Spies Incorporated

When Hillsdale's pets begin to disappear, it is up to eleven-year-old Cassie, her classmate Ben, and Zeke, a boy from outer space, to figure out what is happening to them.

A decorated ex-Army counter-intelligence agent, now an obscure suburbanite family man working for a U.S. chemical corporation, is hauled off his job by the CEO himself and ordered to find out who is stealing the company's secrets. Reluctantly reverting to old ways, our man confronts a deadly game involving blackmail and murder.

Le Queux was the first and most prolific of all British spy writers, but Spies of the Kaiser was not just another tale of scheming foreigners and plucky British heroes, for this paranoid tale of German secret agents plotting the invasion of Britain played a major part in the formation of MI5, Britain's counter-espionage organisation. In his introduction, intelligence historian Nicholas Hiley explains how Le Queux's powerful blend of fact and fiction inspired a whole generation of British secret service officers, and led MI5 in a nation-wide hunt for a non-existent enemy.

Looking-Glass Wars: Spies on British Screens since 1960 is a detailed historical and critical overview of espionage in British film and television in the important period since 1960. From that date, the British spy screen was transformed under the influence of the tremendous success of James Bond in the cinema (the spy thriller), and of the new-style spy writing of John le Carré and Len Deighton (the espionage story). In the 1960s, there developed a popular cycle of spy thrillers in the cinema and on television. The new study looks in detail at the cycle which in previous work has been largely neglected in favour of the James Bond films. The study also brings new attention to espionage on British television and popular secret agent series such as Spy Trap, Quiller and The Sandbaggers. It also gives attention to the more ‘realistic’ representation of spying in the film and television adaptations of le Carré and Deighton, and other dramas with a more serious intent. In addition, there is wholly original attention given to ‘nostalgic’ spy fictions on screen, adaptations of classic stories of espionage which were popular in the late 1970s and through the 1980s, and to ‘historical’ spy fiction, dramas which treated ‘real’ cases of espionage and their characters, most notably the notorious Cambridge Spies. Detailed attention is also given to the ‘secret state’ thriller, a cycle of paranoid screen dramas in the 1980s which portrayed the intelligence services in a conspiratorial light, best understood as a reaction to excessive official secrecy and anxieties about an unregulated security service. The study is brought up-to-date with an examination of screen espionage in Britain since the end of the Cold War. The approach is empirical and historical. The study examines the production and reception, literary and historical contexts of the films and dramas. It is the first detailed overview of the British spy screen in its crucial period since the 1960s and provides fresh attention to spy films, series and serials never previously considered.

A comprehensive two-volume overview and analysis of all facets of espionage in the American historical experience, focusing on key individuals and technologies. In two volumes, Spies, Wiretaps, and Secret Operation: An Encyclopedia of American Espionage ranges across history to provide a comprehensive, thoroughly up-to-date introduction to spying in the United States—why it is done, who does it (both for and against the United States), how it is done, and what its ultimate impact has been. The encyclopedia includes hundreds of entries in chronologically organized sections that cover espionage by and within the United States from colonial times to the 21st century. Entries cover key individuals, technologies, and events in the history of American espionage. Volume two offers overviews of important agencies in the American intelligence community and intelligence organizations in other nations (both allies and adversaries), plus details of spy trade techniques, and a concluding section on the portrayal of espionage in literature and film. The result is a cornerstone resource that moves beyond the Cold War-centric focus of other works on the subject to offer an authoritative contemporary look at American espionage efforts past and present.

St Ermin's Hotel has been at the centre of British intelligence since the 1930s, when it was known to MI6 as 'The Works Canteen'. Intelligence officers such as Ian Fleming and Noel Coward were to be found in the hotel's Caxton Bar, along with other less well-known names. Winston Churchill allegedly conceived the idea of the Special Operations Executive there over a glass (or two) of his favourite champagne in the early days of the Second World War, and the operation was started up in three gloomy rooms on the hotel's second floor, with the traitorous Cambridge Spies among its founders. When Stalin's Russia turned to a peacetime enemy in the Cold War that followed, Kim Philby and Guy Burgess handed over intelligence to their Russian counterparts in the dark corners of the hotel, while MI6 man George Blake operated as a Soviet double agent just across the road in Artillery Mansions. Meanwhile, St Ermin's proximity to government offices ensured its continued use by both domestic and foreign secret agents. In this first book on St Ermin's, Peter Matthews, a witness to the intelligence battle for supremacy between MI5, MI6 and the KGB, explores this remarkable true history that is more riveting than any spy novel.

With the end of the Cold War and the dawning of a new century, the U.S. intelligence system faces new challenges and threats. The system has suffered from penetration by foreign agents, cutbacks in resources, serious errors in judgment, and what appears to be bad management; nonetheless, it remains one of the key elements of America's strategic defense. Hulnick suggests that things are not as bad as they seem, that America's intelligence system is reasonably well prepared to deal with the many threats to national security. He examines the various functions of intelligence from intelligence gathering and espionage to the arcane fields of analysis, spy-catching, secret operations, and even the business of corporate espionage. Hulnick offers a variety of ideas for making the system work better and for attracting the kinds of new intelligence professionals who will build a stronger intelligence system in the next century. Fixing the Spy Machine suggests that the role of the Director of Central Intelligence, the person who runs both the CIA and oversees the U.S. Intelligence Community, should be depoliticized and made stronger. It also concludes that people are responsible for making the system function, not its bureaucratic structure. Still, intelligence managers are going to have to become less risk-averse and more flexible if the system is to function at its best.