South Toward Home Travels In Southern Literature

"Fascinating…Eby lyrically uncovers a bit of the magic that makes a Southern writer Southern." —Josh Steele, Entertainment Weekly What is it about the South that has inspired so much of America’s greatest literature? And why do we think of the authors it influenced not just as writers, but as Southern writers? In South Toward Home, Margaret Eby goes in search of answers to these questions, visiting the stomping grounds of ten Southern authors, including William Faulkner, Eudora Welty, Richard Wright, Truman Capote, Harper Lee, and Flannery O’Connor. Combining biographical detail with expert criticism, Eby delivers a rich and evocative tribute to the literary South.

The definitive biography of one of the most beloved and respected figures in American religious life. In this comprehensive biography, Jon Sweeney, official biographer of Tickle’s literary estate, explores every aspect of her life, a more than 50-year legacy of poetry; plays; literary, spiritual, and historical/theological work; and advocacy. Sweeney examines Tickle’s personal and professional roots, from her family, long marriage, and life on The Farm in Lucy, Tennessee, to early academic career and move into book publishing, where her role as founding editor of the Religion Department at Publishers Weekly influenced the growth of spiritual writing and interfaith understanding during the 1990s. Sweeney also looks at pivotal relationships with John Shelby Spong, Marcus Borg, and Brian McLaren, as well as her great influence on the increasing number who adopted fixed-hour prayer, the Episcopal Church as a whole, and the Emerging Church, for which she served as historian, forecaster, and champion. A look at her early, passionate advocacy for the LGBT community, lecture circuit controversies, and projects left unfinished completes the picture.

In the first comprehensive reading of dozens of American literary and social culture classics, Tom Cronin, one of America’s most astute students of the American political tradition, tells the story of the American political experiment through the eyes of forty major novelists, from Harriet Beecher Stowe to Hunter S. Thompson. They have been moral and civic consciousness-raisers as we have navigated the zigs and zags, the successes and setbacks, and the slow awkward evolution of the American political experiment. Constitutional democracy, equal justice for all, the American Dream, and American Exceptionalism are all part of our country’s narrative. But, as Imagining a Great Republic explains, there has never been just a single American narrative—we have competing stories, just as we have competing American Dreams and competing ways of imagining a more perfect political union. Recognizing and understanding these competing values is a key part of being American. Cronin’s book explains how this is possible and why we should all be proud to be American.

DigiCat Publishing presents to you this special edition of "Light in August" by William Faulkner. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

In considering the pleasures and absurdities of her native culture, Julia Reed quotes another Southern writer, Willie Morris, who said, “It’s the juxtapositions that get you down here.” These juxtapositions are, for Julia, the soul of the South, and in her warmhearted and funny new book, South Toward Home, she chronicles her adventures through the highs and the lows of Southern life—taking us everywhere from dive bars and the Delta Hot Tamale Festival to an impromptu shindig on a Mississippi River sandbar and a coveted seat on a Mardi Gras float. She writes about the region’s music and food, its pesky critters and prodigious drinking habits, its inhabitants’ penchant for making their own fun—and, crucially, their gift for laughing at themselves. With her distinctive voice and knowing eye, Julia also provides her take on the South’s more embarrassing characteristics from the politics of lust and the persistence of dry counties to the “seemingly bottomless propensity for committing a whole lot of craziness in the name of the Lord.” No matter what, she writes, “My fellow Southerners have brought me the greatest joy—on the page, over the airwaves, around the dinner table, at the bar or, hell, in the checkout line.” South Toward Home, with a foreword by Jon Meacham, is Julia Reed’s valentine to the place she knows and loves best.

As I Lay Dying is Faulkner's harrowing account of the Bundre family's odyssey across the Mississippi countryside to bury Addie, their wife and mother. Told in turns by each of the family members—including Addie herself—the novel ranges in mood from dark comedy to the deepest pathos.

The travel writer Paul Theroux turns his unflinching eye on an American South too often overlooked. He finds there a paradoxical place, full of incomparable music, unparalleled cuisine, and yet also some of the nation's worst schools, housing, and unemployment rates. On road trips spanning four seasons, wending along rural highways, Theroux visits gun shows and small-town churches, laborers in Arkansas, and parts of Mississippi where they still call the farm up the road 'the plantation.' He talks to mayors and social workers, writers and reverends, the working poor and farming families ... the unsung heroes of the south, the people who, despite it all, never left, and also those who returned home to rebuild a place they could never live without

Defining Southern Literature delineates several phases in the story of Southern literature. Debate over what makes Southern literature different - or even Southern - goes back many decades, and among the answers has been the debate itself, a uniquely pervasive regional self-consciousness over what makes Southern culture different. Certainly no other American region has been so distinctly "marked" as the South has. Attempts to delineate the special mission, nature, problems, and virtues of Southern writers can be traced back at least to the 1830s, when editors called - with only slight success - for a sectional literature and more supportive Southern readers.