Spiritual Direction From Dante Yearning For Paradisevolume 3

In Spiritual Direction from Dante: Yearning for Paradise, the Oratorian Father Paul Pearson provides a detailed but accessible spiritual commentary on the last volume of Dante's masterpiece, Divine Comedy. Fr. Pearson takes readers step-by-step through the text, explaining the spiritual lessons Dante intends his readers to learn. These lessons are particularly important, both in Dante's day and in our own, due to the watered-down image of heavenly bliss the world offers us. Dante's Paradiso corrects this misunderstanding, showing the faithful a paradise that is more real and more fulfilling than anything we have experienced here on earth or even dreamt of. Father Pearson's text is an indispensable companion to the poem for both the scholar and the neophyte. It brings Dante's poem and its lessons into our modern context so that readers will discover: our true individuality is not obliterated in heaven, but is allowed to continue, and is fostered and highlighted. even as we struggle now, we are never alone - everyone in heaven is interested and involved in our salvation. the human unity we strive for here (often unsuccessfully) is a shining fact there, with each person rejoicing in every other person's joys and working together for the salvation of those still striving for heaven. There we are finally understood fully and appreciated. all our human desires are fulfilled in heaven, not abandoned. Fr. Pearson, having already guided readers through the realms of hell and purgatory in this 3-part series, now brings before our eyes the saints and angels, the Virgin Mary, and the Blessed Trinity! But Spiritual Direction from Dante: Yearning for Heaven is more than a guide to the last book of Dante's Divine Comedy. It is an introduction and an invitation to eternal happiness, an invitation that is just as compelling as it was 700 years ago when Dante wrote it.

Hell and how to avoid it are perennial topics of interest for believing Christians and others. With good reason. Entire libraries have been written on the subject. Most people, even those familiar with his classic, do not realize that Dante Aligheri's Divine Comedy, chock-full as it is of history and politics, is a masterpiece of spiritual writing. The most famous of his three volumes is the Inferno, an account of Dante's journey through the underworld, where he sees the horror of sin firsthand. Join Dante and--guided by Oratorian Father Paul Pearson--with him . . . learn that the sufferings of the souls in hell are the natural consequences of the spiritual disorder of their sinful actions. develop a profound hatred for sin, not merely because it offends God, but because it will destroy your soul and thwart your happiness, both on earth and for eternity. observe the horrible punishments of the damned and be shocked into a state of enlightened self-interest. armed with the knowledge of what sin does to us, resolve to fight against it with all your strength. realize that this literary journey through hell is intended to lead you to heaven. A reading experience like no other, Spiritual Direction from Dante, will educate and entertain you, but most importantly, will help you avoid the inferno!

The Paradise, which Dante called the sublime canticle, is perhaps the most ambitious book of The Divine Comedy. In this climactic segment, Dante's pilgrim reaches Paradise and encounters the Divine Will. The poet's mystical interpretation of the religious life is a complex and exquisite conclusion to his magnificent trilogy. Mark Musa's powerful and sensitive translation preserves the intricacy of the work while rendering it in clear, rhythmic English. His extensive notes and introductions to each canto make accessible to all readers the diverse and often abstruse ingredients of Dante's unparalleled vision of the Absolute: elements of Ptolemaic astronomy, medieval astrology and science, theological dogma, and the poet's own personal experiences.

Do you long for the closeness with God that you've tasted in fleeting moments? You can begin to fill that longing by developing your capacity to receive and respond to God's love. In this rich resource Richard Foster and Gayle Beebe introduce you to people from the past who have known God deeply and model the seven paths to intimacy with God from Christian history.

Join Father Paul Pearson of the Oratory as he guides you on a spiritual journey through one of the great classics of Christian literature, Dante's Purgatorio. Purgatory is the least understood of the three possible "destinations" when we die (though unlike heaven or hell it is not an eternal one) and is mysterious to many Christians and even to many Catholics today. As he did in his first volume in the Spiritual Direction from Dante trilogy, Avoiding the Inferno, Father Pearson adroitly draws out the great spiritual insights hidden in The Divine Comedy. Learn how and why: Dante's presentation of Purgatory is something beautifully hopeful. Freedom is the dominant theme here and the rejoicing of captives delivered from their prisons the dominant tone. Purgatory is filled with good people, people well on their way to becoming saints. They are increasingly concerned for one another and generous, the more so the higher on the mountain they climb. They are interested in one another's well-being and rejoice in one another's victories as though they were their own. The sufferings on Mount Purgatory are not something that happens to the souls there; they happen for them. This has all been designed for their benefit, and they are grateful to God for making it possible. Purgatory is God's merciful plan for allowing us to rediscover the joy and freedom of being human, the joy for which we were created but which sin has smothered and distorted. This is what we can be. This is what we can begin to be, even now, if only we will separate ourselves from sin. What are we waiting for? Join Father Pearson in Ascending Mount Purgatory.

The third volume of Dante's Divine Comedy To the consternation of his more academic admirers, who believed Latin to be the only proper language for dignified verse, Dante wrote his Comedy in colloquial Italian, wanting it to be a poem for the common reader. Taking two threads of a story that everybody knew and loved – the story of a vision of Hell, Purgatory and Paradise, and the story of the lover who has to brave the Underworld to find his lost lady – he combined them into a great allegory of the soul’s search for God. He made it swift, exciting and topical, lavishing upon it all his learning and wit, all his tenderness, humour and enthusiasm, and all his poetry. In Paradise, Dante journeys through the encircling spheres of heaven towards God. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Dante Alighieri was early in recognizing that our age has a problem. His hometown, Florence, was at the epicenter of the move from the medieval world to the modern. He realized that awareness of divine reality was shifting, and that if it were lost, dire consequences would follow. The Divine Comedy was born in a time of troubling transition, which is why it still speaks today. Dante's masterpiece presents a cosmic vision of reality, which he invites his readers to traverse with him. In this narrative retelling and guide, from the gates of hell, up the mountain of purgatory, to the empyrean of paradise, Mark Vernon offers a vivid introduction and interpretation of a book that, 700 years on, continues to open minds and change lives.

Thirty-five years ago Roland Barthes proclaimed the death of the Author. For medievalists no death has been more timely. The essays in this volume create a prism through which to understand medieval authorship as a process and the medieval author as an agency in the making.