Sometimes I Dream In Italian

Angel Lupo grew up in a traditional Italian home — an exclusive club where Mama’s word was everything ... and where nice girls saved themselves for marriage. All Angel wanted was to be movie-star blond, change her name, and get as much attention as her prettier older sister Lina. Now Angel is nearing thirty, penning Catholic greeting cards for a living, and still jealous of her sister, who has a house in the suburbs, two kids, and a husband who loves her. So Angel does the next best thing: She answers a personal ad. Dirk Diederhoff is blond, teaches at Vassar, and is definitely not Italian. Nor is he the thrill-a-minute lover and soul mate Angel prays for. But as Lina, recklessly embarked on an affair of her own, would tell her: There are no perfect tens out there — only men who want you to talk to them in Italian during sex. The award-winning author of Pink Slip gets the rituals and rhythms of domestic life just right in Sometimes I Dream in Italian, a bittersweet comedy about sisters, lovers, and a family that doesn’t quite translate.

An evocative exploration of Jewish women's immigration to America.

The Encyclopedia of Italian Literary Studies is a two-volume reference book containing some 600 entries on all aspects of Italian literary culture. It includes analytical essays on authors and works, from the most important figures of Italian literature to little known authors and works that are influential to the field. The Encyclopedia is distinguished by substantial articles on critics, themes, genres, schools, historical surveys, and other topics related to the overall subject of Italian literary studies. The Encyclopedia also includes writers and subjects of contemporary interest, such as those relating to journalism, film, media, children's literature, food and vernacular literatures. Entries consist of an essay on the topic and a bibliographic portion listing works for further reading, and, in the case of entries on individuals, a brief biographical paragraph and list of works by the person. It will be useful to people without specialized knowledge of Italian literature as well as to scholars.

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Dreamscapes in Italian Cinema explores different representations of dreams, visions, hallucinations, and hypnagogic states in Italian film culture, covering the works of some of the most significant auteurs in the history of Italian cinema (Fellini, Pasolini, Moretti, Bellocchio, among others). Dreams are discussed both in a filmic context, considering the diegetic and formal techniques employed to construct and represent them, and as allegories or metaphors in a broader cultural, political, and social sense (the film industry itself as the proverbial dream factory, and dreams as hopes, aspirations or altogether parallel universes, for example). The book covers works released over different decades and spanning multiple genres (drama, gothic film, horror, comedy), and it is intended to shed light on a topic that is as suggestive as it is insufficiently studied.