Steal Away To Jesus African American Spirituals In The Episcopal Church

This pamphlet, whose name references the song often sung to signal a nighttime religious gathering of slaves, explores the origins, history, meaning, use, and modern-day practice of the spiritual. Known for their unique expression of Christian understanding, strong rhythms, and an emphasis on call and response, spirituals are being used more and more in Episcopal Churches today. The pamphlet closes with a short commentary on each of the seven spirituals included in the Hymnal 1982 -- publisher's website.

For over 200 years in African-American churches throughout the country, gospel and spiritual music have offered solace and been a source of celebration, leaving a mark not only on the Christian world, but on popular music as well. Ev'ry Time I Feel the Spirit contains the lyrics and music of 101 of the most widely known and cherished of these pieces, ranging from heartring spirituals sung during slave times (Steal Away; Swing Low, Sweet Chariot) to songs of unity from the civil rights movement and contemporary times (We Shall Overcome, I'll Fly Away). The book also presents a biography of each composer and the history of the evolution of each song, examining the role it played in enabling African-Americans to develop the strength to carry on in the face of adversity. An important historical document as well as an inspirational gift, the book captures the rich connections between song and experience as no other volume does.

The Stories of Building the Black Beach Community of Ocean City, North Carolina shares a provocative story about a small Black beach community on North Topsail Island, North Carolina. Hope Jackson argues that stories like these not only offer a rich, untold perspective about Black lives, but also shares the depth of this Black community despite originating under the threat of violence in the segregated South. Brick by Brick acknowledges the defiance of a group of Black individuals who, collectively, provided a recreational oceanfront haven. These radical Black folks created a safe harbor for Blacks to visit, live, worship, and recreate in the midst of de facto segregation. The author reveals an embedded narrative which highlights the rebelliousness of Ocean City women’s strategic mothering. Jackson shares how the impact of this location extended beyond a vacation by creating Christian worship opportunities and an Episcopal summer youth camp for Black youth. The Ocean City stories remind readers that despite Jim Crow’s demise, the need for a safe, recreational space remains necessary for Black people in today’s society.

Often seen as ethnically monolithic, the African Methodist Episcopal (AME) Church in fact successfully pursued evangelism among diverse communities of indigenous peoples and Black Indians. Christina Dickerson-Cousin tells the little-known story of the AME Church’s work in Indian Territory, where African Methodists engaged with people from the Five Civilized Tribes (Cherokees, Creeks, Choctaws, Chickasaws, and Seminoles) and Black Indians from various ethnic backgrounds. These converts proved receptive to the historically Black church due to its traditions of self-government and resistance to white hegemony, and its strong support of their interests. The ministers, guided by the vision of a racially and ethnically inclusive Methodist institution, believed their denomination the best option for the marginalized people. Dickerson-Cousin also argues that the religious opportunities opened up by the AME Church throughout the West provided another impetus for Black migration. Insightful and richly detailed, Black Indians and Freedmen illuminates how faith and empathy encouraged the unique interactions between two peoples.

W. E. B. Du Bois is the founding figure of the sociological study of the Black Church. His discussion of the six functions of Philadelphia’s Black Church in The Philadelphia Negro (1899) represented an early example of a “functional analysis” of a religious group. In The Negro Church (1903), he integrated the findings from religious census data, denominational statistics, small area surveys, ethnographic fieldwork, and historical studies to paint a picture of the vibrant role the Black Church played in the African American community. Du Bois discusses the Black Church in three of the essays included in The Souls of Black Folk (1903), other sociological essays and several Atlanta University Conference annual reports. Additionally, Du Bois’ perspective on the Black Church and the role of religion in the African American community can be gleaned from various poetic works, prayers, and editorials. W.E.B. Du Bois and the Sociological Study of the Black Church and Religion, 1897–1914 showcases a representative sample of classic studies on the Black Church and religion by a pioneer of American sociology.

From Africa through the spirituals, from minstrel music through jubilee, and from traditional to contemporary gospel, "People Get Ready!" provides, for the first time, an accessible overview of this musical genre.

More than one million people from all walks of life have been uplifted and entertained by Heaven Bound, the folk drama that follows, through song and verse, the struggles between Satan and a band of pilgrims on their way down the path of glory that leads to the golden gates. Staged annually and without interruption for more than seventy years at Big Bethel African Methodist Episcopal Church in Atlanta, Heaven Bound is perhaps the longest running black theater production. Here, a lifelong member of Big Bethel with many close ties to Heaven Bound recounts its lively history and conveys the enduring power and appeal of an Atlanta tradition that is as much a part of the city as Coca-Cola or Gone with the Wind.

A Study of the History and Meaning of Personal Devotion to Jesus Christ for Catholic, Orthodox and Protestant Christians The devotional life of Christians over the two millennia since Jesus' birth has been one of motion, changing and growing in response to the challenges presented to the Church, the temperaments of newly baptized nations, and controversies about how we can and should relate to God. And yet the core of authentic Christian devotion has not changed-it remains today, as it was in the time of the Church Fathers, the trusting and personal encounter with Christ that is both open and foundational to the life of all Christian believers. In this book the well-known spiritual writer and teacher Fr. Benedict Groeschel, C. F. R., surveys the development and trials of Christian devotion from the days of the martyrs until the twentieth century. Tracking it through the centuries and among "sadly divided branches of Christianity", he finds a commonality of experience and even of language that is constantly ignored among Christians themselves. By observing what "image of Christ" the canvas of common devotion portrays, he hopes we will move "not to discredit this image, but to sharpen it and make it more consistent with the New Testament and the ancient Church". Though the devotional life is sometimes brushed off as unimportant in comparison to a theological understanding of Christ, Groeschel warns that such dismissal threatens to make distant, unknown and obscure the Savior who said "I am with you always." The answer instead is to draw near to Jesus in devotion and with authentic expressions of that devotion, which themselves help paint the image of Christ found concretely in revelation onto the minds and daily life of the devout. Begun on a pilgrimage to the Holy Land, and the result of years of preparation and a whole life of guiding people as priest, public preacher, psychologist and spiritual director, this book will help Catholic, Orthodox and Protestant believers gain not only a comprehensive view of how pious Christians over the centuries have lived out their devotion to God, but the examples and perspective they need to live more devoutly today.