Species Intelligibilis 1 Classical Roots And Medieval Discussions

The main purpose of this book is to offer a comprehensive historical analysis of the discussions on a crucial problem for the Medieval theory of knowledge: the formal mediation of sensible reality in intellectual knowledge.

The main purpose of this book is to offer a comprehensive historical analysis of the discussions on a crucial problem for the Medieval theory of knowledge: the formal mediation of sensible reality in intellectual knowledge.

Medieval Perceptual Puzzles: Theories of Sense Perception in the 13th and 14th Centuries is an anthology of texts offering an in-depth analysis of Latin medieval theories of sense-perception. The volume offers historical and systematic approaches to themes and questions that have shaped the medieval accounts of sense-perception.

It is commonly supposed that certain elements of medieval philosophy are uncharacteristically preserved in modern philosophical thought through the idea that mental phenomena are distinguished from physical phenomena by their intentionality, their intrinsic directedness toward some object. The many exceptions to this presumption, however, threaten its viability. This volume explores the intricacies and varieties of the conceptual relationships medieval thinkers developed among intentionality, cognition, and mental representation. Ranging from Aquinas, Scotus, Ockham, and Buridan through less-familiar writers, the collection sheds new light on the various strands that run between medieval and modern thought and bring us to a number of fundamental questions in the philosophy of mind as it is conceived today.

A study of Aquinas's theory of self-knowledge, situated within the mid-thirteenth-century debate and his own maturing thought on human nature.

In The Thirteenth-Century Notion of Signification, Ana María Mora-Márquez offers the first exhaustive study of the three discussions explicitly dealing with the notion of Significatio in the pre-nominalist medieval tradition, with the aim to reveal their common origin and development.

This volume analyses ancient and medieval theories of intentionality in various contexts: perception, imagination, and intellectual thinking. It sheds new light on classical theories (e.g. by Aristotle and Thomas Aquinas) and examines neglected sources, both Greek and Latin. It includes contributions by J. Biard, M. Burnyeat, V. Caston, D. Frede, R. Gaskin, E. Karger, C. Michon, D. O'Meara, C. Panaccio, R. Pasnau, D. Perler, Ch. Rapp, P. Simons, R. Sorabji, and H. Weidemann.

Modern thought is characterized by a dichotomy of meaningful culture and unmeaning nature. Signs in the Dust uses medieval semiotics to develop a new theory of nature and culture that resists this familiar picture of things. Through readings of Thomas Aquinas, Nicholas of Cusa, and John Poinsot (John of St. Thomas), it offers a semiotic analysis of human culture in both its anthropological breadth as an enterprise of creaturely sign-making, and its theological height as a finite participation in the Trinity, which can be understood as an absolute 'cultural nature'. Signs in the Dust then extends this account of human culture backwards into the natural depth of biological and physical nature. It puts the biosemiotics of its medieval sources, along with Félix Ravaisson's philosophy of habit, into dialogue with the Extended Evolutionary Synthesis that is emerging in contemporary biology, to show how all living things participate in semiosis, so that that a cultural dimension is present through the whole order of nature and the whole of natural history. It also retrieves Aquinas' doctrine of intentions in the medium to show how signification can be attributed in a diminished way to even inanimate nature, with the ontological implication that being as such should be reconceived in semiotic terms. The phenomena of human culture are therefore to be understood not as breaks with a meaningless nature, but instead as heightenings and deepenings of natural movements of meaning that long precede and far exceed us. Against the modern divorce of nature and culture, Signs in the Dust argues that culture is natural and nature is cultural, through and through.