Sor In Tablature

This text includes fifty-eight pieces of music as well as a recorded CD of the entire book. Ben Bolt believes these pieces are the best of the best for developing technique, musicianship, and exposing the guitarist to the ingenious musical world of Fernando Sor. Regardless of your current level of expertise, this music will be a joy to learn and listen to. Titles include: Napoleon's Theme; E Minor at Midnight; Rhapsody in D; March of the Wooden Soldier; and Easter Hymn are sure to please any audience. Ben Bolt's digital recordings of his arrangements are superb. His warm tone and singing vibrato bring Sor's music to life. All interpretations are classically correct. He plays on his Fleta and Sons concert guitar made in Barcelona, Spain (1976). Fernando Sor was born in Barcelona, Spain (1778).

This text includes fifty-eight pieces of music as well as recorded audio of the entire book. Ben Bolt believes these pieces are the best of the best fordeveloping technique, musicianship, and exposing the guitarist to the ingenious musical world of Fernando Sor. Regardless of your current level of expertise, this music will be a joy to learn and listen to. Titles include: Napoleon's Theme; E Minor at Midnight; Rhapsody in D; March of the Wooden Soldier; and EasterHymn are sure to please any audience. Ben Bolt's digital recordings of hisarrangements are superb. His warm tone and singing vibrato bring Sor's music to life. All interpretations are classically correct. He plays on his Fleta and Sons concert guitar made in Barcelona, Spain (1976). Fernando Sor was born in Barcelona, Spain (1778). Access to audio available online

The present new Urtext edition of Sor's didactic pieces takes a different approach to that taken by other editions even recent ones. In preparing the material for publication, Chanterelle strove to maintain a close adherence to the composer's own statements regarding the pieces as they appear in his various writings. At the same time, each individual reference was evaluated against other available historical evidence to determine the extent to which it truly repesents Sor's applied technique, the way he actually performed these pieces himself. Opp.6, 12, 29, 31, 35, 44 & 60, with Historical Notes, Full Commentary, Thematic Index, and Playing Suggestions.

The guitar studies of Fernando Sor (1778-1839) have long been valued highly among the indispensable elements of a guitarist's training. A number of prominent virtuosi attribute a large portion of their development to the diligent study of these works. Sor's studies address an impressive array of technical and musical topics, including proper left-hand fingering, training of the right hand, interval and chord formations, scales, arpeggios, repeated notes, ligados, barring, natural harmonics, control of note duration, balance of melody versus accompaniment, and the handling of contrapuntal voices. A careful study of these pieces will lay the groundwork for a solid technique and allow the guitarist to build the control necessary for the expression of his or her musical concepts. In preparing this edition David Grimes worked with Sor's original publications, but incorporated some alterations that appear in those studies that Napoleon Coste chose to include in his Methode complete pour la Guitarre par Ferdinand Sor. Furthermore, Mr. Grimes has corrected misprints, modernized the notation and rectified some inconsistencies. Finally, some developments in technique since Sor's day have been incorporated in this edition.

The importance of Francisco Tarrega in the history of the classic guitar is immeasurable. With his original compositions and transcriptions, Tarrega broughtthe classical guitar to new heights by giving it a repertoire of its own and consequently influencing virtually every modern day classical guitarist. In thisvolume, Ben Boldt presents 29 pieces by Tarrega in standard notation and tablature. Titles include: Lagrima; Preludes in G, A, and D major; Danza Mora; Marieta! (Mazurca); Mazurca en sol; Maria; Minuetto; Adelita (Mazurca); Pavana; La Alborada; Capricho Arabe; and many others. Text in English, Spanish, French, and Japanese

(Transcribed). 20 studies for the classical guitar written by Beethoven's contemporary, Fernando Sor. Revised, edited and fingered by the great classical guitarist Andres Segovia. These essential repertoire pieces continue to be used by teachers and students to build solid classical technique.

Augustin Barrios was one of the greatest geniuses who ever played and composed music for the guitar. This book features a variety of his works ranging from the moderately easy to complex. In addition to being excellent technique studies, these compositions are wonderful solo pieces that reflect the impressionistic, Latin, and European influences found in the unique Barrios compositional style.

J. S. Bach is the most sought after composers of all time. He is everybody's favorite! Best selling author Ben Bolt has inked 12 solos for guitar in this book. Included are moderate to advanced solos in notation and tablature. All 12 solos are recorded in order like the book. the recording can easily stand on it's own for your listening pleasure, or can be used as an instructional tool. Professor Bolt also includes a copy of Bach's original manuscript of Partita No. 1 for cross-reference purposes. Includes the following pieces: Sleepers Awake! (from Cantata No. 140), Gavotte, Prelude (from 3rd Cello Suite), Courante (from 3rd Cello Suite), Corrente (from 1st Violin Partita), Bourrée (from 1st Violin Parita), Prelude in D (from 1st Cello Suite), Gigue (from 1st Cello Suite), Sarabande (from 2nd Lute Suite), Gigue (from 2nd Lute Suite), Courante (from 1st Lute Suite) and Fugue.