Songs Ascending Vol 2

A beautiful, poetic translation of the Book of Psalms, Songs Ascending includes textual commentary and insights into the translation process, illuminating the choices of the original composers and the choices facing us in the 21st century as we try to make each psalm our own. The spiritual commentary asks: To what events, struggles, and triumphs in our lives might this psalm speak? How might this psalm articulate an aspect of our own sacred existence, or how might it help us celebrate a special day in our lives? How might it provide comfort when we are bereft and most in need of consolation, or how might it help us provide comfort for someone else? Songs Ascending explores all this and more, engaging the reader in dialogue that will inform and inspire. "For Richard Levy, the force of the Psalms comes from their spiritual intentions; and he re-enforces this priority with rich commentary and postscripts that help the reader actually USE the Psalms in some meaningful way. Songs Ascending may be the high point in Richard Levy's career--a career filled with high points." - Rabbi William Cutter, PhD, Steinberg Emeritus Professor of Human Relations at HUC-JIR Los Angeles "With its clear and engaging English translation, the insightful commentary, and thought provoking spiritual applications, Songs Ascending offers something for everyone, from lay person, to rabbi, to biblical scholar alike. And for that, I give it a "two thumbs up," or as we say in Hebrew: kol hakavod!" - Professor Kristine Henriksen Garroway, Visiting Assistant Professor of Hebrew Bible at HUC-JIR Los Angeles

A beautiful, poetic translation of the Book of Psalms, Songs Ascending includes textual commentary and insights into the translation process, illuminating the choices of the original composers and the choices facing us in the 21st century as we try to make each psalm our own. The spiritual commentary asks: To what events, struggles, and triumphs in our lives might this psalm speak? How might this psalm articulate an aspect of our own sacred existence, or how might it help us celebrate a special day in our lives? How might it provide comfort when we are bereft and most in need of consolation, or how might it help us provide comfort for someone else? Songs Ascending explores all this and more, engaging the reader in dialogue that will inform and inspire.

This study defines the traditional styles and genres of Netsilik Inuit music and examines the extent of change which this music has undergone especially as a result of contact with European and North American music. Volume two consists of song transcriptions and commentaries.

A History of Western Choral Music explores the various genres, key composers, and influential works essential to the development of the western choral tradition. Author Chester L. Alwes divides this exploration into two volumes which move from Medieval music and the Renaissance era up to the 21st century. Volume II begins at the transition from the Classical era to the Romantic, with an examination of the major genres common to both periods. Exploring the oratorio, part song, and dramatic music, it also offers a thorough discussion of the choral symphony from Beethoven to Mahler, through to the present day. It then delves into the choral music of the twentieth century through discussions of the major compositional approaches and philosophies that proliferated over the course of the century, from impressionism to serialism, neo-classicism to modernism, minimalism, and the avant-garde. It also considers the emerging tendency towards nationalistic composition amongst composers such as Bartók and Stravinsky, and discusses in great detail the contemporary music of the United States, and Great Britain. Framing discussion within the political, religious, cultural, philosophical, aesthetic, and technological contexts of each era, A History of Western Choral Music offers readers specialized insight into major composers and works while providing a cohesive understanding of choral music's place in Western history.

The Bloomsbury Encyclopedia of Popular Music Volume 1 provides an overview of media, industry, and technology and its relationship to popular music. In 500 entries by 130 contributors from around the world, the volume explores the topic in two parts: Part I: Social and Cultural Dimensions, covers the social phenomena of relevance to the practice of popular music and Part II: The Industry, covers all aspects of the popular music industry, such as copyright, instrumental manufacture, management and marketing, record corporations, studios, companies, and labels. Entries include bibliographies, discographies and filmographies, and an extensive index is provided.

The Concise Garland Encyclopedia of World Music comprises two volumes, and can only be purchased as the two-volume set. To purchase the set please go to: http://www.routledge.com/9780415972932

This is the second volume of poetic meditations based on the Psalms, written as prayers for the Peace of Jerusalem and all Israel. The fi rst meditations in this volume were written in the port of Ashkelon, Israel on board the authors small vessel that he sailed to Israel from America in 2010on a Modern Odyssey, leaving her there to be used by modern warriors suffering from PTSD. The rest of the meditations were written next to the stained glass pictured on the cover, overlooking battlefi elds where the United States of America won her liberty.

'Political Messaging in Music and Entertainment Spaces across the Globe' uniquely expands the frontiers of political communication by simultaneously focusing on content (political messaging) and platform (music and entertainment). As a compendium of valuable research work, it provides rich insights into the construction of political messages and their dissemination outside of the traditional and mainstream structural, process and behavioral research focus in the discipline. Researchers, teachers, students and other interested parties in political communication, political science, journalism and mass communication, sociology, music, languages, linguistics and the performing arts, communication studies, law and history, will find this book refreshingly handy in their inquiry. Furthermore, this book was conceptualized from a globalist purview and offers readers practical insights into how political messaging through music and entertainment spaces actually work across nation-states, regions and continents. Its authenticity is also further enhanced by the fact that most chapter contributors are scholars who are natives of their areas of study, and who painstakingly situate their work in appropriate historical contexts.