Spatial Transparency In Architecture

This volume explores the concept of "spatial transparency"; a form of spatial continuity that articulates depth through permeable, layered, or porous three-dimensional organizations where interstitial light is present. Although transparency is a concept largely associated with the modern movement, the use of glazed components, and twentieth-century architectural discourse, spatial transparency is a form of depth awareness through intermediate domains, takes place through the interstitial fabric of a structure, and occurs when several consecutive domains are spatially and visually connected. These immersive environments invite active participation, not as one-way communication but as a series of visual and experiential exchanges, interdependencies, and relationships. Divided into four parts, the book examines spatial transparency in massive opaque constructions, light constructions, glass assemblies, and hybrid systems. It analyzes both the phenomenon of visual connectivity and continuity through intermediate spaces, and spatial transparency’s capacity for promoting and enabling graded, interflowing environmental transactions. Using historical and contemporary examples, it catalogs some of the most common and recurring configurations that manifest these characteristics. Over 20 international case studies from the Americas to Japan are presented to argue that environments exist in porous mediums and that by studying the openings, voids, light, and materials of layered and/or permeable organizations, important insights about space making can be revealed. Written for students and academics, this book explores various expressions of spatial transparency in architecture and helps connect their abstract ideas with significant built works, analytical drawings, and comparison charts.

This volume explores the concept of "spatial transparency"; a form of spatial continuity that articulates depth through permeable, layered, or porous three-dimensional organizations where interstitial light is present. Although transparency is a concept largely associated with the modern movement, the use of glazed components, and twentieth-century architectural discourse, spatial transparency is a form of depth awareness through intermediate domains, takes place through the interstitial fabric of a structure, and occurs when several consecutive domains are spatially and visually connected. These immersive environments invite active participation, not as one-way communication but as a series of visual and experiential exchanges, interdependencies, and relationships. Divided into four parts, the book examines spatial transparency in massive opaque constructions, light constructions, glass assemblies, and hybrid systems. It analyzes both the phenomenon of visual connectivity and continuity through intermediate spaces, and spatial transparency’s capacity for promoting and enabling graded, interflowing environmental transactions. Using historical and contemporary examples, it catalogs some of the most common and recurring configurations that manifest these characteristics. Over 20 international case studies from the Americas to Japan are presented to argue that environments exist in porous mediums and that by studying the openings, voids, light, and materials of layered and/or permeable organizations, important insights about space making can be revealed. Written for students and academics, this book explores various expressions of spatial transparency in architecture and helps connect their abstract ideas with significant built works, analytical drawings, and comparison charts.

This compilation of work by Architect Gordon Gilbert explores the idea of transparency in architecture, ranging from an open physical transparency, to clarity of structure, to the dematerialization of the physical object, and further to evolving and expanding states of architectural awareness. This exploration is facilitated through a revealing juxtaposition of experimental drawing, subliminal texts, and constructed work.With essays by Michael Sorkin, Zvi Hecker, Lebbeus Woods, and Christian W. Thomsen.

"Transparency," by Colin Rowe and Robert Slutzky, originally published in English in 1964 (in Perspecta 8), followed by a German translation in 1968, is one of the main modern reference texts for any student of architecture. Rowe and Slutzky co-founded the architects group "Texas Rangers" at the University of Texas in Austin, together with John Hejduk, Werner Seligmann and Bernhard Hoesli. In conjunction with their teaching activities, the group members sought to develop a new method for architectural design and proceeded to test their models in the teaching environment. This edition of Transparency is provided with a commentary by Bernhard Hoesli and an introduction by the art and architecture historian Werner Oechslin.

Glass is one of the most ubiquitous and extensively researched building materials. Despite the critical role it has played inmodern architecture in the last century, we have yet to fully comprehend the cultural and technological effects of thiscomplex and sophisticated building material. Engineered Transparency brings together an extraordinary, multidisciplinary group of international architects, engineers, manufacturers, and critics to collectively reconsider glasswithin the context of recent engineering and structural achievements. In light of these advancements, glass hasreemerged as a novel architectural material, offering new and previously unimaginable modes of visual pleasure andspatial experience. Engineered Transparency presents a portfolio of projects featuring cutting-edge glass designs by todays most innovative architects, including SANAA's acclaimed Glass Pavilion at the Toledo Museum of Art, Yoshio Taniguchi's MoMA expansion in New York City, and Steven Holl's Nelson-Atkins Museum in Kansas City. With contributions by foremost thinkers in the field of architecture and design including historians Kenneth Frampton, Antoine Picon, and DetlefMertins; cultural critics Beatriz Colomina, Joan Ockman, and Reinhold Martin; engineers Werner Sobek, Guy Nordenson,and Richard Tomasetti; and architects Kazuyo Sejima, Steve Holl, and Elizabeth Diller, Engineered Transparency redefines glass as a 21st century building material and challenges our assumptions about its aesthetic, structural, and spatial potential.

Do open societies need transparent architecture? Does transparent architecture help make an open society? This book examines German culture's on-going relationship with Transparency, a relationship which culminates in the new Reichstag building.

This edited collection examines the culture of surveillance as it is expressed in the built environment. Expanding on discussions from previous collections; Spaces of Surveillance: States and Selves (2017) and Surveillance, Race, Culture (2018), this book seeks to explore instances of surveillance within and around specific architectural entities, both historical and fictitious, buildings with specific social purposes and those existing in fiction, film, photography, performance and art. Providing new readings of, and expanding on Foucault’s work on the panopticon, these essays examine the role of surveillance via disparate fields of enquiry, such as the humanities, social sciences, technological studies, design and environmental disciplines. Surveillance, Architecture and Control seeks to engender new debates about the nature of the surveilled environment through detailed analyses of architectural structures and spaces; examining how cultural, geographical and built space buttress and produce power relations. The various essays address the ongoing fascination with contemporary notions of surveillance and control.

This book presents the rise and decline of the meta-concept of transparency in architectural theory and practice, from modernity to hypermodernity. It investigates the complex relations around the see-through aesthetic, and the role of unseen and invisible structures for staging transparency as the dominant optics of modernity. It also examines diverse theories and tactics regarding transparency, and tests the concept in a range of works, both built and written. As such, the book introduces readers to new perspectives on space, and to processes for understanding and designing architecture, informed by media-philosophy.