Song Up Out Of Spain

Prompted by the occasion of a gala poetry reading at the University of Salamanca, Spain, in July 2019, this anthology is the first of its kind to comprise Anglophone and Spanish speaking poets breathing life into the multifarious poetic legacy of the poet Ezra Pound. Although Pound's influence on diverse Anglo-American poets is well-known, this collection further reveals his lesser known, yet equally vital impact on the Spanish speaking world, which has been immense. A bilingual anthology, it includes 29 poets, 13 of whom write in Spanish and 16 of whom are Anglophone. In recent decades, the Ezra Pound International Conferences taking place worldwide have featured poetry readings in what has become by a well-known tradition. In Salamanca, poets of older and younger generations from five continents paid tribute to Pound, with selections from their work now available in this volume. The anthology includes poems by the Spanish Novisimos poets ("The Newest Ones"), considered in Spain Pound's direct poetic heirs, such as Antonio Colinas, Jaime Siles, Luis Alberto de Cuenca, and José María Álvarez, but also included here are poems by Jorge Guillén from the Generation of '27, as well as Spanish American poets such as Ernesto Cardenal, Gonzalo Rojas Pizarro, Julián Herbert, and Jeannette Lozano Clariond; also represented are poets of a younger generation: Jordi Doce, Juan Antonio González-Iglesias, Ma Ángeles Pérez López, and Natalia Carbajosa. At the reading in Salamanca, the Anglophone poets, including many devoted Poundians among them, also offered a robust contribution. Still, in concert with their Spanish-speaking counterparts, these poets have also recreated the Spanish world in unusual ways, each reflecting a different, illuminating dimension of Pound's sensibility. Celebrated Anglophone poets present here include David Cappella, John Gery, Patrizia de Rachewiltz, Tony Lopez, Ron Smith, Clive Wilmer, Paul Scott Derrick, Jeff Grieneisen and Silvia Falsaperla, together with distinguished scholars such as David Moody, Alec Marsh, and John Beall, as well as promising voices of a new generation: Rhett Forman, Justin Kishbaugh, Chengru He, and Sean Mark. ______ Esta antología, la primera que reúne a poetas anglófonos e hispanohablantes, nació a raíz de un recital de poesía celebrado en la Universidad de Salamanca en julio de 2019, con el propósito de infundir nueva vida al valioso legado poético del poeta Ezra Pound. Si bien su influencia en la tradición angloamericana es indiscutible, esta antología revela la inmensa huella, menos conocida, aunque igualmente vital de Pound en los poetas del mundo hispano. Se trata por tanto de una colección bilingüe que incluye 29 poetas, de los cuales 13 escriben en español y 16 en inglés. En las últimas décadas, los congresos internacionales dedicados a la obra de Ezra Pound, celebrados por todo el mundo, han venido organizando recitales poéticos que ya se han convertido en tradición. En Salamanca, poetas de distintas generaciones y de cinco continentes rindieron homenaje a Pound con una selección de sus propias obras, recogida en este volumen. Así, se incluyen poemas de la generaci&#...

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1978.

This collection offers for the first time criticism, biographical essays, analysis, translation studies, and reminiscences of Ezra Pound’s extensive interaction with Spain and Spanish culture, from his earliest visits to Spain in 1902 and 1906 and his study of significant Spanish writers to the dedication of the first monument erected anywhere to Pound in the small Spanish village of Medinaceli in 1973. Divided into two sections, Part One: “ON EZRA POUND AND THE SPANISH WORLD” includes a general introduction on Pound’s lifelong involvement with Spain, together with chapters on Pound’s study of classical Spanish literature, the Spanish dimension in The Cantos, Pound’s contemporary Spanish connections, and his legacy in contemporary Spanish letters. Part Two: “EZRA POUND AND THE SPANISH WORLD: A READER,” then gathers for the first time Pound’s own writings (postcards, letters, and essays) concerning Spain and Spanish writers, as well as his correspondence with Spanish poets Miguel de Unamuno and Juan Ramón Jiménez and with José Vázquez Amaral, the first Spanish translator of The Cantos in its entirety. The volume includes reminiscences by Spanish Novísimos poets, Antonio Colinas and Jaime Siles, written explicitly for this collection. Besides providing a thorough exploration into Pound’s engagement with Spain, this volume pays homage to Pound’s considerable influence on Spanish culture.

This book will be required reading for any serious Pound scholar but also for those who work in the area of modernist poetry. Many of the book' s contributors (and its editor) are affiliated with the Ezra Pound Society, which will provide a built-in audience and mechanism for promoting the work. Although the book will be of interest to any library containing a copy of Pound' s Cantos, it will also be attractive to individual scholars who may not want to wade through the considerable scholarship but are looking for entry into specific cantos

This volume offers a literary and cultural history of the idea of crusading over the last millennium.

“This engaging study of progressive youth organizations charts their origins, their quest to fashion an America true to its ideals, and their demise.” —Phillip Deery, Victoria University, Melbourne During the Great Depression, young radicals in New York developed a vision of and for America, molded by their understanding of the Great War and global economic collapse as well as other events unfolding both at home and abroad. They worked to make their vision of a free, equal, democratic society based on peaceful coexistence a reality. Their attempts were ultimately unsuccessful—but their voices were heard on a number of issues, including free speech, racial justice, and peace. A major contribution to the historiography of the era, Fighting Authoritarianism provides an important new examination of US youth activism of the 1930s, including the limits of the New Deal and how youth activists pushed FDR, Eleanor Roosevelt, and other New Dealers to do more to address economic distress and social inequality, and promote more inclusionary politics. Britt Haas questions the interventionist-versus-isolationist paradigm, and also explores the era not as a precursor to WWII, but as a moment of hope about institutionalizing progress in freedom, equality, and democracy. Fighting Authoritarianism corrects misconceptions about these activists’ vision, heavily influenced by the American Dream they’d been brought up to revere. For them, that meant embracing radical ideologies, especially the socialism and communism widely discussed, debated, and promoted on the city’s college campuses. They didn’t believe they were turning their backs on American values—instead, they thought such ideologies were the only way to make America live up to its promises. This study also outlines the careers of Molly Yard, Joseph Lash, and James Wechsler, how they retracted—and for Yard and Lash, reclaimed—their radical past, and how New York continued to hold a prominent platform in their careers. (Lash and Wechsler worked for the New York Post, the latter as editor until 1980.) Examining the decade from this perspective highlights the promise of America as young people understood it: a historic moment when anything seemed possible.