Stalinism

This wide-ranging cultural history explores the expression of Bolshevik Party ideology through the lens of landscape, or, more broadly, space. Portrayed in visual images and words, the landscape played a vital role in expressing and promoting ideology in the former Soviet Union during the Stalin years, especially in the 1930s. At the time, the iconoclasm of the immediate postrevolutionary years had given way to nation building and a conscious attempt to create a new Soviet �culture.� In painting, architecture, literature, cinema, and song, images of landscape were enlisted to help mold the masses into joyful, hardworking citizens of a state with a radiant, utopian future -- all under the fatherly guidance of Joseph Stalin. From backgrounds in history, art history, literary studies, and philosophy, the contributors show how Soviet space was sanctified, coded, and �sold� as an ideological product. They explore the ways in which producers of various art forms used space to express what Katerina Clark calls �a cartography of power� -- an organization of the entire country into �a hierarchy of spheres of relative sacredness,� with Moscow at the center. The theme of center versus periphery figures prominently in many of the essays, and the periphery is shown often to be paradoxically central. Examining representations of space in objects as diverse as postage stamps, a hikers� magazine, advertisements, and the Soviet musical, the authors show how cultural producers attempted to naturalize ideological space, to make it an unquestioned part of the worldview. Whether focusing on the new or the centuries-old, whether exploring a built cityscape, a film documentary, or the painting Stalin and Voroshilov in the Kremlin, the authors offer a consistently fascinating journey through the landscape of the Soviet ideological imagination. Not all features of Soviet space were entirely novel, and several of the essayists assert continuities with the prerevolutionary past. One example is the importance of the mother image in mass songs of the Stalin period; another is the "boundless longing" inspired in the Russian character by the burden of living amid vast empty spaces. But whether focusing on the new or the centuries-old, whether exploring a built cityscape, a film documentary, or the painting Stalin and Voroshilov in the Kremlin, the authors offer a consistently fascinating journey through the landscape of the Soviet ideological imagination.

First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

Focusing on urban areas in the 1930s, this college professor illuminates the ways that Soviet city-dwellers coped with this world, examining such diverse activities as shopping, landing a job, and other acts.

How the last years of Stalin’s rule led to the formation ofan imperial Soviet consciousness In this nuanced historical analysis of late Stalinism organized chronologically around the main events of the period—beginning with Victory in May 1945 and concluding with the death of Stalin in March 1953—Evgeny Dobrenko analyzes key cultural texts to trace the emergence of an imperial Soviet consciousness that, he argues, still defines the political and cultural profile of modern Russia.

One of the most successful dictators of the twentieth century, Stalin transformed the Communist Party of the Soviet Union into one of the world’s leading political parties. Stalin and Stalinism explores how he ammassed, retained and deployed power to dominate, not only his close associates, but the population of the Soviet Union and Soviet Empire. Moving from leader to autocrat and finally despot, Stalin played a key role in shaping the first half of the twentieth century with, at one time, around one-third of the planet adopting his system. His influence lives on – despite turning their backs on Stalin’s anti-capitalism in the later twentieth century, countries such as China and Vietnam retain his political model – the unbridled power of the Communist Party. First published in 1983, Stalin and Stalinism has established itself as one of the most popular textbooks for those who want to understand the Stalin phenomenon. This updated fourth edition draws on a wealth of new publications, and includes increased discussion on culture, religion and the new society that Stalin fashioned as well as more on spying, Stalin's legacy, and his character as well as his actions. Supported by a chronology of key events, Who’s Who and Guide to Further Reading, this concise assessment of one of the major figures of the twentieth-century world history remains an essential read for students of the subject.

In old Russia, patron/client relations, "clan" politics, and a variety of other informal practices spanned the centuries. Government was understood to be patrimonial and personal rather than legal, and office holding was far less important than proximity to patrons. Working from heretofore unused documents from the Communist archives, J. Arch Getty shows how these political practices and traditions from old Russia have persisted throughout the twentieth-century Soviet Union and down to the present day. Getty examines a number of case studies of political practices in the Stalin era and after. These include cults of personality, the transformation of Old Bolsheviks into noble grandees, the Communist Party's personnel selection system, and the rise of political clans ("family circles") after the 1917 Revolutions. Stalin's conflicts with these clans, and his eventual destruction of them, were key elements of the Great Purges of the 1930s. But although Stalin could destroy the competing clans, he could not destroy the historically embedded patron-client relationship, as a final chapter on political practice under Putin shows.

"Maybe some people are shy about writing, but I will write the real truth. . . . Is it really possible that people at the newspaper haven't heard this. . . that we don't want to be on the kolkhoz [collective farm], we work and work, and there's nothing to eat. Really, how can we live?"-a farmer's letter, 1936, from Stalinism as a Way of Life What was life like for ordinary Russian citizens in the 1930s? How did they feel about socialism and the acts committed in its name? This unique book provides English-speaking readers with the responses of those who experienced firsthand the events of the middle-Stalinist period. The book contains 157 documents-mostly letters to authorities from Soviet citizens, but also reports compiled by the secret police and Communist Party functionaries, internal government and party memoranda, and correspondence among party officials. Selected from recently opened Soviet archives, these previously unknown documents illuminate in new ways both the complex social roots of Stalinism and the texture of daily life during a highly traumatic decade of Soviet history. Accompanied by introductory and linking commentary, the documents are organized around such themes as the impact of terror on the citizenry, the childhood experience, the countryside after collectivization, and the role of cadres that were directed to "decide everything." In their own words, peasants and workers, intellectuals and the uneducated, adults and children, men and women, Russians and people from other national groups tell their stories. Their writings reveal how individual lives influenced-and were affected by-the larger events of Soviet history.

Deals with the period of takeover and of 'high Stalinism' in Eastern Europe (1945–1955). These years are considered to be fundamentally characterized by institutional and ideological transfers based upon the premise of radical transformism and of cultural revolution. Both a balance-sheet and a politico-historical synthesis that reflects the archival and thematic novelties which came about in the field of communism studies after 1989.