South Central Noir

The Akashic Noir Series’ forensic study of Southern California sharpens its focus on one of Los Angeles’s most recognized neighborhoods. “If you’re of a certain age, your perception of South Los Angeles might have been formed by riots and rappers. Or maybe you know it through television . . . But Gary Phillips, who grew up there, has a more historically complex point of view . . . For Phillips and the 13 other writers who contributed to his just-published anthology, those narrower, pop-infused renditions are just the tip of the iceberg . . . with the result that their work—and their city—is much richer for the exercise.” —Los Angeles Times "Let's make some space for crime fiction in miniature. Akashic Books offers its latest city-centric noir anthology with South Central Noir, which includes 14 top-notch stories about one of Los Angeles's most chronicled neighborhoods. The editor, Gary Phillips—whose most recent novel is One-Shot Harry—has assembled a formidable group of writers that includes Jervey Tervalon, Tananarive Due, Naomi Hirahara, Steph Cha and Penny Mickelbury." —New York Times Book Review From the Introduction by Gary Phillips "Within these pages you’ll find stories of those walking the straight and narrow—until something untoward happens. Maybe it’s someone taking a step out of line, getting caught up in circumstances spiraling out of their control. Maybe they’re planning the grift, the grab . . . whatever it is to finally put them over. Other times the steps they take are to get themselves or people they care about out from under. You’ll find the offerings in these pages are a rich mix of tone—tales told of hope, survival, revenge, and triumph. Excursions beyond the headlines and the hype. The settings herein reflect South Central today or chronicle its colorful past, such as the days of the jazz joints along Central Avenue . . . From South Park to East Martin Luther King Jr. Boulevard, from the borderlands of Watts to the one-time Southern Pacific railroad tracks paralleling Slauson Avenue, take a tour of a section of Los Angeles that may be unfamiliar to you but you will get to know, at least a little, by the time you finish reading this entertaining and engaging anthology." Featuring brand-new stories by: Steph Cha, Nikolas Charles, Tananarive Due, Larry Fondation, Gar Anthony Haywood, Naomi Hirahara, Emory Holmes II, Roberto Lovato, Penny Mickelbury, Gary Phillips, Eric Stone, Jervey Tervalon, Jeri Westerson, and Désirée Zamorano.

Orange County, California, brings to mind the endless summer of sand and surf, McMansion housing tracts, a conservative stronghold, and tony shopping centers. It's a place where pilates classes are run like boot camps, real estate values are discussed at your weekly colonic, and ice cream parlors on Main Street, USA, exist side-by-side with pho shops and taquerias. Orange County Noir pulls back the veil to reveal what lurks behind the curtain. Features brand-new stories by: Susan Straight, Robert S. Levinson, Rob Roberge, Nathan Walpow, Barbara DeMarco-Barrett, Dan Duling, Mary Castillo, Lawrence Maddox, Dick Lochte, Robert Ward, Gary Phillips, Gordon McAlpine, Martin J. Smith, and Patricia McFall. Editor Gary Phillips is the author of many novels and short stories. He lives in Southern California.

Additional title page description: A detailed study of the physical stratigraphy of the uranium-bearing formation in and near the important Gas Hills uranium district of central Wyoming.

“Mr. Dynamite, “Soul Brother No. 1,” “The Godfather of Soul,” deadbeat dad, convicted spousal abuser… James Brown was all those things and so much more. Yet it can’t be denied his music impacted a generation of fans and influenced a grip of musicians who came after him—from David Bowie, Janelle Monae to Usher just to name three. In the tradition then of previous Down & Out Books anthologies such as Murder-A-Go-Go’s: Crime Fiction Inspired by the Music of the Go-Go’s and Trouble in the Heartland: Crime Fiction Based on the Songs of Bruce Springsteen, this all-original set of fourteen stories follows in that stead. The idea expressed to the writers was not literal interpretations of any given song by Mr. Brown. Rather to use that title or lyric and the ofttimes edginess behind such efforts as “King Heroin” and “The Payback,” or the fun in “Make it Funky,” as a prompt, a starting point for the story the contributor wanted to tell. Covers the Godfather of Soul did of others’ songs could have also been tapped. While the majority of stories in the collection are prose, there is a comics style one and more than one of the text versions have an illustration or two to accompany the story. The collection includes stories by six-time Bram Stoker Award winner Lisa Morton; Anthony, Barry and Macavity Awards winner James Ziskin; Jim Fusilli, former Rock & Pop critic for the Wall Street Journal; and HBO Max Doom Patrol staff writer and comics creator Ezra Claytan Daniels. Other contributors include Shamus Award winner Gar Anthony Haywood; Mysti Berry, five-time Derringer and Golden Derringer Award winner John M. Floyd; Lise McClendon, writer of the Bennett Sisters mysteries; cultural critic and short story writer Michael Gonzales; novelist and former Miami Vice showrunner and writer-producer on Hill Street Blues Robert Ward; Fabrice Sapolsky, comics creator of FairSquare Comics’ Intertwined and Marvel Comics’ Spider-Man Noir; filmmaker and pioneer of Hip Hop horror Jeff Carroll; crime fiction novelist and Dark Yonder editor Katy Munger; and hardboiled novelist and co-producer on Snowfall, Gary Phillips.

Black private eye Ivan Monk’s search for a connection between three Black men murdered in Los Angeles leads to the unraveling of a white supremacist conspiracy that spans the West Coast. The mystery series that launched Gary Phillips's career. Robert “Scatterboy” Williams is a small-time hustler selling bogus Cartier watches in Pacific Shores, a port city south of Los Angeles. One day, he’s gunned down in the street, seemingly at random. Then drug dealer Ronny Aaron is shot and killed leaving a liquor store. Shortly thereafter, college student Jimmy Henderson is rendered comatose after two bullets to his body. The three victims have nothing in common save the neighborhood where they were shot—and the color of their skin. The police categorize Scatterboy’s murder as business as usual. But his girlfriend convinces private eye Ivan Monk to find the killer. What looks like three unrelated shootings of Black men in Southern California will put Monk on a tortuous trail unraveling a larger nefarious plan: the rise of an extremist demagogue.

The mystery that launched Gary Phillips's career: Black private eye Ivan Monk investigates the murder of a Korean shop owner in the aftermath of the 1992 Los Angeles riots. This reissued edition features an introduction by Walter Mosley. In 1992, Los Angeles burned. In the aftermath of the Rodney King beating and subsequent riots, a ground-breaking ceremony at the infamous intersection of Florence and Normandie unearths the body of a Korean shop owner. Black private eye Ivan Monk searches for the killer—many suspect the motives for the murder were racial. But then another body turns up, and while the FBI and the Rolling Daltons—the largest gang in the city—dog Monk’s trail, Monk begins to question just how many people will be involved, and how many will die before he can find the truth.

In the follow-up to One-Shot Harry, fearless crime photographer and occasional private eye Harry Ingram finds himself in the LAPD's crosshairs after capturing damning evidence of police brutality. An atmospheric dive into a city on the brink that's brimming with remarkable historical detail, Ash Dark as Night is perfect for fans of Walter Mosley and James Ellroy. Los Angeles, August 1965. Anger and pent-up frustrations boil over in the Watts neighborhood after a traffic stop of two Black motorists. As the Watts riots explode, crime photographer Harry Ingram snaps photos at the scene, including images of the police as they unleash batons, dogs, and water hoses on civilians. When he captures the image of an unarmed activist being shot down by the cops, he winds up in the hospital, beaten, his camera missing. Proof of the unjust killing seems lost—until Ingram’s girlfriend, Anita Claire, retrieves the hidden film in a daring rescue. The photo makes front-page news. A recuperating Ingram is approached by Betty Payton, a comrade of Anita’s mother, who wants Ingram’s help tracking down her business associate Moses “Mose” Tolbert, last seen during the riots. Ingram follows the investigation down a rabbit hole of burglary rings, bank robberies, looted cash, and clandestine agendas—all the while grappling with his newfound fame, which puts him in the sightlines of LAPD’s secretive intelligence division. Ash Dark as Night is a nail-biting ride-along through midcentury Los Angeles with a crime fiction legend in the driver’s seat.

Focusing on contemporary crime narratives from different parts of the world, this collection of essays explores the mobility of crimes, criminals and investigators across social, cultural and national borders. The essays argue that such border crossings reflect on recent sociocultural transformations and geopolitical anxieties to create an image of networked and interconnected societies where crime is not easily contained. The book further analyses crime texts’ wider sociocultural and affective significance by examining the global mobility of the genre itself across cultures, languages and media. Underlining the global reach and mobility of the crime genre, the collection analyses types and representations of mobility in literary and visual crime narratives, inviting comparisons between texts, crimes and mobilities in a geographically diverse context. The collection ultimately understands mobility as an object of study and a critical lens through which transformations in our globalised world can be examined.