Sondheim And Lapine S Into The Woods

‘The Woods are just Trees. The Trees are just Wood.’ – All together In 1987, Stephen Sondheim and James Lapine combined several classic fairy tales including Little Red Riding Hood, Cinderella, and Jack and the Beanstalk to create Into the Woods. Funny and heartfelt, this musical explores what it might mean to act responsibly in society, both as a parent and as a child. Situating the work within Sondheim’s oeuvre and the Broadway canon, Olaf Jubin first offers a detailed reading of the show itself, before discussing key productions in New York and London, and 2014’s Oscar-nominated screen adaptation. The radically different approaches to staging Into the Woods are testament to how open the musical is to re-interpretation for new audiences. A combination of critical explication with performance and film analysis, as well as an overview of popular and critical reception, this book is meant for anyone who has enjoyed Into the Woods, be it as a musical theatre fan, an enchanted audience member, a student or a dedicated theatre professional.

This is the script of the original musical from which the film was adapted, not the film's screenplay.

A NEW YORK TIMES BESTSELLER A behind-the-scenes look at the making of the iconic musical Sunday in the Park with George Putting It Together chronicles the two-year odyssey of creating the iconic Broadway musical Sunday in the Park with George. In 1982, James Lapine, at the beginning of his career as a playwright and director, met Stephen Sondheim, nineteen years his senior and already a legendary Broadway composer and lyricist. Shortly thereafter, the two decided to write a musical inspired by Georges Seurat’s nineteenth-century painting A Sunday Afternoon on the Island of La Grande Jatte. Through conversations between Lapine and Sondheim, as well as most of the production team, and with a treasure trove of personal photographs, sketches, script notes, and sheet music, the two Broadway icons lift the curtain on their beloved musical. Putting It Together is a deeply personal remembrance of their collaboration and friend - ship and the highs and lows of that journey, one that resulted in the beloved Pulitzer Prize–winning classic.

In this collection of interviews conducted by Mark Horowitz of the Library of Congress, musical theatre legend Stephen Sondheim discusses the art of musical composition, lyric writing, the collaborative process of musical theater, and how he thinks about his own work. A postlude features a more recent conversation with Sondheim.

Highlights from the Pulitzer Prize, Tony Award, and NY Drama Critics' Circle Award-winning musical. Titles include: Sunday * Finishing the Hat * Beautiful * Children and Art * Move On.

Finally Back in Print in Over a Decade, the Lavishly Illustrated Book of Into the Woods, One of the Most-Performed Musicals, by Pulitzer Prize- and Tony Award-winning Stephen Sondheim and James Lapine Based on the Grimm Brothers’ most popular folktales, Into the Woods is a reimagining of what can happen when beloved fairytale characters are thrown together in increasingly dramatic and humorous ways. The Pulitzer Prize- and Tony Award-winning team of Stephen Sondheim and James Lapine bring their cherished musical off the stage and onto the page with the help of Hudson Talbott’s enchanting illustrations. Published for Stephen Sondheim’s ninetieth birthday, join Cinderella, Jack (of beanstalk-climbing fame), Little Red Riding Hood, the Baker and his Wife, and more on their quest to find “happily ever after.” Along the way they meet Rapunzel, the Big Bad Wolf, terrifying giants, lusty princes, and their own destinies. But after their journeys are done, the real question remains: what comes after “happily ever after” and will the prices paid for it be worth it in the end?

The story revolves around a love triangle, Giorgio an army Captain, who has been carrying on an affair with a beautiful married woman (Clara), is then transferred to a back-water army post. There he comes into contact with a dark, moody woman who is also epileptic (Fosca). Despite her troubling presence, Fosca exhibits a strange beauty and Giorgio cannot simply rebuff her obsessive attention. This is extremely well played by the actress who played Fosca in Passion, Donna Murphy. Ms. Murphy is exotically beautiful, and all that was done with makeup and by pulling back her hair gave her a plain, spinster look, but not without a quiet but smoldering beauty. It later comes out Fosca has been taken advantage of and hurt in a short-lived and tragic marriage, which explains somewhat her motivation and behavior. Living alone and under the supervision of her cousin, the commander of the base, she falls madly, irrationally, in love with Giorgio.

THE STORY: Growing up in an impoverished family in the Bronx, Moss Hart dreamed of being part of the glamorous world of the theatre. Forced to drop out of school at age thirteen, Hart’s famous memoir Act One is a classic Hortatio Alger story that plots Hart’s unlikely collaboration with the legendary playwright George S. Kaufman. Tony Award-winning writer and director James Lapine has adapted Act One for the stage, creating a funny, heartbreaking, and suspenseful play that celebrates the making of a playwright and his play Once in a Lifetime. ACT ONE offers great fun to a director to utilize over fifty roles, which can be played by a cast as few as twelve, and in a production that can be done as simply or elaborately as desired.