Stalking The Goddess

In 1948 Robert Graves published The White Goddess. His study of poetic mysticism and goddess worship has since become a founding text of Western paganism. As Wicca emerged from what Graves called, a few hopeful young people in California, to over two million strong, The White Goddess has achieved near liturgical status. This rising appreciation brings all the problems of liturgical texts. Many pagans consider Graves’ work like the goddess herself; awe inspiring but impenetrable. Stalking The Goddess is the first extensive examination of this enigmatic text to come from the pagan community and guides readers through bewildering forests of historical sources, poems, and Graves’ biography to reveal his unorthodox claims and entrancing creative process. Relentlessly perusing each path, it explores the uncharted woods and reveals the hidden signposts Graves has posted. The hunt for the goddess spans battlefields, ancient manuscripts, the British museum, and Stonehenge. En route we encounter not only the goddess herself but her three sacred animals; dog, roebuck, and lapwing. Perhaps the muse cannot be captured on her own grounds, but now at least there is a map. ,

An updated approach for working with the Triple Goddess in modern times The Triple Goddess has three facets: the maiden, the mother, and the crone. The Triple Goddess represents many things such as birth, life, death and the phases of the moon, waxing, full and waning. Whilst in the form we recognise it may well be a modern idea, it still gives a wonderful way of working with the goddess and her phases, to help us evolve and understand our own pathway through life and this journey can help you to embrace your own personal power.

"Underwater archaeologist, Marguerite Delaney has been using a sunken model of a Minoan Goddess Ship as a teaching tool, when the charming Lily Barton, wife of her department chair, is found dead, tied to the wreck. Despite her protestations of innocence, Marguerite is the prime suspect--after all, her lover Stephanie was having an affair with the victim. While searching for motives in Lily's past, PI Cal Meredith uncovers a sordid web of exploitation. Suspects and villains abound in this complex mystery set against a background of fishing boats and cold water scuba diving in the Pacific Northwest."--Page [4] of cover.

Philosophy was invented by pagans. Yet this fact is almost always ignored by those who write the history of ideas. This book tells the history of the pagan philosophers, and the various places where their ideas appeared, from ancient times to the 21st century. The Pagan philosophers are a surprisingly diverse group: from kings of great empires to exiled lonely wanderers, from devout religious teachers to con artists, drug addicts, and social radicals. Three traditions of thought emerge from their work: Pantheism, NeoPlatonism, and Humanism, corresponding to the immensities of the Earth, the Gods, and the Soul. From ancient schools like the Stoics and the Druids, to modern feminists and deep ecologists, the pagan philosophers examined these three immensities with systematic critical reason, and sometimes with poetry and mystical vision. This book tells their story for the first time in one volume, and invites you to examine the immensities with them. And as a special feature, the book includes summaries of the ideas of leading modern pagan intellectuals, in their own words: Emma Restall Orr, Michael York, John Michael Greer, Vivianne Crowley, and more

This book provides a critical reappraisal of Barbara Creed’s ground-breaking work of feminist psychoanalytic film scholarship, The Monstrous-Feminine, which was first published in 1993. The Monstrous-Feminine married psychoanalytic thinking with film analysis in radically new ways to provide an invaluable corrective to conventional approaches to the study of women in horror films, with their narrow emphasis on woman’s victimhood. This volume, which will mark 25 years since the publication of The Monstrous-Feminine, brings together essays by international scholars working across a variety of disciplines who take up Creed’s ideas in new ways and fresh contexts or, more broadly, explore possible futures for feminist and/or psychoanalytically informed art history and film theory.

In a brilliant mix of magic, history, and romance, M. K. Hobson moves her feisty young Witch, Emily Edwards, from the Old West of 1876 to turn-of-the-nineteenth-century New York City, whose polished surfaces conceal as much danger as anything west of the Rockies. Like it or not, Emily has fallen in love with Dreadnought Stanton, a New York Warlock as irresistible as he is insufferable. Newly engaged, she now must brave Dreadnought’s family and the magical elite of the nation’s wealthiest city. Not everyone is pleased with the impending nuptials, especially Emily’s future mother-in-law, a sociopathic socialite. But there are greater challenges still: confining couture, sinister Russian scientists, and a deathless Aztec goddess who dreams of plunging the world into apocalypse. With all they must confront, do Emily and Dreadnought have any hope of a happily-ever-after?

Gertrude Stein called it “the only really modern novel form that has come into existence,” yet the mystery genre was a century old before it featured its first gay main character in a novel. Since then, gay and lesbian detective fiction has been one of the fastest growing segments of the genre. It incorporates gay and lesbian cultural elements and offers crossover appeal. Its authors call upon a century of development in the mystery genre, while providing new, more accurate images of lesbians and gay men than generally found in mainstream literature and popular media. This groundbreaking study of gay and lesbian detective fiction examines mystery series and historically significant stand-alone novels published since the early 1960s. Part I is an overview that describes how these novels make gay and lesbian life visible and forge new, powerful images. It also examines how they fit into the larger history of mystery fiction. The series analyses in Part II are grouped according to the type of main character (police officer, private investigator, amateur sleuth, etc.). Each section discusses main and secondary characters of that type, characteristic themes for the group, and more. The analyses of individual series cover main characters, themes, plot points and other elements. Comments from authors interviewed for this book play a central role in those analyses. Part III lists series-spanning themes (e.g., homophobia, the closet, gay marriage) and the novels and series that address each of those themes.

Who or What is Behind the Cattle Mutilations? The cattle mutilation phenomenon is an ongoing mystery that has endured for almost 50 years. What have we learned, if anything, from the countless reports filed? Who or what is behind the death and disfigurement of livestock reported as mutilated around the globe? Are these deaths simply attributable to natural predators and scavengers? Or is the military/government somehow involved; perhaps monitoring “mad cow disease”? Are the deaths the action of ritual “cultists” as police say the evidence would suggest? Is it possible that alien predators are involved, as some researchers and the media have suggested? Are black helicopters or UFOs related to the cattle mutilation phenomenon as many witnesses have claimed? Regardless of who or what is responsible, what are the motivations behind perpetrating what may be the greatest unsolved serial crime spree of all time? Stalking the Herd addresses these questions in depth and also offers an objective look at the history of our venerated relationship with cattle, the first domesticated livestock. Is there a connection between these ritualistic cattle deaths and humankind’s ancient practice of animal sacrifice? Why are there no Brahman cattle mutilations in India where cattle are revered to this day? Are aliens gathering genetic material for unknown purposes? What about the thousands of pounds of scientific forensic evidence? Are some hidden sections of the military conducting secret projects that—for some reason known only to them—involve the mutilation of hundreds of cattle in an area that includes Colorado Springs, the NORAD command base inside Cheyenne Mountain and the strange little town called Dulce on a small Apache Reservation?