Staying Home And Being Rotten

This novel is a compelling, black comedy of manners and relationships. When the parcel first reaches Rosalind's mail box she is unable to take it out or even to contemplate opening it. It throws her into a series of painful recollections and comic-tragic events, which gradually reveal the nature of the unfortunate experience she has undergone, and eventually leads to an unexpected and, for the reader, superbly satisfying resolution of her pain and distress. The novel combines the robust good humour of Henry Fielding, with the sensitivities of Jane Austen and the satirical playfulness of Evelyn Waugh. This delightful combination produces a black comedy of manners, which, once taken up, can't be put down. 'This is not merely a good book, but a work of brilliance. It establishes Shonagh Koea as a leading New Zealand novelist and a writer of international significance.' - Alistair Paterson

A memoir - with recipes - from a well-loved writer with a unique and quirky take on life. Looking back over her varied life in a range of roles, including daughter, wife, mother, journalist and novelist, Shonagh Koea has collected a store of vivid memories that often centre on food. In these moving vignettes, she recalls her past, giving us a privileged insight into her life and into a New Zealand that no longer exists, along with delicious recipes and a strong sense of the gentle yet significant encounters we have with strangers and acquaintances. Much more than a straightforward memoir, this book is an astute and sometimes wry observation of social interaction, of New Zealand's recent history and of the place that food has in our everyday lives. It is also the intriguing story of a unique writer, of her life, her thoughts and her work.

All Blacks Don't Cry is John Kirwan's story of hope, of working through the pain and living a full life. It is a poignant, inspirational and helpful example for anybody battling depression. 'I've been to hell and I'm back. If you're in that same place, then I understand what you're going through.' John Kirwan was one of the most devastating wingers New Zealand, and world, rugby had ever seen. A prominent and revered figure at the dawn of the professional age of rugby, he seemed to live a charmed life. But nobody knew, though, that behind closed doors 'JK' was living a life of torment. Afflicted with depression for many years – including those as a high-profile sportsman – Kirwan was able to survive by reaching out, seeking help from those closest to him. At my worst moments, I lost all sense of hope for the future. As I began to slowly get better, I began to be able to say to myself, 'This will pass, you'll get through this. Hang on to hope.' Also available as an eBook and an enhanced eBook with audio from John Kirwan.

In a land caught between the sea and cloud, where the natural landscape still refuses civilization, there are those; the composers of words, tellers of tales, that help shape the minds of the people that live on its shores. They are spiritcarvers. New Zealand writing today is engaging in an intent struggle to subvert multiple shapes into voices. These interviews, as a record of biographical orature, are shaped into presenting the figure of the storyteller through memory and language; explorations of how we imagine and create ourselves with and into words. Here we encounter the dichotomy of fiction and non-fiction, myth and consensual reality, imagination and truth: do we live within our own selected fictions? Identity is shaped by the authors' sense of displacement as well as of belonging - meeting otherness with dispossession, discovering connection through isolation. Among the focal points of the interviews are the role of women's writing, Maori writing, interrelations among different cultures, and the influence of literary and oral tradition within New Zealand.

" ... Documents the history and development of [Post-colonial literatures in English, together with English and American literature] and includes original research relating to the literatures of some 50 countries and territories. In more than 1,600 entries written by more than 600 internationally recognized scholars, it explores the effect of the colonial and post-colonial experience on literatures in English worldwide.

How to Be a Film Critic in Five Easy Lessons addresses the serious matter of the increasing gap between the published opinions of professional film critics and the reception of popular film by traditional movie-goers, especially millennial movie fans. Recent reactions to the low grades emanating from Rotten Tomatoes, the iconic film review aggregation site, have inspired various constituencies to call for significant changes, including some major studio CEOs, some actors, and the readers of reviews themselves. A new generation and breed of film critics is needed, not raised to please baby boomers or Generation X movie fans, but younger viewers who make up 30% of ticket buyers. This study examines all this and offers five categories of film reviewers plying their trade as models of consistency. New critics have to start somewhere, most often in college film classes, and deciding what type of critic one wants to be begins here.

A moving, powerful novel about facing your crimes, about freedom and about redemption, from the renowned author of Once Were Warriors. 'I'm thirteen and I'm in a cell. A cell. It's got real bars, up there protecting that high window. I can jump up and touch them. I'm in a cell. That door is for real; it's made of solid steel, and it's got a peephole. So they can spy on me. But I ain't gonna bust. I damn well ain't.' Charlie Wilson, the 'state house boy' from Two Lakes, is sent to Riverton Boys' Home as a state ward 'until such time as you are seen fit to return to society'. The door in the cellblock isn't the only thing that Charlie finds is for real. There's also the name 'George' scrawled on the walls, and by it the word 'kehua' or ghost . . .