Sos Song Of Songs

SYMMYSTS OF SYZYGY & SAVING OUR SPHERECIES FROM MOM [A] MOM TO POP [A] POP TO SAVING OUR STORE by an ‘Apo’kstrophes’ in concert with the Sounds of Silence the SCREAMS OF SCIENCE & SUSTAINS OF SUSTAINABIITY BEHOLD THE HOLDING OF OUR GROUND OF THE HELD GAIA & ATLAS HUGGED SPHERE AND SPECIES HOLDING EACH AS ONE SACRALS OF SENTIENCE

SYMMYSTS OF SYZYGY & SAVING OUR SPHERECIES FROM MOM [A] MOM TO POP [A] POP TO SAVING OUR STORE by an 'Apo'kstrophes' in concert with the Sounds of Silence the SCREAMS OF SCIENCE & SUSTAINS OF SUSTAINABIITY BEHOLD THE HOLDING OF OUR GROUND OF THE HELD GAIA & ATLAS HUGGED SPHERE AND SPECIES HOLDING EACH AS ONE SACRALS OF SENTIENCE

This volume is the first in a series which provides a fundamental resource for feminist biblical scholarship, containing a comprehensive selection of essays, both reprinted and specially written for the series, by leading feminist scholars.

S.O.S. Songs of the Sea is the perfect mix of music, creativity, and fun for music teachers, classroom teachers, child care providers and kids! Students will enjoy learning about the sea and its creatures through the engaging songs and activities. Classroom curriculum, music, crafts, and snacks are integrated, overlapped and joined to immerse students in a joyful, creative learning experience.

This groundbreaking book, which builds on the author's earlier work in On Gendering Texts, studies how, by what means and to what extent human love, desire and sex, and possibly even 'sexuality', are gendered in the Hebrew Bible. Following a classification and gendering of the linguistic and semantic data, the investigation looks into the construction of male and female bodies in language and ideologies; the praxis and ideology of sex, procreation and contraception; deviation from socio-sexual boundaries (e.g. incest, rape, adultery, homosexuality, prostitution); eroticism and "pornoprophetics". Finally, the work discusses some of the wider sociological and theological implications of the findings.

The ten essays in this volume, the majority specially written, engage with questions of voice (whose?) and interplay (what kind?) between received interpretation and resisting female reader, and venture into methodological territory familiar and unfamiliar to biblical scholars, including autobiographical criticism. Among earlier readers invoked in these pages are Jerome, Rashi and Fray Luis de LTon, who brush pages with Haitian prostitutes. The three sections of this fresh, colourful and adventurous journey into love, sex, allegory and self inside the Most Sublime Song are: Feminist Appropriations; Specific Readings: Allegories and Feminists; and The Song of Songs Personalized.