Song In The Dark

Where do you end up when you have nowhere to go, and no one to turn to? Paul isn't thinking clearly. He's destroying everything that's important to him, and when he finally hurts the one person he cares about most, he runs away . . . An extraordinary and heart-rending story of love, betrayal, addiction and hope.

“Heard whispers of the Dark all my life. It’s a strange feeling when a whisper becomes a shout.” SONGS OF THE DARK collects all four novellas from the world of Anthony Ryan’s internationally best-selling Raven’s Shadow trilogy. Centuries before the rise of the Unified Realm, the final battle looms between the city state of Kethia and the Volarian Empire. As told by Imperial Chronicler Lord Verniers, this terrible event is shrouded in many secrets and, some say, wrought by servants of the Dark. When word reaches the north of a fresh outbreak of the dreaded Red Hand, Brother Sollis, the finest swordsman in the Sixth Order, leads a small band to a long-abandoned castle in search of a potential cure, but discovers a far greater threat lurking in the mountains. A quest for bloody vengeance forces Derla, a skilled and deadly veteran of the Varinshold underworld, into the service of the arch schemer King Janus. Veteran Realm Guard Jerhid, newly appointed Lord Collector of the King’s Excise, finds himself battling ruthless smuggler gangs and worse on the wild southern shore of the Unified Realm. Four compelling tales of mystery, magic, intrigue and battle presented in one volume for the first time, featuring all new introductions by the author.

Inspired by the childhood of real-life astronaut Chris Hadfield and brought to life by Terry and Eric Fan's lush, evocative illustrations, The Darkest Dark will encourage readers to dream the impossible. Chris loves rockets and planets and pretending he's a brave astronaut, exploring the universe. Only one problem--at night, Chris doesn't feel so brave. He's afraid of the dark. But when he watches the groundbreaking moon landing on TV, he realizes that space is the darkest dark there is--and the dark is beautiful and exciting, especially when you have big dreams to keep you company.

Before you watch the upcoming Netflix series, read the original novels from J. M. Lee (The Dark Crystal: Age of Resistance) that intertwine with the events of the series. Kylan of Sami Thicket is a skilled song teller, but singing the tales of long-gone heroes won’t help his friends as they journey into dangerous, unknown lands. After uncovering the betrayal of the Skeksis Lords, he and his friend Naia are on the run, pursued by the Skeksis’s underlings and outcast even among their fellow Gelfling. But Kylan knows the truth must be told, no matter how difficult the telling. Maybe there’s use for a song teller after all . . . Jim Henson's The Dark Crystal is one of the most beloved and enduring fantasy stories of the past thirty years. This series of young adult novels will both please the diehard fans and bring new fans in to the world of The Dark Crystal.

From the iconic Number One bestseller Ian Rankin, comes one of the must-read books of the year: A SONG FOR THE DARK TIMES 'Genius ... Only great novels capture the spirit of the age. This is one of them.' THE TIMES * * * * * 'He's gone...' When his daughter Samantha calls in the dead of night, John Rebus knows it's not good news. Her husband has been missing for two days. Rebus fears the worst - and knows from his lifetime in the police that his daughter will be the prime suspect. He wasn't the best father - the job always came first - but now his daughter needs him more than ever. But is he going as a father or a detective? As he leaves at dawn to drive to the windswept coast - and a small town with big secrets - he wonders whether this might be the first time in his life where the truth is the one thing he doesn't want to find... PRAISE FOR A SONG FOR THE DARK TIMES: 'Magnificent ... utterly unputdownable and an immersive pleasure' MARIAN KEYES 'This is Rankin at his best, Rebus at his best, storytelling that meets the moment and transcends all genres and expectations' MICHAEL CONNELLY 'An outstanding addition to one of the finest bodies of work in crime fiction' MICK HERRON 'Rankin remains the king of the castle' THE TIMES 'Typically compelling' DAILY TELEGRAPH 'Masterly storytelling' SUNDAY EXPRESS 'Excellent' LIZ NUGENT 'The best that the crime genre can offer' FT 'Rankin grows better with time . . . Rebus grows ever more compelling' DAILY MAIL * * * * * PRAISE FOR THE ICONIC NUMBER ONE BESTSELLER: 'Ian Rankin is a genius' LEE CHILD 'A master storyteller' GUARDIAN 'Rebus is one of British crime writing's greatest characters: alongside Holmes, Poirot and Morse' DAILY MAIL 'Great fiction, full stop' THE TIMES 'One of Britain's leading novelists in any genre' NEW STATESMAN 'Rankin is a phenomenon' SPECTATOR 'Worthy of Agatha Christie at her best' SCOTSMAN 'The king of crime fiction' SUNDAY EXPRESS

Two Carpathians find hope in the bond that ties their souls in this passionate novel in Christine Feehan’s #1 New York Times bestselling series. Stolen from her home at a young age and tormented for centuries, Elisabeta Trigovise is scared to show herself to anyone. Even though she has been rescued and is now safe within the Carpathian compound, she has lived in fear for so long she has no idea how to survive without it. She wants to answer the siren call of her lifemate—but the very thought terrifies her. Before he found Elisabeta, Ferro Arany was an ancient warrior without emotion. Now that his senses have come alive, he knows it will take more than kind words and soft touches to convince the fractured woman that they are partners, not master and prisoner. For now, he will give her his strength until she finds hers, allowing the steady rhythm of his heart to soothe Elisabeta's fragile soul. But even as she learns to stand on her own, the vampire who kept her captive is desperate to claim her again, threatening the song Elisabeta and Ferro are writing together.

Why has music so often served as an accomplice to transcendent expressions of gender? Why did the query "is he musical?" become code, in the twentieth century, for "is he gay?" Why is music so inherently queer? For Sasha Geffen, the answers lie, in part, in music’s intrinsic quality of subliminal expression, which, through paradox and contradiction, allows rigid gender roles to fall away in a sensual and ambiguous exchange between performer and listener. Glitter Up the Dark traces the history of this gender fluidity in pop music from the early twentieth century to the present day. Starting with early blues and the Beatles and continuing with performers such as David Bowie, Prince, Missy Elliot, and Frank Ocean, Geffen explores how artists have used music, fashion, language, and technology to break out of the confines mandated by gender essentialism and establish the voice as the primary expression of gender transgression. From glam rock and punk to disco, techno, and hip-hop, music helped set the stage for today’s conversations about trans rights and recognition of nonbinary and third-gender identities. Glitter Up the Dark takes a long look back at the path that led here.

A probing reading of leftist Jewish poets who, during the interwar period, drew on the trauma of pogroms to depict the suffering of other marginalized peoples. Between the world wars, a generation of Jewish leftist poets reached out to other embattled peoples of the earth—Palestinian Arabs, African Americans, Spanish Republicans—in Yiddish verse. Songs in Dark Times examines the richly layered meanings of this project, grounded in Jewish collective trauma but embracing a global community of the oppressed. The long 1930s, Amelia M. Glaser proposes, gave rise to a genre of internationalist modernism in which tropes of national collective memory were rewritten as the shared experiences of many national groups. The utopian Jews of Songs in Dark Times effectively globalized the pogroms in a bold and sometimes fraught literary move that asserted continuity with anti-Arab violence and black lynching. As communists and fellow travelers, the writers also sought to integrate particular experiences of suffering into a borderless narrative of class struggle. Glaser resurrects their poems from the pages of forgotten Yiddish communist periodicals, particularly the New York–based Morgn Frayhayt (Morning Freedom) and the Soviet literary journal Royte Velt (Red World). Alongside compelling analysis, Glaser includes her own translations of ten poems previously unavailable in English, including Malka Lee’s “God’s Black Lamb,” Moyshe Nadir’s “Closer,” and Esther Shumiatsher’s “At the Border of China.” These poets dreamed of a moment when “we” could mean “we workers” rather than “we Jews.” Songs in Dark Times takes on the beauty and difficulty of that dream, in the minds of Yiddish writers who sought to heal the world by translating pain.