Some Organic Readings In Narrative Ancient And Modern

This volume in honour of John Morgan contains seventeen essays by colleagues, research students, and post-doctoral researchers who have worked with and been influenced by him during his 40 years in Swansea, up to and beyond his retirement in 2015. It is designed to reflect the esteem and affection in which the honorand is held, as teacher, supervisor, colleague, and friend. All the contributions reflect John Morgan's interests, with a particular focus on narrative, which has always been at the forefront of his teaching and research: he has elucidated the forms, structures, strategies, and functions of numerous ancient narratives, especially fictional, in a voluminous body of scholarship. The contributors consider a wide range of narratives, extending from those which show the influence of older stories on the beginnings of ancient Greek civilisation, through various narrative genres in different periods of antiquity, and up to later eras when the impact of Greek and Roman learning, stories, and ideas has been felt. The core of this volume contains discussions of narratives from the Roman imperial period, since this is the area to which the majority of John Morgan's work has been devoted and where his research has seen him become a world-leader in the study of the ancient Greek novel. Several of the contributions, at various stages of development, were delivered and discussed at gatherings organised under the aegis of KYKNOS, the Centre for Research on the Narrative Literatures of the Ancient World, which was established at Swansea in 2004 at John Morgan's initiative.

This volume in honour of John Morgan contains seventeen essays by colleagues, research students, and post-doctoral researchers who have worked with and been influenced by him during his 40 years in Swansea, up to and beyond his retirement in 2015. It is designed to reflect the esteem and affection in which the honorand is held, as teacher, supervisor, colleague, and friend. All the contributions reflect John Morgan's interests, with a particular focus on narrative, which has always been at the forefront of his teaching and research: he has elucidated the forms, structures, strategies, and functions of numerous ancient narratives, especially fictional, in a voluminous body of scholarship. The contributors consider a wide range of narratives, extending from those which show the influence of older stories on the beginnings of ancient Greek civilisation, through various narrative genres in different periods of antiquity, and up to later eras when the impact of Greek and Roman learning, stories, and ideas has been felt. The core of this volume contains discussions of narratives from the Roman imperial period, since this is the area to which the majority of John Morgan's work has been devoted and where his research has seen him become a world-leader in the study of the ancient Greek novel. Several of the contributions, at various stages of development, were delivered and discussed at gatherings organised under the aegis of KYKNOS, the Centre for Research on the Narrative Literatures of the Ancient World, which was established at Swansea in 2004 at John Morgan's initiative.

Letters are famously easy to recognise, notoriously hard to define. Both real and fictitious letters can look identical to the point that there are no formal criteria which can distinguish one from the other. This has long been a point of anxiety in scholarship which has considered the value of an ancient letter to be determined by its authenticity, necessitating a strict binary opposition of genuine as opposed to fake letters. This volume challenges this dichotomy directly. Rather than defining epistolary fiction as a literary genre in opposition to ‘genuine’ letters or reducing it down to fixed rhetorical features, it argues that fiction is an inherent and fluid property of letters which ancient writers recognised and exploited. This volume contributes to wider scholarship on ancient fiction by demonstrating through the multiplicity of genres, contexts, and time periods discussed how complex and multifaceted ancient awareness of fictionality was. As such, this volume shows that letters are uniquely well-placed to unsettle disciplinary boundaries of fact and fiction, authentic and spurious, and that this allows for a deeper understanding of how ancient writers conceptualised and manipulated the fictional potential of letters.

Warrior, mighty builder, and statesman, over the course of his 67-year-long reign (1279-1212 BCE), Ramesses II achieved more than any other pharaoh in the three millennia of ancient Egyptian civilization. Drawing on the latest research, Peter Brand reveals Ramesses the Great as a gifted politician, canny elder statesman, and tenacious warrior. With restless energy, he fully restored the office of Pharaoh to unquestioned levels of prestige and authority, thereby bringing stability to Egypt. He ended almost seven decades of warfare between Egypt and the Hittite Empire by signing the earliest international peace treaty in recorded history. In his later years, even as he outlived many of his own children and grandchildren, Ramesses II became a living god and finally, an immortal legend. With authoritative knowledge and colorful details Brand paints a compelling portrait of this legendary Pharaoh who ruled over Imperial Egypt during its Golden Age.

Tales of the werewolf are well established as a sub-strand of the popular horror genre; less widely known is how far back in time their provenance lies. This is the first book in any language devoted to the werewolf tales that survive from antiquity, exploring their place alongside witches, ghosts, demons, and soul-flyers in a shared story-world.

Building upon the explosion of recent work on mythography, contributions to this volume direct attention to less frequently explored questions of how ancient poets, historians, and philosophers themselves adopted and adapted the work of mythographers. Study of the way that mythographers and their contemporaries take on positions of, alternately, “host” or “parasite” in relation to the other exposes the richness mythographic practice and the roles that mythographers played in the evolving Greco-Roman discourse of myth. From, among others, the seeds of mythographic discourse in Pindar and Plato, to the mythography of the Peripatics, the in-between mythography of Diodorus Siculus, and the “mythographic topography” of Pausanias, this volume invites a reappraisal of the role that mythography played at every stage of Greek thought about myth. Through contributions that explore both mythographers’ distinctive style of studying myth to other contributions that focus primarily on the how and why of non-mythographers’ use of mythographic techniques, what emerges is a picture of mythography that broadens our conception of mythography while at the same time inviting scholars to seek out more such echoes of mythographic discourse in the work of poets, historians, philosophers at large.

"Examines the chronology of the Church’s acquisition of wealth, and particularly of landed property, as well as the distribution of its income, in the period between the conversion of Constantine and the eighth century"-- Provided by publisher.

Der Philologus, eine der ältesten und angesehensten Zeitschriften auf dem Gebiet der klassischen Altertumswissenschaft, versteht sich als Forum für den Austausch unterschiedlicher methodischer Ansätze, die einer weiterführenden Interpretation der antiken Texte und ihrer Rezeption dienen. Dazu gehören philologische, literaturwissenschaftliche und mit interdisziplinären Perspektiven arbeitende Beiträge. Besonderer Wert wird auf die internationale Ausrichtung der Zeitschrift gelegt. Publikationssprachen sind Deutsch, Englisch, Italienisch, Französisch. Neben der Zeitschrift erscheinen ab 2014 Supplementbände. In der Reihe Philologus. Supplemente / Philologus. Supplementary Volumes werden Monographien und Sammelbände zu allen Themen der Klassischen Philologie und ihrer Rezeption veröffentlicht. Der Fokus soll hier insbesondere auf neueren Ansätzen der Literatur- und Kulturwissenschaft in einer interdisziplinären Perspektive liegen. Geschäftsführender Herausgeber: Christoph Schubert (Erlangen-Nürnberg)