Song For The Unraveling Of The World

A newborn’s absent face appears on the back of someone else’s head, a filmmaker goes to gruesome lengths to achieve the silence he’s after for his final scene, and a therapist begins, impossibly, to appear in a troubled patient's room late at night. In these stories of doubt, delusion, and paranoia, no belief, no claim to objectivity, is immune to the distortions of human perception. Here, self-deception is a means of justifying our most inhuman impulses—whether we know it or not.

“Here is how monstrous humans are.” A sentient, murderous prosthetic leg; shadowy creatures lurking behind a shimmering wall; brutal barrow men: of all the terrors that populate The Glassy, Burning Floor of Hell, perhaps the most alarming are the beings who decimated the habitable Earth: humans. In this new short story collection, Brian Evenson envisions a chilling future beyond the Anthropocene that forces excruciating decisions about survival and self-sacrifice in the face of toxic air and a natural world torn between revenge and regeneration. Combining psychological and ecological horror, each tale thrums with Evenson’s award-winning literary craftsmanship, dark humor, and thrilling suspense.

“The Unraveling of Cassidy Holmes is a page-turning peek inside the glamour and brutality of life as a pop star. Sloan takes us on a wild ride through the world of music video shoots, expensive hotels, and arena tours—showing us the darkness that threatens just below the surface.” —Taylor Jenkins Reid, New York Times bestselling author of Daisy Jones and The Six “I didn't know I was waiting for a smart, literary writer to craft a novel about the rise and fall of a teen star akin to Britney Spears until I discovered The Unraveling of Cassidy Holmes. A witty, bright, hilarious—and at times devastating—read. I loved it." —Amanda Eyre Ward, New York Times bestselling author of The Jetsetters Cassidy Holmes isn't just a celebrity. She is “Sassy Gloss,” the fourth member of the hottest pop group America has ever seen. Hotter than Britney dancing with a snake, hotter than Christina getting dirrty, Gloss was the pop act that everyone idolized. Fans couldn't get enough of them, their music, and the drama that followed them like moths to a flame—until the group’s sudden implosion in 2002. And at the center of it all was Sassy Cassy, the Texan with a signature smirk that had everyone falling for her. But now she's dead. Suicide. The world is reeling from this unexpected news, but no one is more shocked than the three remaining Glossies. Fifteen years ago, Rose, Merry, and Yumi had been the closest to Cassidy, and this loss is hitting them hard. Before the group split, they each had a special bond with Cassidy—truths they told, secrets they shared. But after years apart, each of them is wondering: what could they have done? Told in multiple perspectives—including Cassidy herself—and different timelines, this is a behind-the-scenes look into the rise and fall of a pop icon, and a penetrating examination of the dark side of celebrity and the industry that profits from it.

"There is not a more intense, prolific, or apocalyptic writer of fiction in America than Brian Evenson."—George Saunders "A contemporary gothic tale about the apocalyptic connection between religion and violence."—Publishers Weekly When Rudd, a troubled teenager, embarks on a school research project, he runs across the secret Mormon ritual of blood sacrifice, and its role in a 1902 murder committed by the grandson of Brigham Young. Along with his newly discovered half-brother, Rudd becomes swept up in the psychological and atavistic effects of this violent, antique ritual.

A stuffed bear’s heart beats with the rhythm of a dead baby, Reno keeps receding to the east no matter how far you drive, and in a mine on another planet, the dust won’t stop seeping in. In these stories, Evenson unsettles us with the everyday and the extraordinary—the terror of living with the knowledge of all we cannot know. Praise for Brian Evenson: "Brian Evenson is one of the treasures of American story writing, a true successor both to the generation of Coover, Barthelme, Hawkes and Co., but also to Edgar Allan Poe."—Jonathan Lethem "One of the most provocative, inventive, and talented writers we have working today." The Believer "There is not a more intense, prolific, or apocalyptic writer of fiction in America than Brian Evenson." —George Saunders “Brian Evenson is one of the few who will still be read a hundred years from now: either by our grandchildren, or by the machines who have killed our grandchildren.” —Hobart, “An interview with Brian Evenson” "Packed with enough atrocities to give Thomas Harris pause. . . . Not many writers have the imagination or the audacity to transform what looks like salvation into an utterly original outpost of hell." —Bookforum “Evenson’s writing is something to be read in short intervals, like a good tea that you want to savor to the last drop.” —Twin Cities Geek Praised by Peter Straub for going "furthest out on the sheerest, least sheltered narrative precipice" Brian Evenson has been a finalist for the Edgar Award, the Shirley Jackson Award, and is the World Fantasy Award and the winner of the International Horror Guild Award, the American Library Association's award for Best Horror Novel, and one of Time Out New York's top books.

From a "born storyteller" (Seattle Times), this playful and moving bestselling book of essays invites us into the miraculous and transcendent moments of everyday life. When Brian Doyle passed away at the age of sixty after a bout with brain cancer, he left behind a cult-like following of devoted readers who regard his writing as one of the best-kept secrets of the twenty-first century. Doyle writes with a delightful sense of wonder about the sanctity of everyday things, and about love and connection in all their forms: spiritual love, brotherly love, romantic love, and even the love of a nine-foot sturgeon. At a moment when the world can sometimes feel darker than ever, Doyle's writing, which constantly evokes the humor and even bliss that life affords, is a balm. His essays manage to find, again and again, exquisite beauty in the quotidian, whether it's the awe of a child the first time she hears a river, or a husband's whiskers that a grieving widow misses seeing in her sink every morning. Through Doyle's eyes, nothing is dull. David James Duncan sums up Doyle's sensibilities best in his introduction to the collection: "Brian Doyle lived the pleasure of bearing daily witness to quiet glories hidden in people, places and creatures of little or no size, renown, or commercial value, and he brought inimitably playful or soaring or aching or heartfelt language to his tellings." A life's work, One Long River of Song invites readers to experience joy and wonder in ordinary moments that become, under Doyle's rapturous and exuberant gaze, extraordinary.

"A lively look at all things revolting." —New York Times Book Review Why do we watch horror movies? What is the best way to persuade someone to quit smoking? And what on earth is the appeal of competitive eating? In this lively, colorful book, Rachel Herz answers these questions and more, shedding light on an incredible range of human traits—from food preferences and sexual attraction to moral codes and political ideology—by examining them through the lens of a fascinating subject: disgust. Combining lucid scientific explanations and fascinating research with a healthy dose of humor, That’s Disgusting illuminates issues that are central to our lives: love, hate, fear, empathy, prejudice, humor, and happiness.

"The deceptively simple prose keeps the book brisk and even gripping as its puzzles grow more craggy and complex. This is Evenson's singular, Poe-like gift: He writes with intelligence and a steady hand, even when his characters decide to lop their own limbs off."—Time Out New York When Kline is kidnapped by a dark sect that believes amputation brings you closer to God, he's tasked with uncovering who murdered their leader. Will he uncover the truth in time to save himself, take on the mantle of prophet, or destroy all he sees with a rain of biblical violence?