Songs Of The Second Viennese School

Considers the lives and works of the three 20th composers that comprise what is known as the "Second Viennese School"--Arnold Schoenberg, Anton Webern and Alan Berg. Illuminated by texts, expanded and updated from The New Grove dictionary ... with a comprehensive worklist, index and fully revised bibliography.

In Songs of the Second Viennese School: A Performer’s Guide to Selected Solo Vocal Works, scholar Loralee Songer outlines for singers and teachers of singers critical information on solo vocal works by three major classical composers, all active during the first half of the twentieth century: Arnold Schoenberg, Alban Berg, and Anton Webern.

The Second Viennese School as a historical concept / Joseph Auner -- Musical culture in Vienna at the turn of the Twentieth Century / Margaret Notley -- Wiener Moderne and the tensions of Modernism / Dagmar Barnouw -- Arnold Schoenberg / Bryan R. Simms -- Alban Berg / David Schroeder -- Anton Webern / Anne C. Shreffler -- The legacy of the Second Viennese School / Jonathan W. Bernard.

Esteemed by many of his most distinguished contemporaries, including Arnold Schoenberg , Alexander Zemlinsky (1871-1942) was a protégé of Brahms and Mahler. Despite this, he was overshadowed by the composers of the second Viennese school, and for many years after his death was remembered merely as the brother-in-law of Schoenberg. But with centenary celebrations of Zemlinsky's birth, scholars began a careful examination of his works and realized they had discovered a forgotten master. Zemlinsky's wonderful melodic gift was manifested in operas, choral works, chamber music, and symphonic pieces, but was realized most fully in his more than one hundred songs. In this important new study—the first such work in English—Lorraine Gorrell focuses on these songs, revealing the ways in which they represented a bridge between the 19th-century romantic lied and the 20th-century avant-garde. Of interest to scholars studying both the German art song and the development of the second Viennese school, Gorrell's work uses Zemlinsky's songs as a lens through which to examine an important, highly influential musical figure.

The noted music theorist presents a brilliant and sweeping study of Schoenberg’s compositions and his influence on the generations that followed. A pioneering composer and leader of the Second Viennese School, Arthur Schoenberg was one of the most important figures in twentieth-century classical music. In Schoenberg and His School, composer, conductor, and music theorist René Leibowitz offers an authoritative analysis of Schoenberg’s groundbreaking contributions to composition theory and Western polyphony. In addition to detailing his subject’s major works, Leibowitz also explores Schoenberg’s influence on the works of his two great disciples, Alban Berg and Anton Webern. Leibowitz considers how the influences of all three men have, in turn, created new movements within contemporary music today.