Sophie Tucker

Sophie Tucker appeared in only seven American stage musicals and appeared only twice on Broadway but, then, it was difficult to cast her in a show. A buxom and ebullient performer, she--and her audiences--quickly found that playing herself was most effective. This is a biography of a vaudeville and cabaret performer who saw herself as one of the first liberated women and one of the last "red hot mamas." It tells the story of her birth as her mother traveled to Boston from Russia, her childhood in Boston, and her first public performance at Poli's Vaudeville Theatre at the age of 13. It also tells the story of her troubled marriage to Louis Tuck and the birth of their son, her meeting with Willie Howard, a vaudeville veteran who encouraged her to go to New York and pursue a stage career, her discovery by Flo Ziegfeld (of the Ziegfeld Follies), and her rise to headliner status under the guidance of her agent William Morris. She was best known for appearing on stage with just a piano player, and openly discussing her life and Jewish upbringing.

Part fairy tale, part crime novel, part rags to riches Hollywood myth, I Am Sophie Tucker tells the outrageous story of one of showbiz’s biggest personalities. From 1906 through the beginning of television, Sophie Tucker and her bawdy, brash, and risqué songs paved the way for performers such as West, Monroe, Midler, Cher, Madonna, and Gaga. “Sophie was like the Forrest Gump of the first half of the 1900s,” says co-author Susan Ecker. “She was close friends with seven presidents, King George VI, young Queen Elizabeth, Chaplin, J. Edgar, Capone, Garland, Jerry Lewis, Sinatra and every other notable of her era.” Tucker tried to get her story published for nine years, without success. Undaunted, Sophie hired half a dozen ghostwriters, but she still had no takers for her no holds barred autobiography. Eventually, Doubleday published a sanitized version in 1945. “After immersing ourselves in Sophie’s papers and surviving friends,” says co-author Lloyd Ecker, “this initial volume is what should have been the actual autobiography of Tucker.” Though she obsessively documented her life, Sophie loved to exaggerate for dramatic effect. Over the years, she told multiple versions of each important event. At the end, not even Sophie knew the difference between truth and tall tale. “This volume is 85% fact,” Lloyd explains. “The other 15% …who knows?” I Am Sophie Tucker puts back all of the delicious bits nixed by Doubleday’s lawyers and throws in other Tucker show business dirt, intrigue, arrests, romance, murder, gangsters, and scandals. Now you can read it for yourself.

The “First Lady of Show Business” and the “Last of the Red Hot Mamas,” Sophie Tucker was a star in vaudeville, radio, film, and television. A gutsy, song-belting stage performer, she entertained audiences for sixty years and inspired a host of younger women, including Judy Garland, Carol Channing, and Bette Midler. Tucker was a woman who defied traditional expectations and achieved success on her own terms, becoming the first female president of the American Federation of Actors and winning many other honors usually bestowed on men. Dedicated to social justice, she advocated for African Americans in the entertainment industry and cultivated friendships with leading black activists and performers. Tucker was also one of the most generous philanthropists in show business, raising over four million dollars for the religious and racial causes she held dear. Drawing from the hundreds of scrapbooks Tucker compiled, Red Hot Mama presents a compelling biography of this larger-than-life performer. Lauren Rebecca Sklaroff tells an engrossing story of how a daughter of Russian Jewish immigrants set her sights on becoming one of the most formidable women in show business and achieved her version of the American dream. More than most of her contemporaries, Tucker understood how to keep her act fresh, to change branding when audiences grew tired and, most importantly, how to connect with her fans, the press, and entertainment moguls. Both deservedly famous and unjustly forgotten today, Tucker stands out as an exemplar of the immigrant experience and a trailblazer for women in the entertainment industry.

When Ozzie Nelson died in 1975, he was no longer a household name. For a guy who had created the longest-running TV sitcom in history, invented the rock video, and fronted one of the most successful big bands of the 1930s, it's baffling that Nelson has faded so far from American media memory. Larger than life offscreen--an attorney, college football star, cartoonist, songwriter, major band leader--Ozzie created a smaller-than-life TV persona, the bumbling average Dad who became known to the rock generation (which included his teen idol son Rick Nelson) as the essence of blandness. But America also saw Ozzie as their iconic Dad: not a "father knows best," since his pontifications usually proved flawed by the end of each episode, but the father who tried his best. This book is the only full-length biography of Ozzie Nelson since he published his memoirs in 1973. It treats the big band and early TV icon with affection and hints that American pop culture may owe more to Ozzie than is generally acknowledged.

Anarchists and Zionists, "sob sister" writers and Supreme Court justices, rabbis and reformers, personalities as diverse as Emma Goldman, Sophie Tucker and Gertrude Stein have left their indelible mark on the American century.

She was the one, the only American Red Hot Mama. Her career spanned six decades, taking her from the cramped apartment above her parents’ restaurant in Hartford, Connecticut, to the world’s greatest music halls. And she became, and remains, one of the biggest influences on women entertainers and comedians in American history. Sophie and Me is the story of Sophie Tucker—the colorful, spicy, bold entertainer who broke boundaries in the industry and whose popularity during her life, and celebrity even beyond it has not waned. Told through the eyes of her great-grand niece, to whom Sophie took under her wing and was both mentor and surrogate grandmother, Sophie and Me takes the reader on an intimate journey through Sophie’s extraordinary life. Sophie Tucker was an original. Zaftig, full-bodied in looks and voice, she was strong and independent before it became acceptable for women. Sophie and Me is the story of the American dream and of one woman who refused to compromise her looks or heritage to reach success. A woman who lived an untraditional life in traditional times. A woman who achieved vast fame and fortune, and yet never really was the “Yiddishe Momme” she sang about.

When the Jews of Eastern Europe came to the United States in the 19th century, they brought with them their own special humor. Developed in response to the dissonant reality of their lives, their self-critical humor served as a source of salvation, enabling them to endure a painful history with a sense of power. In America, the marginal status of immigrant Jews prompted them to use humor a a defense, exaggerating or mocking their ethnicity as events dictated. Jewish Wry examines the development of Jewish humor in a series of essays on topics that range from Sholom Aleichem's humor to Jewish comediennes through to the humor of Philip Roth. This important book offers enjoyable reading as well as a significant and scholarly contribution to the field.