St Augustine And Plotinus The Human Mind As Image Of The Divine

In Augustine and Plotinus: the Human Mind as Image of the Divine Laela Zwollo explores the doctrines of the image of God (the human soul or intellect) of two of the most influential thinkers of late antiquity: the Christian Augustine of Hippo and the Neo-Platonist Plotinus.

The question of what it means for Christ to be the "image of God," or imago dei, lies at the heart of the Christological debates of the fourth century. In this book, Gerald P. Boersma examines three Western pro-Nicene theologies of the imago dei, which tackle the question of whether human beings and Christ can both be considered to be the "image of God." Boersma goes on to examine Augustine's early theology of the imago dei, prior to his ordination (386-391). He argues that although Augustine's early theology of image builds on that of Hilary of Poitiers, Marius Victorinus, and Ambrose of Milan, Augustine was able to affirm, in ways that his predecessors were not, how both Christ and the human person can be considered the imago dei.

St. Augustine is the bridge that links ancient philosophy and early Christian theology to the thought patterns of the Middle Ages. But the influence of Augustine's philosophy in general and his epistemology in particular extends far beyond medieval philosophy. Such modern philosophers as Descartes and Malebranche carry the stamp of Augustinism upon their philosophies. What is not so well known is that even some of the most original ideas of Berkeley and Kant can be found anticipated in Augustine.

This book addresses the mid-rank of the soul theme as it emerges in Plotinus and Augustine in the context of their respective interpretations of universal order. They both use the journey metaphor to describe the soul's progress through the turbulent "sea" of earthly existence.

In our current pluralist context, there is no clearly designated means of valuing or defining the human person. Matthew Drever shows that in the writings of St. Augustine we find a concept of the human person that is fluid, tenuous, prone to great good and great vice, and influenced deeply by the wider spiritual and material environment. Through an examination of his account of the human relation to God, Drever demonstrates how Augustine can offer a crucial resource for a religious reorientation and revaluation of the human person. Drever focuses particularly on the concepts of the imago dei and creatio ex nihilo, significant for their influence on Augustine's understanding of the human person and for their potential to bridge his and our own world. Though rooted in Augustine's early work, these concepts are developed fully in his later writings: his Genesis commentaries and On the Trinity in particular. Drever examines how in these later writings the origin (creatio ex nihilo) and identity (imago dei) of the human person intersect with Augustine's understanding of creation, Christ, and the Trinity. Image, Identity, and the Forming of the Augustinian Soul constructs an interpretation of Augustine's view of the person that acknowledges its classical context while also addressing contemporary theological and philosophical appropriations of Augustine and the issues that animate them.

To Know God and the Soul presents a collection of essays on Augustine of Hippo written over the past twenty-five years by renowned philosopher Roland Teske.

Matthias Smalbrugge compares modern images to plays without a script: while they appear to refer to a deeper identity or reality, it is ultimately the image itself that truly matters. He argues that our modern society of images is the product of a destructive tendency in the Christian notion of the image in general, and Augustine of Hippo's in particular. This insight enables him to decode our current 'scripts' of image. As we live in an increasingly visual culture, we are constantly confronted with images that seem to exist without a deeper identity or reality – but did this referential character really get lost over time? Smalbrugge first explores the roots of the modern image by analysing imagery, what it represents, and its moral state within the framework of Platonic philosophy. He then moves to the Augustinian heritage, in particular the Soliloquies, the Confessions and the Trinity, where he finds valuable insights into images and memory. He explores within the trinitarian framework the crossroads of a theology of grace and a theology based on Neoplatonic views. Smalbrugge ultimately answers two questions: what happened to the referential character of the image, and can it be recovered?

Newer formulations of the problem of evil include James Sterba’s argument from the Pauline Principle, J. L. Schellenberg’s divine hiddenness argument, Stephen Law’s evil-god challenge, and Nick Trakakis’s anti-theodicy. In this book, B. Kyle Keltz defends classical theism against these formulations using Thomas Aquinas’s philosophical theology.