Spectacular Illumination

Spectacular Illumination: Neon Los Angeles, 1925-1965 is a spectacular collection of vintage photography that showcases the glowing neon heritage of the City of Angels. More than 200 images fill its pages. L.A. has long been recognized as the most vibrant city in America, and part of its radiance comes from streets lined with neon signs during the Golden Age of neon from 1925 to 1965. Photographer and historian Tom Zimmerman shows images that depict, in both color and in black-and-white, what Raymond Chandler, F. Scott Fitzgerald, and countless other writers have tried to put into words. Spectacular Illumination tells a story of a city that has glowed, now glows, and, thanks to institutions such as the Museum of Neon Art, will glow forever. Author Tom Zimmerman is a native of Los Angeles and shares a birthday with the city. His prose has been published in Southern California Quarterly, California History, and Los Angeles Times Magazine. His photography has appeared in many magazines and newspapers, as well as in several books on Los Angeles history and architecture. Tom Zimmerman is often called upon to photograph significant buildings for permanent historic recordation. A catalog of his dramatic photographic series Neon Noir was published by the Museum of Neon Art, where it was first exhibited. His photos have been exhibited across the country and are in several permanent collections including the Library of Congress, California State Library, and the Los Angeles Public Library. Three books of his photographs have been published: A Day in the Season of the Los Angeles Dodgers, Wednesday at the Pier, and Downtown in Detail. He has also written three historical books. Light and Illusion: The Hollywood Portraits of Ray Jones; Paradise Promoted: The Selling of Los Angeles 1870-1930; and El Camino Real: Highway 101 and the Route of the Daylight.

Lightning! Rainbows! Auroras! Discover Earth's most amazing natural phenomena in this adventure around the globe, including a glow-in-the-dark poster. â? ̄ Follow two intrepid explorers as they witness the Northern Lights, marvel in wonder at glow worm caves, go hunting for double rainbows, and dodge volcanic lightning. A perfect book for young explorers. Turn off the light to see theâ? ̄â? ̄640 × 296 mmâ? ̄ tear-out posterâ? ̄glow, featuring the stages of a solar eclipse.â? ̄(Be sure to charge it in the light first.) â? ̄ Each spread features an enchanting illustration of a different natural phenomenonâ? ̄animated by a description of the science behind it, told in exciting prose.â? ̄Fact boxes call out more information.â? ̄ Some of the wonderful things you’ll see: Volcanic Lightning Meteor Showers Double Rainbows Sun Dogs Glowworm Caves Super Blood Moon Light pillars Auroras Poster: Solar eclipse

After decades "in the shadows", urban lighting is re-emerging as a matter of public debate. Long-standing truths are increasingly questioned as a confluence of developments affects lighting itself and the way it is viewed. Light has become an integral element of place-making and energy-saving initiatives alike. Rapidly evolving lighting technologies are opening up new possibilities, but also posing new challenges to planners, and awareness is growing that artificial illumination is not purely benign but can actually constitute a form of pollution. As a result, public policy frameworks, incentives and initiatives are undergoing a phase of innovation and change that will affect how cities are lit for years to come. The first comprehensive compilation of current scientific discussions on urban lighting and light pollution from a social science and humanities perspective, Urban Lighting, Light Pollution and Society contributes to an evolving international debate on an increasingly controversial topic. The contributions draw a rich panorama of the manifold discourses connected with artificial illumination in the past and present – from early attempts to promote new lighting technologies in the late 19th and early 20th centuries to current debates on restricting its excessive usage in public space and the protection of darkness. By bringing together a cross-section of current findings and debates on urban lighting and light pollution from a wide variety of disciplines, it reflects that artificial lighting is multifaceted in its qualities, utilisation and interpretation. Including case studies from the United States, Europe, and the UK, Urban Lighting, Light Pollution and Society is one of the first to take a serious assessment of light, pollution, and places and is a valuable resource for planners, policy makers and students in related subjects.

How Americans adapted European royal illuminations for patriotic celebrations, spectacular expositions, and intensely bright commercial lighting to create the world's most dazzling and glamorous cities. Illuminated fêtes and civic celebrations began in Renaissance Italy and spread through the courts of Europe. Their fireworks, torches, lamps, and special effects glorified the monarch, marked the birth of a prince, or celebrated military victory. Nineteenth-century Americans rejected such monarchial pomp and adapted spectacular lighting to their democratic, commercial culture. In American Illuminations, David Nye explains how they experimented with gas and electric light to create illuminated cityscapes far brighter and more dynamic than those of Europe, and how these illuminations became symbols of modernity and the conquest of nature. Americans used gaslight and electricity in parades, expositions, advertising, elections, and political spectacles. In the 1880s, cities erected powerful arc lights on towers to create artificial moonlight. By the 1890s they adopted more intensive, commercial lighting that defined distinct zones of light and glamorized the city's White Ways, skyscrapers, bridges, department stores, theaters, and dance halls. Poor and blighted areas disappeared into the shadows. American illuminations also became integral parts of national political campaigns, presidential inaugurations, and victory celebrations after the Spanish-American War and World War I.

Cities of Light is the first global overview of modern urban illumination, a development that allows human wakefulness to colonize the night, doubling the hours available for purposeful and industrious activities. Urban lighting is undergoing a revolution due to recent developments in lighting technology, and increased focus on sustainability and human-scaled environments. Cities of Light is expansive in coverage, spanning two centuries and touching on developments on six continents, without diluting its central focus on architectural and urban lighting. Covering history, geography, theory, and speculation in urban lighting, readers will have numerous points of entry into the book, finding it easy to navigate for a quick reference and or a coherent narrative if read straight through. With chapters written by respected scholars and highly-regarded contemporary practitioners, this book will delight students and practitioners of architectural and urban history, area and cultural studies, and lighting design professionals and the institutional and municipal authorities they serve. At a moment when the entire world is being reshaped by new lighting technologies and new design attitudes, the longer history of urban lighting remains fragmentary. Cities of Light aims to provide a global framework for historical studies of urban lighting and to offer a new perspective on the fast-moving developments of lighting today.

Published in 1882-5, this two-volume work, illustrated throughout, appeared when electric lighting was a fresh and propitious technological development.

"From Darkness to Light explores from a variety of angles the subject of museum lighting in exhibition spaces in America, Japan, and Western Europe throughout the nineteenth and twentieth centuries. Written by an array of international experts, these collected essays gather perspectives from a diverse range of cultural sensibilities. From sensitive discussions of Tintoretto's unique approach to the play of light and darkness as exhibited in the Scuola Grande di San Rocco in Venice, to the development of museum lighting as part of Japanese artistic self-fashioning, via the story of an epic American painting on tour, museum illumination in the work of Henry James, and lighting alterations at Chatsworth (to name only a few topics) this book is a treasure trove of illuminating contributions. The collection is at once a refreshing insight for the enthusiastic museum-goer, who is brought to an awareness of the exhibit in its immediate environment, and a wide-ranging scholarly compendium for the professional who seeks to proceed in their academic or curatorial work with a more enlightened sense of the lighted space."--Publisher's website.

An astronomical theater with twelve zodiac pillars having a zodiac sign carved on them is the Navara?ga of the Vidy??a?kara Temple at Sringeri, a town established by Shankaracharya. The pillars are illuminated each month, causing observers to conjecture that the illumination patterns represent a calendar. Scientific studies at the temple have not been able to resolve the issue. The present work reveals with scriptural support that the Vidy??a?kara temple is a Sun Temple unique in India and the world. It reveals many intriguing secrets of San?tana Dharma (Hinduism) and its astronomy as narrated by the architecture. It shows how well Veda, Vedanta, Ved??ga Jyoti?a (astrology), Yoga, V?stu Sh?stra, ?gama (canons of temple culture) and Tantra (esoteric doctrines of religious practice) are harmoniously blended in the construction of the Vidy??a?kara temple. The book provides captivating foundational facts like the religious purpose of the temples; how the grand temple architectures are designed to meet stated purposes; how to understand the biological basis of Hindu Astronomy, Ayurveda, Astrology, Festivals and Yoga of the San?tana Dharma civilization and many more cultural aspects.