Sputnik S Children

A literary, genre-bending novel full of heart Cult comic book creator Debbie Reynolds Biondi has been riding the success of her Cold War era–inspired superhero series, Sputnik Chick: Girl with No Past, for more than 25 years. But with the comic book losing fans and Debbie struggling to come up with new plotlines for her badass, mutant-killing heroine, she decides to finally tell Sputnik Chick’s origin story. Debbie’s never had to make anything up before and she isn’t starting now. Sputnik Chick is based on Debbie’s own life in an alternate timeline called Atomic Mean Time. As a teenager growing up in Shipman’s Corners — a Rust Belt town voted by Popular Science magazine as “most likely to be nuked” — she was recruited by a self-proclaimed time traveller to collapse Atomic Mean Time before an all-out nuclear war grotesquely altered humanity. In trying to save the world, Debbie risked obliterating everyone she’d ever loved — as well as her own past — in the process. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 16.0px Times; -webkit-text-stroke: #000000} span.s1 {font-kerning: none} Or so she believes . . . Present-day Debbie is addicted to lorazepam and dirty, wet martinis, making her an unreliable narrator, at best. A time-bending novel that delves into the origin story of the Girl with No Past, Sputnik’s Children explores what it was like to come of age in the Atomic Age.

An out-of-this-world funny book from master storyteller Frank Cottrell Boyce, with illustrations throughout by Steven Lenton.Light-hearted and profound' Sunday Times Book of the Week'Wholly original and exceptionally funny' Bookseller Book of the MonthThe Blythes are a big, warm, rambunctious family who live on a small farm and sometimes foster children. Now Prez has come to live with them. But, though he seems cheerful and helpful, he never says a word.Then one day Prez answers the door to someone claiming to be his relative. This small, loud stranger carries a backpack, walks with a swagger and goes by the name of Sputnik.As Prez dithers on the doorstep, Sputnik strolls right past him and introduces himself to everyone in the household. Prez is amazed at the response. The family pat Sputnik on the head, call him a good boy and drop food into his mouth. It seems they all think Sputnik is a dog. It's only Prez who thinks otherwise.But Prez soon finds himself having to defend the family from the chaos and danger unleashed by Sputnik, as household items come to life - like a TV remote that fast-forwards people: 'Anyone can do it, it's just that people don't read the instructions properly'; and a toy lightsaber that entertains guests at a children's party, until one of them is nearly decapitated by it - and Prez is going to have to use his voice to explain himself.It turns out that Sputnik is writing a guidebook to Earth called Ten Things Worth Doing on Earth, and he takes Prez on a journey to discover just those ten things. Each adventure seems to take Prez nearer to the heart of the family he is being fostered by. But they also take him closer to the day that he is due to leave them forever...

“It does what readers ask of a Storyteller: keeps things fast-moving and entertaining. It’s a breezy joy.” — Publishers Weekly “Together, the Sisters Sputnik are the badassest kickass duo since Tank Girl and Jet Girl. If you like your speculative fiction sardonic, weird, sprightly and intelligent, you will love this splendid book.” — Candas Jane Dorsey, author of Black Wine and Ice and Other Stories An odyssey wrapped in a love story, set in a near-future of artificial people The Sisters Sputnik are a time-traveling trio of storytellers-for-hire who are much in demand throughout the multiverse of 2,052 alternate worlds. Each world was created by the detonation of a nuclear bomb in Earth Standard Time, home of the Sisters’ leader, aging comic book creator Debbie Reynolds Biondi, her 20-something apprentice Unicorn Girl, and their pop culture–loving AI, Cassandra. Tales of Earth Standard Time-That-Was, from World Wars to the space race to Hollywood celebrities, have turned the Sisters into storytelling rock stars. In a distant reality where books and music have disappeared, Debbie finds herself in bed with an old Earth Standard Time lover who begs her to tell him a story. Over one long, eventful night, she spins the epic of the Sisters’ adventures in alternate realities, starting with the theft of a book of evil comic strips in a post-pandemic Toronto full of ghost kitchens and robot-worshipping lost children known as junksters, to a disco-era purgatory where synthetic people are sending humans into the past through a reverse-engineered Statue of Liberty, to a version of the 1950s where the Sisters meet a rising star named Frank Sinatra and his girlfriend, the once-and-future Queen of England.

In Niagara of the 1960s, a mysterious proxy bride arrives from Italy to marry a candy shop owner with crime connections, only to fall in love with her proxy husband's teenaged son. Part fairy tale, part gritty realism, The Proxy Bride explores the underbelly of a southern Ontario community steeped in gambling, smuggling and pornography. Terri Favro's The Proxy Bride is a brilliantly constructed tale of innocence versus wickedness.

In this volume González explores how the effects of a traumatic colonial experience are (re)presented to Latin American children today, almost two centuries after the dismantling of colonialism proper. Central to this study is the argument that the historical constraints of colonialism, neocolonialism, and postcolonialism have generated certain repeating themes and literary strategies in children’s literature throughout the Spanish-speaking Americas. From the outset of Spanish domination, fundamental tensions emerged between the colonizers and native groups that still exist to this day. Rather than a felicitous mixing of these two opposing groups, the mestizo is caught between contrasting worldviews, contending explanations of reality, and different values, beliefs, and epistemologies (that is, different ways of seeing and knowing). Postcolonial subjects experience these contending cultural beliefs and practices as a double bind, a no-win situation, in which they feel pressured by mutually exclusive expectations and imperatives. Latin American mestizos, therefore, are inevitably conflicted. Despite the vastness of the geography in question and the innumerable variations in regional histories, oral traditions, and natural settings, these contradictory demands create a pervasive dynamic that penetrates the very fabric of society, showing up intentionally or not in the stories passed from generation to generation as well as in new stories written or adapted for Spanish-speaking children. The goal of this study, therefore, is to examine a variety of children’s texts from the region to determine how national and hemispheric perceptions of reality, identity, and values are passed to the next generation. This book will appeal to scholars in the fields of Latin American literary and cultural studies, children’s literature, postcolonial studies, and comparative literature.

Part romance, part detective story, Sputnik Sweetheart tells the story of a tangled triangle of uniquely unrequited love. Now with a new introduction from the author. K is madly in love with his best friend, Sumire, but her devotion to a writerly life precludes her from any personal commitments. At least, that is, until she meets an older woman to whom she finds herself irresistibly drawn. When Sumire disappears from an island off the coast of Greece, K is solicited to join the search party—and finds himself drawn back into her world and beset by ominous visions. Subtle and haunting, Sputnik Sweetheart is a profound meditation on human longing.