Somebody S Darling

Pulitzer Prize–winning Larry McMurtry writes like no one else about the American frontier—though in Somebody's Darling, the frontier lies farther west, in Hollywood, and his subject is the strange world of the movies—those who make them and those who play in them. Somebody's Darling is the story of the fortunes of Jill Peel. Jill is brilliant, talented, and disciplined, and one of the best female directors in Hollywood, or anywhere else. She's got it all together, except where the men in her life are concerned: Joe Percy and Owen Oarson. Joe is a womanizing, aging screenwriter, cheerfully cynical about life, love, and art, and the pursuit of all three. But he'd rather be left alone with the young, oversexed wives of studio moguls. Owen is an ex-Texas football player and tractor salesman turned studio climber and sexual athlete. He'll climb from bed to bed in pursuit of his starry goal: to be a movie producer. Between the two of them and a cast of Hollywood's most unforgettable eccentrics, Jill Peel tries to create some movie magic. Full of all the grit and warmth of his best work, Somebody's Darling is Larry McMurtry's deft and raunchy romp behind the scenes of America's own unique Babel: Hollywood.

In his latest book, Kent Gramm examines the meaning of the Civil War experience in our lives and explores philosophical and personal aspects of the War that lie outside the scope of traditional historical study. He probes the meaning of Gettysburg, the Wilderness, and Antietam; the lives of U. S. Grant, Robert E. Lee, O. O. Howard, and Chief Joseph of the Nez Perce; and the legacy of the unknown participant, "somebody's darling," for whom the war would come to encompass all things. The Iron Brigade appears, along with its 20th-century successor, the 32nd "Red Arrow" Division. Readers of Gramm's previous books will not be surprised to find essays that touch on Walt Whitman, John Keats, Henrik Ibsen, and Halldor Laxness, as well as such literary and religious works as the Iliad and the Bhagavad Gita. Gramm also treats more popular fare, such as the movie Gettysburg and a series of books on the ghosts of Gettysburg. In each of his subjects, Gramm finds the deep, personal significance of the profoundly universal experience of the war, as he ponders the special meaning of the Civil War in the lives of many Americans.