Some Kind Of Hate

A Sydney Taylor Honor Book “A critical, heart-wrenching, and hopeful book that not only shows how and why the seeds of hatred grow into a destructive force, but also the importance of owning one’s actions...” —Liza Wiemer, author of the Sydney Taylor Notable Book The Assignment Declan Taylor is furious at the world. After winning state as a freshman starting pitcher, he accidentally messes up his throwing arm. Despite painful surgery and brutal physical therapy, he might never pitch again. And instead of spending the summer with his friends, Declan is forced to get a job to help his family out. On top of that, it seems like his best friend, Jake Lehrer, is flirting with Declan’s crush and always ditching him to hang out with the team or his friends from synagogue. So Declan ends up playing a lot of Imperialist Empires online and making new friends. It’s there he realizes he’s been playing with Finn, a kid from his class. Finn is the first person who might be just as angry as Declan--he gets it. As the two spend more time together, Finn also introduces Declan to others who understand what it’s like when the world is working against you, no matter how much you try. How white kids like them are being denied opportunities because others are manipulating the system. And the more time Declan spends with Finn, the more he sees what they’re saying as true. So when his new friends decide it’s time to fight back, Declan is right there with them. Even if it means going after Jake and his family. And each new battle for the cause makes Declan feel in control of his rage, channeling it into saving his future. But when things turn deadly, Declan is going to have to decide just how far he’ll go and what he’s willing to sacrifice. In a stunning story set against the rise of white nationalism comes an unflinching exploration of the destruction of hate, the power of fear, and the hope of redemption.

When freshman Declan Taylor hurts his pitching arm he becomes mad at the world, soon getting caught up with a group of white supremacists and turning against his Jewish former friend, Jake--but when things turn violent Declan must figure out what he actually stands for.

In critically acclaimed author Sarah Darer Littman's gripping new novel what happens online doesn't always stay online . . . Lara just got told off on Facebook. She thought that Christian liked her, that he was finally going to ask her to his school's homecoming dance. It's been a long time since Lara's felt this bad, this depressed. She's worked really hard since starting high school to be happy and make new friends.Bree used to be BBFs with overweight, depressed Lara in middle school, but constantly listening to Lara's problems got to be too much. Bree's secretly glad that Christian's pointed out Lara's flaws to the world. Lara's not nearly as great as everyone thinks.After weeks of talking online, Lara thought she knew Christian, so what's with this sudden change? And where does he get off saying horrible things on her wall? Even worse - are they true?But no one realized just how far Christian's harsh comments would push Lara. Not even Bree. As online life collides with real life, the truth starts to come together and the backlash is even more devastating than anyone could have imagined.

What is hate and why is there so much of it? How does it originate, and what can we do about it? This book opens with a discussion of how hate makes its presence felt in the real world, discussing various definitions and theories of hate. Next it describes a duplex - two-part - theory of hate. According to the first part of the theory, hate has three components: negation of intimacy, passion, and commitment. According to the second part of the theory, this structure of hate originates from stories people create about the target - that, say, a group comprises enemies of God, or monsters, or vermin, or power-crazy tyrants, or any of a number of other stories. The authors discuss hate in the context of interpersonal relationships, survey the role of propaganda in inciting hate and analyze the role of hate in instigating terrorism, massacres, and genocides.

The world has never been perfect. The world has never been all bad. But there has always been evil and men who drink of it. This ends now. Enter Bishop Rider and people like him who have had enough and are willing to embrace what most will not. The world will never be perfect. The world will never be all bad. It’s the middle we must embrace. This, a better kind of hate. Praise for A BETTER KIND OF HATE: “Hard hitting stories of lives on the razor’s edge.” —Paul D. Brazill, author of Too Many Crooks, A Case of Noir, Guns of Brixton, The Last Laughand Kill Me Quick! “Beau Johnson is a lawless writer. Several—but not all—of the stories in his collection, A Better Kind of Hate, feature his renegade cop alter ego Bishop Rider, a battered and bruised, world-weary hero forced to operate outside a corrupt system to find justice. And that’s just what these stories have in common: justice, in all its muted, corrupt glory. Whether showcasing Rider or another flawed hero, Johnson operates in shades of gray, where sometimes all it takes is for a bad man to kill a worse one. A stark and sobering reality, and a stellar debut.” —Joe Clifford, author of the Jay Porter Thriller Series “Beau’s ability to strike at the heart of human emotion is both unnerving, uncanny, and unique. It allows him to wring tears from the darkest recesses of the human experience. A dark chameleon who slides from twisted villain to damaged innocent like a well-tuned master of fiction. A how-to on the craft of short fiction.” —Tom Pitts, author of Hustle and American Static “A Better Kind of Hate will haunt you like a specter. An uneasy collection, Beau Johnson crafts each story with masterful precision and an icy cold edge. Each page, each word, escalates the tension, ratchets the foreboding . Dripping with psychological terror, nerve racking suspense and characters unhinged, A Better Kind of Hate is an offering of patience, plans, and revenge. Johnson’s talent is spectacular and terrifying.” —Marietta Miles, author of Route 12 “Beau Johnson writes from that place inside us all that is nothing but brutal honesty and grit. And while most people avoid this place, Beau milks it for every word he can.” —Ryan Sayles, author of the Richard Dean Buckner series

When lines are drawn how do you find courage in the face of hate, and what does it truly mean to take a stand? Stella and Farida have been best friends forever, but lately things have been tense. It all started when Stella's brother came home from his latest tour with the US Marines in Afghanistan paranoid and angry. But Stella won't talk about it, and Farida can tell she's keeping something from her.Desperate to help Rob, Stella thinks she just needs to get him out of the house. She definitely didn't expect going to the movies to end with Rob in handcuffs for assaulting one of her classmates after his anger spiraled out of control.When a video of the fight goes viral, everyone has an opinion of Stella and her "violent vet" brother.The entire school takes sides, the media labels Rob a terrorist sympathizer, and even Farida is dragged into the mess despite not being there. As the story continues trending, Stella will have to decide just how far she's willing to go for the truth, even if it means admitting her own failures.

Abby and Luke chat online. They've never met. But they are going to. Soon. Abby is starting high school--it should be exciting, so why doesn't she care? Everyone tells her to "make an effort," but why can't she just be herself? Abby quickly feels like she's losing a grip on her once-happy life. The only thing she cares about anymore is talking to Luke, a guy she met online, who understands. It feels dangerous and yet good to chat with Luke--he is her secret, and she's his. Then Luke asks her to meet him, and she does. But Luke isn't who he says he is. When Abby goes missing, everyone is left to put together the pieces. If they don't, they'll never see Abby again.

From a powerful new voice in literary fiction comes an intense psychological thriller in the tradition of Donna Tartt, Stewart O'Nan and Patrick McGrath. Set in a wealthy area of New York City, the story begins in 1994, when Luke Nightingale is six and his parents are finalising the divorce. The novel is narrated by Luke's cynical, cruelly perceptive and violent alter ego Daniel. A novel about mothers, sons, the dangers of the imagination, the precariousness of sanity and the temptations of power, this is a stunning debut from a promising writer.