Stars Like Us

From the winner of the Ampersand Prize comes this smart, swoony LGBTQ YA novel about a teenage band on the way to the top – so long as they can hold it together. Liliana’s hitting all the wrong notes. She’s a sixteen-year-old exchange student with a secret crush on Carter, her new band’s smoking hot guitarist – but she’s also got a girlfriend back home. So when she writes a song about him and it lands the band a record deal, she quickly realises she’s in hot water. Soon, Liliana will have to choose – between an alluring boy and the girl she left behind, between love and lust, and between the fame that beckons and staying true to the music that’s in her heart. With shades of hit TV series Nashville, the musical passion of Nick and Norah's Infinite Playlist and the band drama of Fleetwood Mac, this brilliant own-voices YA debut is perfect for music lovers everywhere.

“Suspenseful…emotionally compelling. I found myself eagerly following in a way I hadn’t remembered for a long time, impatient for the next twist and turn of the story."—NPR An Afghan American woman returns to Kabul to learn the truth about her family and the tragedy that destroyed their lives in this brilliant and compelling novel from the bestselling author of The Pearl That Broke Its Shell, The House Without Windows, and When the Moon Is Low. Kabul, 1978: The daughter of a prominent family, Sitara Zamani lives a privileged life in Afghanistan’s thriving cosmopolitan capital. The 1970s are a time of remarkable promise under the leadership of people like Sardar Daoud, Afghanistan’s progressive president, and Sitara’s beloved father, his right-hand man. But the ten-year-old Sitara’s world is shattered when communists stage a coup, assassinating the president and Sitara’s entire family. Only she survives. Smuggled out of the palace by a guard named Shair, Sitara finds her way to the home of a female American diplomat, who adopts her and raises her in America. In her new country, Sitara takes on a new name—Aryana Shepherd—and throws herself into her studies, eventually becoming a renowned surgeon. A survivor, Aryana has refused to look back, choosing instead to bury the trauma and devastating loss she endured. New York, 2008: Thirty years after that fatal night in Kabul, Aryana’s world is rocked again when an elderly patient appears in her examination room—a man she never expected to see again. It is Shair, the soldier who saved her, yet may have murdered her entire family. Seeing him awakens Aryana’s fury and desire for answers—and, perhaps, revenge. Realizing that she cannot go on without finding the truth, Aryana embarks on a quest that takes her back to Kabul—a battleground between the corrupt government and the fundamentalist Taliban—and through shadowy memories of the world she loved and lost. Bold, illuminating, heartbreaking, yet hopeful, Sparks Like Stars is a story of home—of America and Afghanistan, tragedy and survival, reinvention and remembrance, told in Nadia Hashimi’s singular voice.

With 8 Pages of Black-and-White Photographs In this captivating history of stardom, Boston Globe film critic Ty Burr traces our obsession with fame from the dawn of cinema through the age of the Internet. Why do we obsess over the individuals we come to call stars? How has both the image of stardom and our stars' images changed over the past hundred years? What does celebrity mean if people can now become famous simply for being famous? With brilliant insight and entertaining examples, Burr reveals the blessings and the curses of celebrity for the star and the stargazer alike. From Mary Pickford and Charlie Chaplin, to Archie Leach (a.k.a. Cary Grant), Tom Cruise, and Julia Roberts, to such no-cal stars of today as the Kardashians and the new online celebrity, Gods Like Us is a journey through the fame game at its flashiest, most indulgent, occasionally most tragic, and ultimately it's most culturally revealing.

The story of a truly galactic civilization with over 6,000 inhabited worlds. Stars in My Pocket Like Grains of Sand is a science fiction masterpiece, an essay on the inexplicability of sexual attractiveness, and an examination of interstellar politics among far-flung worlds. First published in 1984, the novel's central issues—technology, globalization, gender, sexuality, and multiculturalism—have only become more pressing with the passage of time. The novel's topic is information itself: What are the repercussions, once it has been made public, that two individuals have been found to be each other's perfect erotic object out to "point nine-nine-nine and several nines percent more"? What will it do to the individuals involved, to the city they inhabit, to their geosector, to their entire world society, especially when one is an illiterate worker, the sole survivor of a world destroyed by "cultural fugue," and the other is—you!

In the magical time between night and day, when both the sun and the moon are in the sky, a child is born in a little blue house on a hill. And Miu Lan is not just any child, but one who can change into any shape they can imagine. The only problem is they can't decide what to be: A boy or a girl? A bird or a fish? A flower or a shooting star? At school, though, they must endure inquisitive looks and difficult questions from the other children, and they have trouble finding friends who will accept them for who they are. But they find comfort in the loving arms of their mother, who always offers them the same loving refrain: "whatever you dream of / i believe you can be / from the stars in the sky to the fish in the sea." In this captivating, beautifully imagined picture book about gender, identity, and the acceptance of the differences between us, Miu Lan faces many questions about who they are and who they may be. But one thing's for sure: no matter what this child becomes, their mother will love them just the same. Kai Cheng Thom is a writer, performance artist, and psychotherapist in Toronto. Her first poetry book, a Place Called No Homeland, was published in 2017. Kai Yun Ching is a community-based organizer, educator, and illustrator in Montreal. Wai-Yant Li is a ceramics artist and illustrator in Montreal.

Us Weekly reveals the secrets of celebrity style. The editors of the country's hottest celebrity magazine unlock the fashion secrets of the stars and help readers get gorgeous! Whether they're snapped walking down a red carpet or a city street, stars like Jennifer Aniston, Gwyneth Paltrow, Jennifer Lopez, and Jessica Simpson never look anything but drop-dead gorgeous. In Valentino or a pair of Levi's, attending a premiere or running from the paparazzi, today's stars always manage to pull it off. Now readers can crib their fashion secrets in Us Secrets of Celebrity Style, the first book from Us Weekly, the mega-selling magazine that has become the nation's celebrity bible. Readers will learn where to shop, what to wear, and how to wear it, including solutions for both daytime and nighttime glamour. They'll get insight from the Us experts on how to minimize flaws and maximize assets, as well as in-depth advice on dressing for any occasion, and the inside tricks that Hollywood's top stylists use to make the stars look perfect. Splashed with the color, gloss, and celebrity photography that the magazine is known for, Us Secrets of Celebrity Style gives readers a total guide to looking good -- and shows that you don't need an army of groomers and stylists, or a large stash of cash, to look your best.

In Just Like Us: Digital Debates on Feminism and Fame, Caitlin E. Lawson examines the rise of celebrity feminism, its intersections with digital culture, and its complicated relationships with race, sexuality, capitalism, and misogyny. Through in-depth analyses of debates across social media and news platforms, Lawson maps the processes by which celebrity culture, digital platforms, and feminism transform one another. As she analyzes celebrity-centered stories ranging from “The Fappening” and the digital attack on actress Leslie Jones to stars’ activism in response to #MeToo, Lawson demonstrates how celebrity culture functions as a hypervisible space in which networked publics confront white feminism, assert the value of productive anger in feminist politics, and seek remedies for women’s vulnerabilities in digital spaces and beyond. Just Like Us asserts that, together, celebrity culture and digital platforms form a crucial discursive arena where postfeminist logics are unsettled, opening up more public, collective modes of holding individuals and groups accountable for their actions.

Debunking the myth of the "Americanization" of Europe, a noted historian presents an authoritative and engrossing cultural history of how America tried to remake Europe in its own image, and how the Europeans successfully retained their identity in the face of American mass culture. Pells provides a new paradigm for understanding the survival of local and national cultures in a global setting.