Spatial Boundaries Abounding Spaces

Colonialism advanced its project of territorial expansion by changing the very meaning of borders and space. The colonial project scripted a unipolar spatial discourse that saw the colonies as an extension of European borders. In his monograph, Mohit Chandna engages with narrations of spatial conflicts in French and Francophone literature and film from the nineteenth to the early twenty-first century. In literary works by Jules Verne, Ananda Devi, and Patrick Chamoiseau, and film by Michael Haneke, Chandna analyzes the depiction of ever-changing borders and spatial grammar within the colonial project. In so doing, he also examines the ongoing resistance to the spatial legacies of colonial practices that act as omnipresent enforcers of colonial borders. Literature and film become sites that register colonial spatial paradigms and advance competing narratives that fracture the dominance of these borders. Through its analyses Spatial Boundaries, Abounding Spaces shows that colonialism is not a finished project relegated to our past. Colonialism is present in the here and now, and exercises its power through the borders that define us.

This book shows how Jules Verne’s Around the World in Eighty Days changed the global imagination. Through his novel, the world was converted into a personal itinerary, scaled to the individual traveller and, by extension, to the individual reader. Exploring Verne’s modern legacy, this study shows how subsequent generations of artists and writers took on Around the World in Eighty Days as an adaptable guidebook to the modern world. It investigates how Verne’s work leads its reader beyond the book itself. It considers Verne’s place in world literature, traces some of the many real reenactments of Verne’s itinerary, and recalls the theatrical adaptations of Verne’s story. Published to coincide with the 500th anniversary of the first circumnavigation and the 150th anniversary of Verne’s novel, this book offers new insights into the largely overlooked influence of Verne on twentieth-century literature and culture and on the field of global modernism.

A poetic, autobiographical collection from famed Mauritian writer Ananda Devi, engaging with loneliness, desire, violence, and aging. “I’m sick of biting off and chewing this dust, of scratching with my thin claws, searching for some chunk of literary gold to hell with all the disarrayed images of our homelands reflections of our particular misery.” From eminent Mauritian writer Ananda Devi, a collection that transgresses genre lines with poetic, autobiographical flow. The pieces herein address the resonance of personal memories and regrets, the political world, and sexuality. In light of the complexity of human identity, Devi emphasizes the importance of each word chosen, speaking directly to the reader and asking them to “peel back my skin. Unclothe me of myself.”

Global Perspectives on Digital Literature: A Critical Introduction for the Twenty-First Century explores how digital literary forms shape and are shaped by aesthetic and political exchanges happening across languages and nations. The book understands "global" as a mode of comparative thinking and argues for considering various forms of digital literature—the popular, the avant-garde, and the participatory—as realizing and producing global thought in the twenty-first century. Attending to issues of both political and aesthetic representation, the book includes a diverse group of contributors and a wide-ranging corpus of texts, composed in a variety of languages and regions, including East and South Asia, parts of Europe, Latin America, North America, Australia, and Western Africa. The book’s contributors adopt an array of interpretive approaches to make visible new connections and possibilities engendered by cross-cultural encounters. Among other topics, they reflect on the shifting conditions for production and distribution of literature, participatory cultures and technological affordances of Web 2.0, the ever-changing dynamics of global and local forces, and fundamental questions, such as, "What do we mean when we talk about literature today?" and "What is the future of literature?"

Space, place and territory are concepts that lie at the core of geography and urban planning, environmental studies and sociology. Although space, place and territory are indeed polysemic and polemic, they have particular characteristics that distinguish them from each other. They are interdependent but not interchangeable, and the differences between them explain how we simultaneously perceive, conceive and design multiple spatialities. After drawing the conceptual framework of space, place and territory, the book initially explores how we sense space in the most visceral ways, and how the overlay of meanings attached to the sensorial characteristics of space change the way we perceive it – smell, spatial experiences using electroence phalography, and the changing meaning of darkness are discussed. The book continues exploring cartographic mapping not as a final outcome, but rather as an epistemological tool, an instrument of inquiry. It follows on how particular ideas of space, place and territory are embedded in specific urban proposals, from Brasília to the Berlin Wall, airports and infiltration of digital technologies in our daily life. The book concludes by focusing on spatial practices that challenge the status quo of how we perceive and understand urban spaces, from famous artists to anonymous interventions by traceurs and hackers of urban technologies. Combining space, place and territory as distinctive but interdependent concepts into an epistemological matrix may help us to understand contemporary phenomena and live them critically.

This book critically examines how borders and boundaries, physical and symbolic, unfold in different geographies and spaces. It aims to understand why they exist and how they are constructed, deconstructed, and reconstructed. The book explores why certain borders/boundaries persist while others are removed, and new ones are erected. It does not focus on one form of border, boundary or geographic location. It shifts its attention to different geographies, borders, and boundaries. It also focuses on intersections between them and how they complete each other. The book provides case studies from the past and present, allowing readers to connect subjects, periods, and geographies. The chapters address classical subjects such as nation-states and tackle novel questions such as ownership against access, that is, of urban infrastructures, COVID-19 and lockdowns, and the divides within digital worlds. The book benefits from visual essays that complement the theoretical and empirical chapters, showing the complexity of the phenomenon in a simple and effective way. The book will be of interest to academics, researchers, and students working in the fields of urban and rural studies, urban sociology, cities and communities, urban and regional planning, urban anthropology, political sciences and migration studies, human geography, cultural geography, urban anthropology, and visual arts.

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