Statehood In The Altaic World

Altaic Studies deal with a group of languages (and respective cultures) that show obvious similarities: Turkic, Mongol and Manchu-Tungus. Whether they are really related or whether they just influenced each other remains a matter of scholarly discussion. The Permanent International Altaistic Conference (PIAC) was established in 1957 as a working group to further research on this issue. Annual meetings have since been taking place in different countries, and the respective proceedings offer a wealth of information on the Altaic languages and cultures. The 2016 meeting took place at Ardahan, Turkey, a new and modern university close to the borders of Georgia and Armenia; it covered a wide range of subjects of which a peer-reviewed selection is published in the present volume. The papers deal with an Old Turkic inscription, the Bâbur-nâma (memoirs of Bâbur), Crimean history, Uighur calligraphy, the modern role of the Kazakh language, the ancestor cult in Turkic traditions, administrative and state concepts in the 18th century Chinese imperial pentaglot dictionary (which includes Turki), an appreciation of Denis Sinor (1916-2011), celebrated Altaist and for many years secretary general of the PIAC, the publishing projects of the outstanding Lamaist scholar and politician Lalitavajra (Rol-pa'i rdo-rje) and several poetic travelogues in Mongolia. The editors are members of the PIAC: Barbara Kellner-Heinkele is Prof. emer. of Turkic Studies (Free University of Berlin) and secretary general of the PIAC, Oliver Corff is an independent scholar of Chinese Studies, Hartmut Walravens is retired from his positions at the Berlin State Library and as Director of the worldwide ISBN system.

Studien zur Sprache, Geschichte und Kultur der Turkvölker was founded in 1980 by the Hungarian Turkologist György Hazai. The series deals with all aspects of Turkic language, culture and history, and has a broad temporal and regional scope. It welcomes manuscripts on Central, Northern, Western and Eastern Asia as well as parts of Europe, and allows for a wide time span from the first mention in the 6th century to modernity and present.

The Sino-Western Cultural Relations Journal of which 38 fascicles were published between 1979 and 2016 is a mine of information on issues, events, articles and reviews on the subject. It attracted at first a very small constituency of experts in this relatively new field of research, at first focusing on the early China Mission, but then widening its scope and addressing the whole area of cultural relations between China and the West. This journal was edited and financed single-handedly by David E. Mungello who is known as a historian and an outstanding Leibniz expert. SWCRJ published contributions in English, German, French and Chinese, thus also supporting the growing interest in the subject in China. The present bibliography provides a complete listing of the contents of the journal and facilitates access by a name and a subject index. It is common knowledge that everything of value may be found on the internet but whoever puts this statement to the test will soon find out that "everything" actually means "something". Therefore the few serious students of the field will welcome the present modest bibliography.

This heavy-duty Shōtōkan encyclopedia, dictionary, lexicon, glossary, and linguistic tool: ✓ Teaches how to analyze and understand karate vocabulary. ✓ Breaks the Karate terms into their building blocks and puts an emphasis on the basic main building blocks of the karate language. ✓ Systematically analyses over a 100 of basic Karate Kanji for deep understanding of the terms, names, and concepts. ✓ Corrects many conceptual and linguistic common mistakes. ✓ Provides links between different Karate expressions. ✓ Presents different translations from Japanese to English. ✓ Presents different Japanese writings. ✓ Includes phonetic spelling. ✓ Refers to important sources. ✓ Addresses the Chinese origins. ✓ Includes Comprehensive index. ✓ Includes Wide-ranging bibliography. ✓ Includes 500 values | 1,800 cross-references | 175 kanji. ✓ Includes special bonuses. ✓ Perfect for both beginners and senior instructors. ✓ Perfect for English speakers. ✓ Perfect for a clearer and deeper understanding of the Karate vocabulary, substantively and linguistically. --- More information: This robust Karate lexicon of over 500 carefully selected representative values and references: Key words, core commands and general vocabulary such as postures, stances, Kata names, techniques, moves, thrusts, punches, strikes, blocks, kicks, body parts, styles, people, places, and other topics related to traditional Japanese Shōtōkan Karate and other Funakoshi Karate organizations such as Shotokai. A perfect gift for your Karate instructor, fellow Karate practitioners, or your Karate students. Language: English Paperback: 325 pages Item Weight: 1.25 pounds Dimensions: 7 x 0.74 x 10 inches --- Presentation: Karate jargon is integral to everyday practice. Without solid understanding of the Karate vocabulary, it is easy to fall into technical and conceptual errors. The purpose of this Shotokan dictionary is to bring the reader closer to the Karate terminology we so often use, but so rarely explore. This book can be described as a Japanese-English Shotokan dictionary, as well as a heavy-duty professional glossary of Karate terms related to Funakoshi styles. It can also be defined as a Shotokan encyclopedia or as a Karate lexicon, which focuses on the linguistic aspects of Karate phrases. Through the language, we dive into Karate itself. Although planned for senior Karate instructors, absolute beginners may also benefit from this Karate wordlist. As for its content, the main goal – naturally – is to translate from “Karate language” to English. The book offers various English definitions of the Japanese technical terms, making it a powerful Japanese-English dictionary of the terms used in Karate. Sometimes the Karate meaning does not overlap with the general meaning of a word. If the common, or general, Japanese translation of a Karate term may be relevant, we bring it as well. It was Seneca who said: “If one does not know to which port one is sailing, no wind is favorable”. If we were to achieve a high standard of execution, we cannot afford not to understand – literally - the Karate commands. A clear understanding of the Karate terms is indispensable. Breaking down Karate expressions into their building blocks, does seem to achieve a deeper understanding of them. This Karate glossary puts a special emphasis on the important Kanji, including thorough Kanji-analysis and relevant cross-references. Deep meanings of important Shotokan expressions are sought, and their links to other Karate words are drawn. In our opinion, the references are this book’s greatest virtue, and we urge our dear readers to be diligent and to follow them – especially when it comes to the Kanji that compose the value. A large part of this Shotokan glossary is devoted to pronunciation issues. This Karate wordbook presents different Kanji readings, which may be very important in the case of several terms that have a common Kanji. Critical phenomena in Japanese phonology, such as the rendaku rules, are addressed too. Besides transliterations of Japanese and Chinese into the Latin alphabet (romanization, Rōmaji), the advanced user will find logographic Kanji and syllabic Kana. Often, alternative writings are presented, so the reader can make better use of other sources – especially Japanese sources. --- Introduction During a Gasshuku (合宿) (training camp) that took place in Israel in 2022, Yaniv Murciano Sensei was correcting his disciples’ Kankū-dai. Talking about the finishing double kick, he asked everyone what Nidan-geri means. Whan the practitioners said that it means a double kick, the Sensei’s response was: “so You should kick twice, not once”. Indeed, Nidan-geri (p. 184) is not Tobi-geri (p. 245). The former is less about flying. The name reminds us to perform the technique better. Our words affect our insights, and our perceptions determine the words we are using. FUNAKOSHI Sensei and other masters had profound knowledge, not only of the Chinese classics[i] and the Japanese culture, but also of the Japanese language[ii]. The names that we use in our Karate trainings were not chosen lightly nor accidentally. As for us, those names have great significance. “What's in a name? That which we call a rose by any other name would smell as sweet”, says Juliet in William Shakespeare's Romeo and Juliet. In Karate’s case, we humbly prefer Confucius’s[iii] approach. In the words of the Chinese philosopher Feng Youlan (1895 – 1990)[iv]: Every name possesses its own definition, which designates that which makes the thing to which the name is applied be that thing and no other. In other words, the name is that thing’s essence or concept. What is pointed out by the definition of the name ‘ruler,’ for example, is that essence which makes a ruler a ruler. In the phrase: ‘Let the ruler be ruler,’ etc., the first word, ‘ruler,’ refers to ruler as a material actuality, while the second ‘ruler’ is the name and concept of the ideal ruler. Take the example of the name Jitte (p. 111). If a day comes, when they debate about how many hand movements there are in the opening of the Kata, the name of the Kata will be there to help. Some are going to realize, that there are Ten Hands - meaning ten palm strikes - up to the first Kiai; this understanding will derive from the name of the Kata. Some of the ten hand strikes are simultaneous. So, the right answer, they will hopefully conclude, is three. But why Japanese, one asks; You can say Double Kick or Ten Hands in any language. First, it is a tradition. Second, we feel connected to something bigger than our Dōjō[v]. And indeed, in mutual training, correspondence, etc., we can communicate well with people that do not speak our language. The Japanese parts of our Karate-pidgin are a common ground. But most importantly, studies show that language influences the way we think[vi]. The Chinese philosopher Dong Zhongshu (179–104 BC) used etymology as a hermeneutic tool[vii]: The present generation is ignorant about human nature, giving various teachings about it. Why do they not try to examine the name “nature”? Does not the name “nature” (xìng 性) mean “birth” (shēng 生)? The capacity that one naturally has at birth is what is called the “nature”. The nature is one’s mere potential. Accordingly, if we want to understand what it means to be a warrior, we should look at the Kanji for warrior. That is what the Chinese King Zhuāng of Chǔ (7th century B.C.) did. The Kanji for warrior is 武 (p. 45). If one looks carefully, one can see that this Compound Logogram is composed of the Radical 止 (p. 271) which could mean to stop – just as in our yame {{止め}} (p. 270), and from the Stem 戈 (dagger-axe). We should never look at the command Yame in the same way again. Putting an end to violence is indeed the highest level of the art of war; that was the King’s conclusion, based on the Logogram[viii],[ix]. For us, the language and the Sino-Japanese Logograms are indispensable for understanding Karate, from technique to spirit. --- The back cover text: Front cover: Shōtōkan symbol’s ancient forefather. Karate is analogous to a tree. We are sitting on a very high branch. Sometimes we are looking down at the stem beneath us, and sometimes not. Anyways, the important and interesting things are in the roots, which are invisible to the average instructor. We do not even know where our symbol came from. In all my writings, including the dictionary you are holding, I do my best to shed light on those roots. Here, we try to get a clearer and deeper understanding of linguistic aspects. I hope you will find this book informative and useful, and wish you a pleasant read. Adam Dobrzyński --- TAGS: JKA gift Shotokan gift Karate gift Shotokan basics Shotokan textbook Karate terminology Karate vocabulary Karate lexicon Japanese encyclopedia terminology vocabulary language jargon lexicon karate basic words karate advanced terms karate basic terms key words and commands shotokan key terms

Studien zur Sprache, Geschichte und Kultur der Turkvölker was founded in 1980 by the Hungarian Turkologist György Hazai. The series deals with all aspects of Turkic language, culture and history, and has a broad temporal and regional scope. It welcomes manuscripts on Central, Northern, Western and Eastern Asia as well as parts of Europe, and allows for a wide time span from the first mention in the 6th century to modernity and present.

This collection of essays and reviews represents the most significant and comprehensive writing on Shakespeare's A Comedy of Errors. Miola's edited work also features a comprehensive critical history, coupled with a full bibliography and photographs of major productions of the play from around the world. In the collection, there are five previously unpublished essays. The topics covered in these new essays are women in the play, the play's debt to contemporary theater, its critical and performance histories in Germany and Japan, the metrical variety of the play, and the distinctly modern perspective on the play as containing dark and disturbing elements. To compliment these new essays, the collection features significant scholarship and commentary on The Comedy of Errors that is published in obscure and difficulty accessible journals, newspapers, and other sources. This collection brings together these essays for the first time.

This volume builds on the work of Ilse Laude-Cirtautas (1926-2019), a pioneering Turkologist who introduced the field of comparative Turkic studies to the US in the 1960s. It presents an ongoing dialogue whereby scholars from central and inner Asia and the West engage on issues of Turkic heritage, identity, language and literature. The discussions enrich scholarship in Central and Inner Asian Studies and explore the question "Who are the Turks?"

Studies the role played by nomads in the political, linguistic, socio-economic and cultural development of the sedentary world around them. Spans regions from Hungary to Africa, India and China, and periods from the first millennium BC to early modern times.