Socialist Senses

“Widdis’s rich and fascinating book has opened a new perspective from which to think about the Soviet cinema.” —Kritika This major reimagining of the history of Soviet film and its cultural impact explores the fundamental transformations in how film, through the senses, remade the Soviet self in the 1920s and 1930s. Following the Russian Revolution, there was a shared ambition for a ‘sensory revolution’ to accompany political and social change: Soviet men and women were to be reborn into a revitalized relationship with the material world. Cinema was seen as a privileged site for the creation of this sensory revolution: Film could both discover the world anew, and model a way of inhabiting it. Drawing upon an extraordinary array of films, noted scholar Emma Widdis shows how Soviet cinema, as it evolved from the revolutionary avant-garde to Socialist Realism, gradually shifted its materialist agenda from emphasizing the external senses to instilling the appropriate internal senses (consciousness, emotions) in the new Soviet subject.

DigiCat Publishing presents to you this special edition of "The Common Sense of Socialism" (A Series of Letters Addressed to Jonathan Edwards, of Pittsburg) by John Spargo. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Socialism is undoubtedly spreading. It is, therefore, right and expedient that its teachings, its claims, its tendencies, its accusations and promises, should be honestly and seriously examined.—Prof. Flint. My Dear Mr. Edwards: I count it good fortune to receive such letters of inquiry as that which you have written me. You could not easily have conferred greater pleasure upon me than you have by the charming candor and vigor of your letter. It is said that when President Lincoln saw Walt Whitman, "the good, Gray Poet," for the first time he exclaimed, "Well, he looks like a man!" and in like spirit, when I read your letter I could not help exclaiming, "Well, he writes like a man!" There was no need, Mr. Edwards, for you to apologize for your letter: for its faulty grammar, its lack of "style" and "polish." I am not insensible to these, being a literary man, but, even at their highest valuation, grammar and literary style are by no means the most important elements of a letter. They are, after all, only like the clothes men wear. A knave or a fool may be dressed in the most perfect manner, while a good man or a sage may be poorly dressed, or even clad in rags. Scoundrels in broadcloth are not uncommon; gentlemen in fustian are sometimes met with. He would be a very unwise man, you will admit, who tried to judge a man by his coat. President Lincoln was uncouth and ill-dressed, but he was a wise man and a gentleman in the highest and best sense of that much misused word. On the other hand, Mr. Blank, who represents railway interests in the United States Senate, is sleek, polished and well-dressed, but he is neither very wise nor very good. He is a gentleman only in the conventional, false sense of that word. Lots of men could write a more brilliant letter than the one you have written to me, but there are not many men, even among professional writers, who could write a better one. What I like is the spirit of earnestness and the simple directness of it. You say that you have "Read lots of things in the papers about the Socialists' ideas and listened to some Socialist speakers, but never could get a very clear notion of what it was all about." And then you add "Whether Socialism is good or bad, wise or foolish, I want to know." I wish, my friend, that there were more working men like you; that there were millions of American men and women crying out: "Whether Socialism is good or bad, wise or foolish, I want to know." For that is the beginning of wisdom: back of all the intellectual progress of the race is the cry, I want to know! It is a cry that belongs to wise hearts, such as Mr. Ruskin meant when he said, "A little group of wise hearts is better than a wilderness full of fools." There are lots of fools, both educated and uneducated, who say concerning Socialism, which is the greatest movement of our time, "I don't know anything about it and I don't want to know anything about it." Compared with the most learned man alive who takes that position, the least educated laborer in the land who says "I want to know!" is a philosopher compared with a fool. When I first read your letter and saw the long list of your objections and questions I confess that I was somewhat frightened. Most of the questions are fair questions, many of them are wise ones and all of them merit consideration. If you will bear with me, Mr. Edwards, and let me answer them in my own way, I propose to answer them all. And in answering them I shall be as honest and frank with you as I am with my own soul. Whether you believe in Socialism or not is to me a matter of less importance than whether you understand it or not.

John Spargo (1876-1966) was a British progressivist writer and muckraker whose expose The Bitter Cry of Children explores the living conditions of children in poverty stricken households. As a young man he trained as a stonecutter, and became a lay Methodist minister. He was attracted to the socialist doctrines of early English marxist Henry Hyndman and would serve on the executive council of the Social Democratic Federation before immigrating to New York City in 1901, and to Vermont in 1909. He became a leader of the Socialist Party of America and wrote an early English-language biography of Karl Marx. Later, he formed the Social Democratic League of America. He would become the Director-Curator of the Bennington, Vermont Historical Museum and write several books on ceramics. He researched and wrote a booklet on the history of his family name. He also wrote Socialism: A Summary and Interpretation of Socialist Principles (1906), The Common Sense of Socialism (1908), Bolshevism: The Enemy of Political and Industrial Democracy (1919) and The Marx He Knew (1909).

Excerpt from Socialism and Sense: A Radical Review Of the grumblers, Professor Russell Wallace is at once the most distinguished and the most denuncia tory. Dwelling upon the increasingly extended use of machinery, the development of rail and maritime transport, the squandering of our mineral resources, the discovery of gold, etc., he maintains that the community as a community is not enjoying a com mensurate return upon the vast addition made to the national wealth during the present century. Indeed, he commits himself to this remarkable assertion: Yet all this, he writes, has only made the rich richer; the poor remaining as numerous, and in many respects, even worse ofi' than before; while in another page he declares that the distribution of wealth is more unequal than ever, and that for every single addition to the exceptionally rich there are scores or hundreds added to the exceptionally poor. Except, it may be, in relation to a very limited class of landlords, surely his laudable zeal for Land Nationalization has here led Mr. Wallace into an extravagance of language almost as great as the ratio of increase in the wealth of the nation? The same idea finds expression in the language. Of Mr. Kidd, in a summary of criticism current in certain circles to day: the immense progress of the century and the splendid conquests of science have brought no corresponding gain to the workers. Even in this form of statement is not there conveyed an impression that is largely. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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