South Asian Love Poetry

Selection from the contemporary love poetry of Afghanistan, Bangladesh, Fiji, India, Nepal, Pakistan, Singapore, and Sri Lanka.

In this study, ten independent critical essays and a coda explore the English-language poetry of South Asians in terms of time, place, themes and poetic methodologies. The transnational perspective taken establishes connections between colonial and postcolonial South Asian poetry in English as well as the poetry of the old and new diaspora and the Subcontinent. The poetry analysis covers the relevance of historical allusions as well as underlying concerns of gender, ethnicity and class. Comparisons are offered between poets of different places and time periods, yielding numerous sociopolitical paradigms that surface in the poetry.

The authors cross the boundaries between anthropology, folklore, and history to cast new light on the relation between songs and stories, reality and realism, and rhythm and rhetoric in the expressive traditions of South Asia.

This anthology shows the influences of Western literature and the Western literary traditions, especially as they exist in world literature written in English. It contains stories and poems dealing with South Asian American experiences and presents the evocative themes of love, loss, and exile.

This international collection of essays examines contemporary English-language poetry from South Asia. The contributors discuss women's issues, the concerns of marginalized groups--such as the Dalit community and the people of Northeastern India--social changes in Sri Lanka, and the changing society of Pakistan.

Dating from the early decades of the third century C.E., the Ainkurunuru is believed to be the earliest anthology of classical Tamil love poetry and known to be a work of enduring importance. Commissioned by a Cera-dynasty king and composed by five masterful poets, the anthology renders the five landscapes of reciprocal love distinctive to the genre: jealous quarreling, anxious waiting and lamentation, clandestine love before marriage, elopement and love in separation, and patient waiting after marriage. Despite its centrality to literary and intellectual traditions, the Ainkurunur.

This book situates the discourse on the gendered body within the rapidly transitioning South Asian socio-economic and cultural landscape. It critically analyzes gender politics from different disciplinary perspectives including psychoanalysis, post-structuralism, post-colonialism and law among others. Enriched by contributions from well-known South Asian feminist scholars, this book discusses themes such as democracy and dissent, citizenship and violence and how the female body has historically been used in these discussions as a shield and a weapon. It also focuses on technology and misogyny, the politics of veiling and unveiling, the body of the Muslim women in contemporary India as well as bodies which are marginalized or labelled transgressive or monstrous. The chapters in the volume showcase the complexities, convergences and divergences which exist in the conception and understanding of the gendered body, sexuality and gender roles in different socio-cultural spaces in South Asia and how women negotiate these boundaries. Topical and comprehensive, this book will be useful for scholars and researchers of gender studies, sociology, political sociology, social anthropology, cultural studies, post-colonial studies and South Asian studies.

An engaging and informative exploration of four women poets writing in Hindi and Urdu over the course of the twentieth century in India and Pakistan. Anantharam follows the authors and their works, as both countries undergo profound political and social transformations. The book tells of how these women forge solidarities with women from different, castes, classes, and religions through their poetry.