Spy Fiction Spy Films And Real Intelligence

This book won the Canadian Crime Writers' Arthur Ellis Award for the Best Genre Criticism/Reference book of 1991. This collection of essays is an attempt to explore the history of spy fiction and spy films and investigate the significance of the ideas they contain. The volume offers new insights into the development and symbolism of British spy fiction.

This book won the Canadian Crime Writers' Arthur Ellis Award for the Best Genre Criticism/Reference book of 1991. This collection of essays is an attempt to explore the history of spy fiction and spy films and investigate the significance of the ideas they contain. The volume offers new insights into the development and symbolism of British spy fiction.

The Historical Dictionary of British Spy Fiction is a detailed overview of the rich history and achievements of the British espionage story in literature, cinema and television. It provides detailed yet accessible information on numerous individual authors, novels, films, filmmakers, television dramas and significant themes within the broader field of the British spy story. It contains a wealth of facts, insights and perspectives, and represents the best single source for the study and appreciation of British spy fiction. British spy fiction is widely regarded as the most significant and accomplished in the world and this book is the first attempt to bring together an informed survey of the achievements in the British spy story in literature, cinema and television. The Historical Dictionary of British Spy Fiction contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 200 cross-referenced entries on individual authors, stories, films, filmmakers, television shows and the various sub-genres of the British spy story. This book is an excellent access point for students, researchers, and anyone wanting to know more about British spy fiction.

'The Big Clock' by Kenneth Fearing is a thriller that delves into a web of deception and murder. Follow George Stroud, a complex character who is entangled in an affair with his boss's girlfriend, Pauline. As secrets unravel and tensions rise, Earl Janoth, George's boss, commits a shocking act of violence. In a desperate attempt to cover up the crime, Earl and his associate, Steve Hagen, launch an intense manhunt for the mysterious witness—unaware that George himself holds the key to their downfall. With cunning twists and turns, Fearing's masterful narrative keeps readers on the edge of their seats until the final shocking revelation.

Espionage in British Fiction and Film Since 1900 traces the history and development of the British spy novel from its emergence in the early twentieth century, through its growth as a popular genre during the Cold War, to its resurgence in the early twenty-first century. Using an innovative structure, the chapters focus on specific categories of fictional spying (such as the accidental spy or the professional) and identify each type with a vital period in the evolution of the spy novel and film. A central section of the book considers how, with the creation of James Bond by Ian Fleming in the 1950s, the professional spy was launched on a new career of global popularity, enhanced by the Bond film franchise. In the realm of fiction, a glance at the fiction bestseller list will reveal the continuing appeal of novelists such as John le Carré, Frederick Forsyth, Charles Cumming, Stella Rimington, Daniel Silva, Alec Berenson, Christopher Reich—to name but a few—and illustrates the continued fascination with the spy novel into the twenty-first century, decades after the end of the Cold War. There is also a burgeoning critical interest in spy fiction, with a number of new studies appearing in recent years. A genre that many believed would falter and disappear after the fall of the Berlin Wall and the collapse of the Soviet empire has shown, if anything, increased signs of vitality. While exploring the origins of the British spy, tracing it through cultural and historical events, Espionage in British Fiction and Film Since 1900 also keeps in focus the essential role of the “changing enemy”—the chief adversary of and threat to Britain and its allies—in the evolution of spy fiction and cinema. The book concludes by analyzing examples of the enduring vitality of the British spy novel and film in the decades since the end of the Cold War.

In Spy Runner, a noir mystery middle grade novel from Newbery Honor author Eugene Yelchin, a boy stumbles upon a secret that jeopardizes American national security.

In this book, Paul Lynch explores the genre of the British conspiracy thriller, a confrontational and dark response to what novelists and filmmakers perceived as an increasingly Orwellian secret state in the political landscape of the time. Through analyses of a variety of film and television productions, Lynch examines the ways in which they were influenced by their Hollywood and European counterparts and the work of John le Carré, conveying the real-world practices of the British intelligence services that served as inspiration and evaluating the genre’s effectiveness in providing meaningful political commentary to mainstream audiences. Lynch draws on extensive interviews with novelists, film producers, screenwriters, and directors to form the basis of detailed and original case studies about films such as Defence of the Realm (1986), The Whistle Blower (1986), and The Fourth Protocol (1987). In addition to these case studies, Lynch also includes declassified intelligence material and interviews with former members of the intelligence community to reveal the extent to which popular television and cinema accurately reflected the inner workings of the security services at that time. Scholars of film studies, cultural history, political science, and adaptation studies will find this book of particular interest.

At the dawn of the twentieth century, British intelligence agents began to venture in increasing numbers to the Arab lands of the Ottoman Empire, a region of crucial geopolitical importance spanning present-day Iraq, Jordan, Syria, and Saudi Arabia. They were drawn by the twin objectives of securing the land route to India and finding adventure and spiritualism in a mysterious and ancient land. But these competing desires created a dilemma: how were they to discreetly and patriotically gather facts in a region they were drawn to for its legendary inscrutability and by the promise of fame and escape from Britain? In this groundbreaking book, Priya Satia tracks the intelligence community's tactical grappling with this problem and the myriad cultural, institutional, and political consequences of their methodological choices during and after the Great War. She tells the story of how an imperial state in thrall to the cultural notions of equivocal agents and beset by an equally captivated and increasingly assertive mass democracy invented a wholly new style of "covert empire" centered on the world's first brutal aerial surveillance regime in Iraq. Drawing on a wealth of archival sources--from the fictional to the recently declassified--this book explains how Britons reconciled genuine ethical scruples with the actual violence of their Middle Eastern empire. As it vividly demonstrates how imperialism was made fit for an increasingly democratic and anti-imperial world, what emerges is a new interpretation of the military, cultural, and political legacies of the Great War and of the British Empire in the twentieth century. Unpacking the romantic fascination with "Arabia" as the land of espionage, Spies in Arabia presents a stark tale of poetic ambition, war, terror, and failed redemption--and the prehistory of our present discontents.