Social Struggles In The Middle Ages Routledge Revivals

First published in 1924, Max Beer's work comprises the history of social thought from the fourth to the fourteenth century. He considers in detail the heretical social movement and the story is brought up to the period of the peasants' wars and the social struggles in the towns, which form the prelude to modern times. The work also deals with the period from the latter half of the fourteenth century to the outbreak of the French Revoluion.

First published in 1924, Max Beer's work comprises the history of social thought from the fourth to the fourteenth century. He considers in detail the heretical social movement and the story is brought up to the period of the peasants' wars and the social struggles in the towns, which form the prelude to modern times. The work also deals with the period from the latter half of the fourteenth century to the outbreak of the French Revoluion.

The essays and letters of Ervin Szabó (1877-1918) present proof of his critical insight into Marxist theory and of his perceptive analysis of socialism around the turn of the century. His ideals of an engaged social science and an enlightened socialism, his preoccupation with the socialist future, are still relevant today. The writings selected in this work, first published in 1982, are primarily those which address themselves to general issues of the European working-class movement and socialist theory, but there are also a few pieces that characterize the intellectual and political climate of early twentieth-century Budapest. Szabó was one of the theoretical leaders of a whole generation of progressive thinkers from Oscar Jászi through Karl and Michael Polányi to Georg Lukács and many others. The almost insurmountable conflict between theory and practice that characterized Ervin Szabo’s life remains a problem that has to be solved by engaged intellectuals whatever the time and place. Background notes and an introduction by the editors help to place the writings in their historical and political context.

First published in English in 1921, this work was originally written by renowned Marxist historian Max Beer to commemorate the centenary of Marx’s birth. It is a definitive biography, full of interesting personal details and a clear and comprehensive account of Marx’s economic and historical doctrines A special feature of this unique work is the new light thrown on Marx’s attitude to the "Dictatorship of the Proletariat" and Bolshevist methods generally.

The Routledge Encyclopedias of the Middle Ages comprises of sixteen comprehensive reference titles covering a range of regions and themes in the Medieval period. First published between 1993 and 2006, the Encyclopedias provide complete and multidisciplinary guides to topics such as Women and Gender, Archaeology, Islamic and Jewish Civilization and Science, Technology and Medicine, as well as a number of regions including Italy, Scandinavia, France, England and the Middle East. Written by leading experts in the field, these reference works will be valuable resources not only to students and scholars of the middle ages, but also those studying a number of humanities and social sciences. They are also accessible to general and introductory readers.

First published in 1988, David Aers explores the treatment of community, gender, and individual identity in English writing between 1360 and 1430, focusing on Margery Kempe, Langland, Chaucer, and the poet of Sir Gawain. He shows how these texts deal with questions about gender, the making of individual identity, and competing versions of community in ways which still speak powerfully in contemporary analysis of gender formation, sexuality, and love. Making wide use of recent research on the English economy and communities, and informed by current debates in the theory of culture and gender, the book will be of interest to those concerned with Medieval studies, Renaissance studies, and Women’s studies.

First published in 1982, The Sociology of Art considers all forms of the arts, whether visual arts, literature, film, theatre or music from Bach to the Beatles. The last book to be completed by Arnold Hauser before his death in 1978, it is a total analysis of the spiritual forces of social expression, based upon comprehensive historical experience and documentation. Hauser explores art through the earliest times to the modern era, with fascinating analyses of the mass media and current manifestations of human creativity. An extension and completion of his earlier work, The Social History of Art, this volume represents a summing up of his thought and forms a fitting climax to his life’s work. Translated by Kenneth J. Northcote.