic Sea ice packs, the accuracy of climate forecasting models, whether extreme weather events are increasing as a result of climate change, and the benefits and drawbacks of various schemes to limit greenhouse gas emissions.

Art and Abstract Objects presents a lively philosophical exchange between the philosophy of art and the core areas of philosophy. The standard way of thinking about non-repeatable (single-instance) artworks such as paintings, drawings, and non-cast sculpture is that they are concrete (i.e., material, causally efficacious, located in space and time). Da Vinci's Mona Lisa is currently located in Paris. Richard Serra's Tilted Arc is 73 tonnes of solid steel. Johannes Vermeer's The Concert was stolen in 1990 and remains missing. Michaelangelo's David was attacked with a hammer in 1991. By contrast, the standard way of thinking about repeatable (multiple-instance) artworks such as novels, poems, plays, operas, films, symphonies is that they must be abstract (i.e., immaterial, causally inert, outside space-time): consider the current location of Melville's Moby Dick, the weight of Yeats' "Sailing to Byzantium", or how one might go about stealing Puccini's La Bohème or vandalizing Mozart's Piano Concerto No. 9. Although novels, poems, and symphonies may appear radically unlike stock abstract objects such as numbers, sets, and propositions, most philosophers of art think that for the basic intuitions, practices, and conventions surrounding such works to be preserved, repeatable artworks must be abstracta. This volume examines how philosophical enquiry into art might itself productively inform or be productively informed by enquiry into abstracta taking place within not just metaphysics but also the philosophy of mathematics, epistemology, philosophy of science, and philosophy of mind and language. While the contributors chiefly focus on the relationship between philosophy of art and contemporary metaphysics with respect to the overlap issue of abstracta, they provide a methodological blueprint from which scholars working both within and beyond philosophy of art can begin building responsible, mutually informative, and productive relationships between their respective fields.