Split Splat

When a little girl ventures out into a spring rain with her dog, singing a simple, plain, pitter patter rain song, her neighbors soon join her for some muddy day fun.

This book develops ways of discussing musical practices to articulate a new approach to understanding connections between recordings, singers, and singing. Centred around materials from the mid-twentieth century, this book focuses on a time when composers and performers were questioning the idea of authorship within their musical practice. Materials drawn upon include recordings, scores, archival content, visual art, interviews, and liner notes to develop a rich conception of practices of performance. Analysis of performances include recordings of singers such as Cathy Berberian, Linda Hirst, Loré Lixenberg, Angelika Luz, and Meredith Monk. Compositions by Cathy Berberian, Luciano Berio, John Cage, and Manuel De Falla are considered. The book utilizes these sources to examine the collective way in which singers and composers form practices as multiple, transforming, emergent, and not hierarchical. The book articulates – with a detailed, close consideration of specific instances in recordings and scores – a relational understanding of performance. This book will be useful reading for students and scholars of music analysis, musicology, performance practice, and twentieth century vocal music.

Whether you're a teacher or parent of a struggling reader or a child with dyslexia, you can get help with this book of Orton-Gillingham strategies intended to improve phonetic knowledge and fluency for early readers. Designed as a supplemental text to Teach Reading with Orton-Gillingham but easy to use with any robust phonics programme, this book includes tons of activities for your students to overcome their difficulties with reading. It consists of five units that include decoding and encoding practice using the major tenets of Orton-Gillingham: explicit, systematic, individualised phonics practice with multisensory practice and delivery. Each lesson will offer either letter identification or spelling practice (writing or letter tiles); word cards (small flashcards) for word sorts; and letter, word, or sentence dictation. Also included in each lesson is a teacher's guide, along with helpful tips, verbal/listening activities, and easy-to-follow instructions. Created by literacy speci

Conversational narratives provide valuable resources for the discursive construction and invoking of personal and sociocultural identities. As such, their sociolinguistic and cultural analysis constitute a high priority in the agenda of discourse studies. This book contributes to the growing line of discourse-analytic research on the dynamic relations between narrative forms and functions and their immediate and wider communicative contexts. The volume draws on a large corpus of spontaneous, conversational stories recorded in Greece, where everyday stortytelling is a central mode of communication in the community’s interactional contexts and thus a rich site for a meaningful enactment of social stances, roles, and relations. The study brings to the fore the stories’ text-constitutive mechanisms and explores the ways in which they situate the narrated experiences globally, by invoking sociocultural knowledge and expectations, and locally, by making them sequentially and interactionally relevant to the specific conversational contexts. The stories’ micro- and macro-level analysis, richly illustrated with narrative transcripts throughout, leads to the uncovery of a global mode of narrative performance which is based on a closed set of recurrent devices. It is argued that the choice or avoidance of this mode is at the heart of the stories’ (re)constitution of a self, an other and a sociocultural world. The numerous cases of intergenerational narrative communication (adults-children) shed additional light on the performance’s contextualization aspects and contribute to the cross-cultural understanding of the dynamics of oral performances. Besides students and researchers of discourse analysis, sociolinguistics, anthropological linguistics, narrative analysis and Greek studies, this book will also appeal to all those interested in communication and cultural studies.

The acclaimed comic book war series from Don Lomax, nominated for a Harvey Award, is now presented as a series of graphic novel volume collections. Vietnam Journal is a look at the Vietnam War through the eyes of a war journalist Scott Neithammer, a freelance reporter the troops have nicknamed "Journal". As an embedded reporter, Neithammer has a single minded focus and obsession to report the controversial war from the "grunt’s" point of view and to hell with the consequences. It chronicles the lives and events of soldiers on the front line during the Vietnam War. Book One collects comic issues 1-4. Picked by Entertainment Weekly as "a graphic novel you should own" and recommended by the Military History Book Club, Vietnam Journal is written and drawn by Don Lomax, a Vietnam War veteran. Max Brooks (World War Z) names Vietnam Journal as one of his best war comic series. "Lomax bases his fictional work on his real experiences in Vietnam in 1966, with powerful results. It is Lomax's concern for average soldiers that, in the end, makes his work significant." - Publishers Weekly. "This is, without a doubt, the most graphic, realistic and emotionally powerful portrayal of the Vietnam War that's ever been seen in comic form." - Jason E. Aaron, Wizard’s 2008 Best Writer. Released by Caliber Comics.