State Of Fear

New York Times bestselling author Michael Crichton delivers another action-packed techo-thriller in State of Fear. When a group of eco-terrorists engage in a global conspiracy to generate weather-related natural disasters, its up to environmental lawyer Peter Evans and his team to uncover the subterfuge. From Tokyo to Los Angeles, from Antarctica to the Solomon Islands, Michael Crichton mixes cutting edge science and action-packed adventure, leading readers on an edge-of-your-seat ride while offering up a thought-provoking commentary on the issue of global warming. A deftly-crafted novel, in true Crichton style, State of Fear is an exciting, stunning tale that not only entertains and educates, but will make you think.

SET TO BE ADAPTED FOR THE SCREEN. Like Michael Connelly’s Bosch, John Bailey will risk everything to get to the truth – and bring down the world’s most wanted terrorist. Catching the world's most wanted terrorist was supposed to be someone else's job... John Bailey has a history of being in the wrong place at the wrong time. The former war correspondent has been kidnapped and tortured – twice. Finally he’s living something that resembles a normal life. But all that changes when a terrorist murders a woman in front of Bailey in London. The mastermind behind the attack is Mustafa al-Baghdadi – No.1 on the FBI’s most wanted list – and the man who tortured Bailey in Fallujah a decade ago. Mustafa has a deadly axe to grind with Bailey. He taunts him with threats of more attacks in other cities, closer to home. Back in Sydney, the people who matter most to Bailey have become targets. Bailey turns to the only man who can help – ruthless CIA veteran Ronnie Johnson – to bring down the world’s most deadly terrorist. The brilliant second book in Tim Ayliffe's bestselling John Bailey series. Bailey's adventures in State of Fear, The Greater Good and The Enemy Within will be adapted for the screen by CJZ Productions, Australia's largest independently owned production company. Praise for State of Fear ‘Another brilliantly crafted thriller from Ayliffe that fits perfectly in today’s worrying world … Verdict: Get this guy on TV’ Herald Sun ‘Sharp, incisive and scarily prescient, I was hooked from the first chapter to the final page.’ Sara Foster, bestselling author of The Hidden Hours ‘Utterly compelling and terrifyingly timely. I could not put it down’ Pip Drysdale, bestselling author of The Sunday Girl ‘As a correspondent, I lived this world. Tim Ayliffe has written it’ Stan Grant, writer and broadcaster Praise for The Greater Good ‘A brilliantly written character starring in cracking crime thriller’ Herald Sun ‘A fun and exhilarating political crime thriller that is guaranteed to electrify and entertain in good measure.’? The Unseen Library ‘Readers will not fail to enjoy the ride from start to finish.’ Good Reading ‘A crime thriller with the lot: murder, deceit, corruption and a hint of romance … Ayliffe takes you deep inside the worlds of politics and the media, with a heavy dose of international intrigue thrown in.’ Michael Rowland 'Ayliffe delivers a taut, nail-biting page-turner, stamping his mark on the modern day Australian thriller.’ Better Reading ‘If Rake were a journalist, with a talent that equals his capacity to survive being beaten up, Bailey would be him.’ Julia Baird ‘An absolute cracker of a thriller.’ Chris Uhlmann Praise for The Enemy Within: ‘A breathlessly written book, ripped from today’s headlines, this is a cracking read that blurs the line between fact and fiction. More please.’ Michael Robotham 'A cracking yarn told at breakneck speed. I couldn't put it down.' Chris Hammer ‘Sharp, gritty, sophisticated. Ayliffe’s criminal world is terrifyingly real.’ Candice Fox

This book examines the insecurity that besets our lives in the contemporary world, whether as a result of natural disasters, human negligence or, more recently, threats to security in the form of terrorist activity, which itself gives rise to new fears: fear of travel, agoraphobia, distrust of others and existential anxieties. Revealing the connection between the two components of our insecurity, as reflecting on and conditioning human existence, and producing social problems, the author brings this to bear on the notion of security that modernity had sought to guarantee to its citizens – a notion that has slowly crumbled with the crisis of modernity and with the emergence of the "liquid" world. Now insecurity is endemic and has so firmly become part of us as to be accepted as an unpleasant aspect of normality that we must live with. However, the necessity of living in a risk society in which security has emerged as important does nothing to dispel the fear that accompanies us at all times. An engagement with the thought of Bauman that explores fear as an accompaniment to the end of modernity and its assurances, State of Fear in a Liquid World offers developments of the thesis of liquid modernity and will appeal to scholars and students of sociology, social theory and politics with interests in individualisation, social change and (in)security.

Thriller.

Nine chapters examine the political contexts, uses, and implications of violence under and within Suharto's regime in Indonesia. An unhappy spectrum of violence is described: crime and policing, military ideology and democratic resistance, the imposition of austerity measures and the riots that followed.

In his latest "New York Times" bestseller, the master of the technological thriller pens this all-too-plausible tale. An intelligence agent races around the world to put the pieces of a frightening eco-terrorist conspiracy together before humankind is devastated by a series of global catastrophes.

This book is about an emotion constantly present in human culture and history: fear. It is also a book about literature and medicine, two areas of human endeavour that engage with fear most acutely. The essays in this volume explore fear in various literary and medical manifestations, in the Western World, from medieval to modern times. It is divided into two parts. The first part, Treating Fear, examines fear in medical history, and draws from theology, medicine, philosophy, and psychology, to offer an account of how fear shifts in Western understanding from the Middle Ages to Modern times. The second part, Writing Fear, explores fear as a rhetorical and literary force, offering an account of how it is used and evoked in distinct literary periods and texts. This coherent and fascinating collection will appeal to medical historians, literary critics, cultural theorists, medical humanities’ scholars and historians of the emotions.