Song Of The Nibelungs

It portrays the existential struggles and downfall of an entire people, the Burgundians, in a military conflict with the Huns and their king."--Jacket.

The first translation into English of this monumental epic in over forty years. Written around the year 1200 by an unknown Middle High German poet, probably an Austrian knight-cleric, The Song of the Nibelungs is composed of thirty-nine adventures and is divided into two major parts. Two great complexes of epic action are joined together: the life and death of Sigfrid, his glory, fault, and betrayal, and the massive destruction of those who betrayed him, engineered by Kriemhild, Sigfrid's wife. The translator has reproduced the principal characteristics of style and language, in a verse form approximating that of the original. This modern translation, with its naturalness of language, will appeal to the general reader and scholar alike.

Margaret Armour's The Fall of the Nibelungs is a classic retelling of the story of Siegfried and the Nibelungenlied. This gripping saga explores themes of love, betrayal, and heroism in the medieval world. Armour's vivid prose brings the characters and settings of this epic tale to life, making it a must-read for anyone interested in medieval literature or mythology. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Song of the Nibelungs, is an epic poem written around 1200 in Middle High German. Its anonymous poet was likely from the region of Passau. The Nibelungenlied is based on an oral tradition that has some of its origin in historic events and individuals of the 5th and 6th centuries. The poem is split into two parts: in the first part, Siegfried comes to Worms to acquire the hand of the Burgundian princess Kriemhild from her brother King Gunther. Gunther agrees to let Siegfried marry Kriemhild if Siegfried helps Gunther acquire the warrior-queen Brünhild as his wife. Siegfried does this and marries Kriemhild; however Brünhild and Kriemhild become rivals, leading eventually to Siegfried's murder by the Burgundian vassal Hagen with Gunther's involvement. In the second part, the widow Kriemhild is married to Etzel, king of the Huns. She later invites her brother and his court to visit Etzel's kingdom intending to kill Hagen. Her revenge results in the death of all the Burgundians who came to Etzel's court as well as the destruction of Etzel's kingdom and the death of Kriemhild herself. The Nibelungenlied was the first heroic epic put into writing in Germany, helping to found a larger genre of written heroic poetry.

The Nibelungenlied ("The Song of the Nibelungs") is an epic poem originally written in in Middle High German around the year 1180. It tells the story of the dragon-slayer Siegfried at the court of the Burgundians, how he was murdered, and of his wife Kriemhild's revenge. Along with the Völsunga saga, the Nibelungenlied served as source material for Richard Wagner's famous four music dramas Der Ring des Nibelungen ("The Ring of the Nibelung"), although the storyline in the Nibelungenlied is far more extensive than in Wagner's work. Based on pre-Christian Germanic heroic motifs which include ancient oral traditions (including the Norse sagas), the Nibelungenlied first appeared from the area of the Danube between Passau and Vienna, from where the oldest manuscripts originate. The epic is divided into two parts, the first dealing with the story of Siegfried and Kriemhild, the wooing of Brünhild and the death of Siegfried at the hands of Hagen, and Hagen's hiding of the Nibelung treasure in the Rhine (Chapters 1-19). The second part deals with Kriemhild's marriage to Etzel (Atilla the Hun), her plans for revenge, the journey of the Burgundians to the court of Etzel, and their last stand in Etzel's hall (Chapters 20-39). The original was written as a poem in 2,400 stanzas, divided up into 39 Aventiuren ("adventures"). This edition has been translated into prose format, but still accurately follows the storyline of all the Adventures. It includes a complete background introductory essay by the translator, in which the history of the surviving manuscripts and their storylines are fully explored.

The Nibelungenlied ("The Song of the Nibelungs") is an epic poem originally written in in Middle High German around the year 1180. It tells the story of the dragon-slayer Siegfried at the court of the Burgundians, how he was murdered, and of his wife Kriemhild's revenge. Along with the Völsunga saga, the Nibelungenlied served as source material for Richard Wagner's famous four music dramas Der Ring des Nibelungen ("The Ring of the Nibelung"), although the storyline in the Nibelungenlied is far more extensive than in Wagner's work. Based on pre-Christian Germanic heroic motifs which include ancient oral traditions (including the Norse sagas), the Nibelungenlied first appeared from the area of the Danube between Passau and Vienna, from where the oldest manuscripts originate. The epic is divided into two parts, the first dealing with the story of Siegfried and Kriemhild, the wooing of Brünhild and the death of Siegfried at the hands of Hagen, and Hagen's hiding of the Nibelung treasure in the Rhine (Chapters 1-19). The second part deals with Kriemhild's marriage to Etzel (Atilla the Hun), her plans for revenge, the journey of the Burgundians to the court of Etzel, and their last stand in Etzel's hall (Chapters 20-39). The original was written as a poem in 2,400 stanzas, divided up into 39 Aventiuren ("adventures"). This edition has been translated into prose format, but still accurately follows the storyline of all the Adventures. It includes a complete background introductory essay by the translator, in which the history of the surviving manuscripts and their storylines are fully explored.