Sounding Solitude

Solitude is a universal experience. For some people, its connotations of loneliness and isolation are terrifying prospects. Others seek it out, sensing solitude’s potential for bringing depth and creativity to their lives. Even those who embrace it willingly, however, discover at some point that solitude, like nature, has its changing seasons. Why write a book about solitude? One answer: God. Those who are God seekers often turn to solitude to listen to God, to be present to God, to be attentive to God’s word, wisdom and Spirit. Embraced purposefully, solitude enables us to cultivate another way of seeing and being, to be more open to discovery of and exploration into those unfathomable riches we call God.

From Captain George Vancouver to Muriel “Curve of Time” Blanchet to Jim “Spilsbury’s Coast” Spilsbury, visitors to Desolation Sound have left behind a trail of books endowing the area with a romantic aura that helps to make it British Columbia’s most popular marine park. In this hilarious and captivating book, CBC personality Grant Lawrence adds a whole new chapter to the saga of this storied piece of BC coastline. Young Grant’s father bought a piece of land next to the park in the 1970s, just in time to encounter the gun-toting cougar lady, left-over hippies, outlaw bikers and an assortment of other characters. In those years Desolation Sound was a place where going to the neighbours’ potluck meant being met with hugs from portly naked hippies and where Russell the Hermit’s school of life (boating, fishing, and rock ’n’ roll) was Grant’s personal Enlightenment—an influence that would take him away from the coast to a life of music and journalism and eventually back again. With rock band buddies and a few cases of beer in tow, an older, cooler Grant returns to regale us with tales of “going bush,” the tempting dilemma of finding an unguarded grow-op, and his awkward struggle to convince a couple of visiting kayakers that he’s a legit CBC radio host while sporting a wild beard and body wounds and gesticulating with a machete. With plenty of laugh-out-loud humour and inspired reverence, Adventures in Solitude delights us with the unique history of a place and the growth of a young man amidst the magic of Desolation Sound.

In Koch's Solitude, both solitude and engagement emerge as primary modes of human experience, equally essential for human completion. This work draws upon the vast corpus of literary reflections on solitude, especially Lao Tze, Sappho, Plotinus, Augustine, Petrarch, Montaigne, Goethe, Shelley, Emerson, Thoreau, Whitman and Proust. "Koch uses the work of philosophers, historians, and writers, as well as texts such as the Bible, to show what solitude is and isn't, and what being alone can do to and for the individual. Interesting for its literary scope and its conclusions about all the good true solitude can bring us." —Booklist "Reading this book is like dipping into many minds, fierce and gentle. The author reveals his long study of great philosophers, and interprets their thoughts through the lens of his own experience with solitude. He traces our early brushes with solitude and the fear it can engender, then the craving for solitude that comes with full, adult lives." —NAPRA Review

The plight of the fallen woman is one of the salient themes of nineteenth-century art and literature; indeed, the ubiquity of the trope galvanized the Victorian conscience and acted as a spur to social reform. In some notable examples, Julia Grella O’Connell argues, the iconography of the Victorian fallen woman was associated with music, reviving an ancient tradition conflating the practice of music with sin and the abandonment of music with holiness. The prominence of music symbolism in the socially-committed, quasi-religious paintings of the Pre-Raphaelites and their circle, and in the Catholic-Wagnerian novels of George Moore, gives evidence of the survival of a pictorial language linking music with sin and conversion, and shows, even more remarkably, that this language translated fairly easily into the cultural lexicon of Victorian Britain. Drawing upon music iconography, art history, patristic theology, and sensory theory, Grella O’Connell investigates female fallenness and its implications against the backdrop of the social and religious turbulence of the mid-nineteenth century.

Grounded in Christian love mysticism, Love’s Oneing gives voice to the luminous consciousness that awakens from within our oneness in God in contemplation. With great sensitivity, the book offers nuanced insight into the marriage of kenosis and desire in contemplation, through the rich tapestry of writings from nine mystics: Julian of Norwich, the Cloud of Unknowing author, Meister Eckhart, Mechthild of Magdeburg, Clare of Assisi, John of the Cross, Teilhard de Chardin, Beatrice Bruteau and Ilia Delio. With the delicate eye of a spiritual director immersed in mystical literature, Kerrie Hide situates these mystical teachings within contemplative prayer, whilst offering a scholarly exploration of contemplative practice to embody the insights. Deeply grounded in traditional and contemporary mystical classics, Hide celebrates how the Christian mystical tradition lays a foundation for the evolutionary growth of communion consciousness and the insights of quantum science, highlighting key moments in contemplation that when surrendered into, open into divine love. Born of intellectual reflection, lived experience and contemplative wisdom, Love’s Oneing makes a unique contribution to the existing literature on contemplation at a time when the recovery of the mystical dimension of life is crucial for the future of our planet in this climate crisis moment.

One of the greatest and oldest of images for expressing living change is that of the movement of waters. Rivers particularly, in their relentless motion, in the constant searching direction of their travel, in the confluence of tributaries and the division into channels by which identity is constituted and dispersed and once more reestablished, have stood as metaphors for movements in a variety of realms-politics, religion, literature, thought. Among philosophic movements, phenomenology and existential ism are discernible as one such movement of ideas analogous in configuration to the flow of a river in its channel or network of channels. The course taken by the stream of phenomenology and existential philosophy in North America is easily seen from the contents of the six volumes of collected papers from the annual meetings of the Society for Phenomenology and Existential Philo sophy that have preceded the present selection. What soon becomes clear in general, and is evident as well in the present volume, is that phenomenological and existential philosophies are far from being homogeneous, are far from showing an identity as to the sources from which they derive their energy, or the themes that they carry forward toward clarification. And yet there is a con fluence, a convergence of orientation, sympathy, and conceptuality, INTRODUCTION 4 SO that problematics harmonize and complement and mutually enrich.