Soap Opera Super Couples

A television genre best known for romantic storytelling, daytime soap operas have for decades spun tales of couples embroiled in passion, lust and adventure. Yet it was not until the early 1980s that star-crossed lovers became standard and the term “super couple” was coined by the media, marking a new era of experimentation and growth in daytime soaps. This book documents the phenomenon, tracing its history, legacy and impact on the soap opera industry and on popular culture at large.

Since the debut of These Are My Children in 1949, the daytime television soap opera has been foundational to the history of the medium as an economic, creative, technological, social, and cultural institution. In Her Stories, Elana Levine draws on archival research and her experience as a longtime soap fan to provide an in-depth history of the daytime television soap opera as a uniquely gendered cultural form and a central force in the economic and social influence of network television. Closely observing the production, promotion, reception, and narrative strategies of the soaps, Levine examines two intersecting developments: the role soap operas have played in shaping cultural understandings of gender and the rise and fall of broadcast network television as a culture industry. In so doing, she foregrounds how soap operas have revealed changing conceptions of gender and femininity as imagined by and reflected on the television screen.

The soap opera, one of U.S. television’s longest-running and most influential formats, is on the brink. Declining ratings have been attributed to an increasing number of women working outside the home and to an intensifying competition for viewers’ attention from cable and the Internet. Yet, soaps’ influence has expanded, with serial narratives becoming commonplace on most prime time TV programs. The Survival of Soap Opera investigates the causes of their dwindling popularity, describes their impact on TV and new media culture, and gleans lessons from their complex history for twenty-first-century media industries. The book contains contributions from established soap scholars such as Robert C. Allen, Louise Spence, Nancy Baym, and Horace Newcomb, along with essays and interviews by emerging scholars, fans and Web site moderators, and soap opera producers, writers, and actors from ABC’s General Hospital, CBS’s The Young and the Restless and The Bold and the Beautiful, and other shows. This diverse group of voices seeks to intervene in the discussion about the fate of soap operas at a critical juncture, and speaks to longtime soap viewers, television studies scholars, and media professionals alike.

Everyone can name a couple made up of famous, rich, or powerful partners, who cultivate a joint media image which is stronger than either of their individual identities. Since the 1980s they have been known as "power couples". Yet while the term is recent, the concept is not. More than 2,000 years ago, Greeks and Romans became aware of the media potential of couples and used it as an instrument to reinforce political power. Notable examples are Philip II of Macedonia and Olympias, Cleopatra and Mark Antony, or the Emperor Augustus and his wife Livia. Power Couples in Antiquity brings together the reflections of ten specialists on Greek and Roman power couples from the fourth century BCE to the first century CE. It is focused on the birth and the development of the "ruling couple" in the Hellenistic Greek kingdoms and in Rome between the end of the Republic and the beginning of the Empire. By taking some emblematic cases, this book analyses the redistribution of public and private roles within these couples, examines the sentimental bonds or the relations of domination established between partners, explores how these relationships played out in private, and highlights the many common points between ancient and contemporary power couples. This book offers a fascinating insight into power dynamics in the ancient world, exploring not only the subtleties within these often complex relationships, but also their relationships with their subjects through the cultivation and manipulation of their joint public image.

It’s the last year of highschool, and everything has changed . . . After a summer spent in the Philippines with her family, Lara de la Cruz is eager to start her senior year and, most importantly, reunite with her three besties, Carol, Jasmine, and Kiera. Of course summer is the season of change, and Lara knew she’d have to get caught up on the major updates, hot gossip, and other shenanigans she may have missed. But what she did not expect was to show up on the first day of school to all three of her friends now in relationships. The mushy public displays of affection and lunches spent gushing about their new “boyfries” has Lara quickly realizing her last year of high school is nothing like she imagined. Since she’s been back, Lara’s long time frenemy, James, has become impossibly annoying. Sure, they are now both third wheels, but why is he asking her to tutor him in classes? And why, after they start spending more time together, does she begin to notice how cute he looks when he smiles . . . uh oh. Fighting for the attention of her best friends, catching some pretty new and confusing feelings for James, and wading through the pressures post-high-school plans all have Lara reeling. And to make matters worse, Lara’s beautiful and untrustworthy cousin conveniently appears and wiggles her way right between her and James’ budding relationship. Feeling like a third wheel in more ways than one, Lara must learn to accept that change is inevitable, love is complicated, and being the odd one out is sometimes where inner power is found.

Soap operas have captured loyal, often lifelong viewers since the first American daytime serial debuted in 1949. In this collection of 29 new and five classic essays and recollections, authors and soap opera insiders delve into the passion for television melodrama that compels viewers to "tune in tomorrow." The contributors include iconic soap star Thorsten Kaye, journalist Leigh Montville, authors Elinor Lipman and Ann Hood, and editors of Soaps in Depth magazine. They explore the soap phenomenon from a range of perspectives and consider the appeal of a venerable genre in which, as novelist Jacquelyn Mitchard observes, "everyone's life was more depressing than mine."

They were the first "super couple" of daytime drama. Millions watched as actors Susan Seaforth and Bill Hayes, playing Julie and Doug on Days of Our Lives, fell in love on camera and off- igniting the hottest love story on daytime television in the 1970s and early '80s. Now, this witty, entertaining autobiography tells their fascinating story-from television's Golden Age to hit Broadway shows and soap opera stardom.