Sonata Moonlight Op 27 No 2 In C Minor For The Piano

Beethoven's Sonata, Opus 27, No. 2, was not known as the "Moonlight Sonata" during his lifetime. The name has its origins in 1832, in remarks by the German music critic Ludwig Rellstab, as he likened the effect of the first movement to that of moonlight shining upon Lake Lucerne. The name caught on quickly, and later in the nineteenth century, it could be said that the sonata was "universally known" by that name.

Edited by Willard A. Palmer, this is Beethoven's complete Sonata, Opus 27, No. 2. There are historical notes about the work and the composer, as well as illustrations, performance suggestions regarding staccato, notes by Carl Czerny, and additional footnotes within the score. Mr. Palmer notes that "the present edition has been carefully prepared from the original autograph manuscript and the first edition…"

Artur Schnabel was one of the world's greatest interpreters of Beethoven. Schnabel collated every Beethoven manuscript and first edition he could find and then went to work to supply a guide to interpretation that is a monumental achievement. This newly engraved edition is based on that scrupulous scholarship and attention to detail. Included are Schnabel's footnotes in English, Spanish, Italian, German, and French. This edition will prove indispensable for study and concert or recital preparation.

From Beethoven's Piano Sonata No. 14 in C-sharp minor, marked Quasi una fantasia, Op. 27, No. 2 , First Movement for Easy Piano A SilverTonalities Arrangement! Easy Note Style Sheet Music Letter Names of Notes embedded in each Notehead!

Even in Beethoven's day the 'Moonlight' Sonata was a popular favourite. This 1999 book provides an accessible introduction to the Sonatas Opp. 27 and 31 (including The 'Moonlight' and 'The Tempest'), aimed at pianists, students, and music lovers. It begins with the works' historical background - the emergence of a 'piano culture' at the end of the eighteenth century, Beethoven's aristocratic milieu in Vienna, and his oft-quoted intention to follow a new compositional path. An account of the sonatas' genesis is followed by a discussion of their reception history, including a survey of changing performing styles since the mid-nineteenth century. The concept of the Sonata quasi una Fantasia is examined in relation to the cult of artistic sensibility in early-nineteenth-century Vienna. The study concludes with a critical introduction to each sonata.

This excellent 1949 Artur Schnabel edition of the famous "Pathetique" sonata features footnotes in English, Spanish, Italian, German and French. There are also fingering, dynamic, and performance suggestions by the editor.