Stan Lee S Lucky Man 3

“Stan Lee’s Lucky Man” follows the story of detective Harry Clayton after he is unwillingly granted the power to control luck – for good and bad… This comic is an extension of the hit TV series and explores the origins of the bracelet that gives him this power.

DI Harry Clayton is a detective in London's Murder Squad. Suffering from an addiction to gambling, Clayton becomes the recipient of an ancient bracelet after a night spent with the mysterious Eve. Although this bracelet grants him supernatural luck, it always comes at a price - and not always one he is willing to pay. After many unsuccessful attempts to remove the bracelet, Harry goes to his half brother Rich Clayton, hoping that he'll be able to shed some light on where the bracelet came from - and hopefully, how he can remove it.

“Stan Lee’s Lucky Man” follows the story of detective Harry Clayton after he is unwillingly granted the power to control luck – for good and bad… This comic is an extension of the hit TV series and explores the origins of the bracelet that gives him this power.

Stan Lee's Lucky Man follows the story of detective Harry Clayton after he is unwillingly granted the power to control luck, for good and bad! This comics is an extension of the hit television series and explores the origins of the bracelet that gives him his power.

Beliefs, superstitions and tales about luck are present across all human cultures, according to anthropologists. We are perennially fascinated by luck and by its association with happiness and danger, uncertainty and aspiration. Yet it remains an elusive, ungraspable idea, one that slips and slides over time: all cultures reimagine what luck is and how to tame it at different stages in their history, and the modernity of the ‘long twentieth century’ is no exception to the rule. Apparently overshadowed by more conceptually tight, scientific and characteristically modern notions such as chance, contingency, probability or randomness, luck nevertheless persists in all its messiness and vitality, used in our everyday language and the subject of studies by everyone from philosophers to psychologists, economists to self-help gurus. Modern Luck sets out to explore the enigma of luck’s presence in modernity, examining the hybrid forms it has taken on in the modern imagination, and in particular in the field of modern stories. Indeed, it argues that modern luck is constituted through narrative, through modern luck stories. Analysing a rich and unusually eclectic range of narrative taken from literature, film, music, television and theatre – from Dostoevsky to Philip K. Dick, from Pinocchio to Cimino, from Curtiz to Kieślowski – it lays out first the usages and meanings of the language of luck, and then the key figures, patterns and motifs that govern the stories told about it, from the late nineteenth century to the present day.