Stepping In The Same River Twice

List of Contributors -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W

divisibility in Physics VI. I had been assuming at that time that Aristotle's elimination of reference to the infinitely large in his account of the potential inf inite--like the elimination of the infinitely small from nineteenth century accounts of limits and continuity--gave us everything that was important in a theory of the infinite. Hilbert's paper showed me that this was not obviously so. Suddenly other certainties about Aristotle's (apparently) judicious toning down of (supposed) Platonic extremisms began to crumble. The upshot of work I had been doing earlier on Plato's 'Third Man Argument' began to look different from the way it had before. I was confronted with a possibility I had not till then so much as entertained. What if the more extreme posi tions of Plato on these issues were the more likely to be correct? The present work is the first instalment of the result ing reassessment of Plato's metaphysics, and especially of his theory of Forms. It has occupied much of my teaching and scholarly time over the past fifteen years and more. The central question wi th which I concern myself is, "How does Plato argue for the existence of his Forms (if he does )7" The idea of making this the central question is that if we know how he argues for the existence of Forms, we may get a better sense of what they are.

In the early eightiesm three extraordinary events interrupted Alice Walker's peaceful, reclusive life--the publication of the bestselling novel The Color Purple, the Pulitzer Prize, and an offer from Spielberg to make her novel into a film. This book chronicles that period of transition from recluse to public figure, and invites us to contemplate, along with her, the true significance of unanticipated gifts.

Wine is a muse for poets and ordinary folks alike, a great seducer and lifelong friend to many. It's integral to some of the finest cultures on earth. But as simple and lovely as wine may be, the wine world can be intimidating. Many so-called experts perpetuate an elitist approach to wine, with their explanations so jargon-filled that the wine gets lost in the analysis. WineSense cuts through the jargon and complexities wine can present. In this common-sense guide, Bob Desautels offers straightforward information on types of wine, tasting, wine history, grape varieties, approaches to winemaking, and more. His Three Keys to Understanding Wine allow the everyday wine enthusiast and the beginner to truly grasp the subject while increasing their appreciation of wine. The ultimate purpose of this book is to teach you how to find good and consistent styles of wine that suit your palate. You'll be able to look beyond the safe choices and search for local wines that have the best qualities of your international favourites. With a deeper understanding of wine, you'll gain true WineSense, offering you a newfound confidence in choosing the right wine for the right time.

Under the guidance of Professor Veatch, Aristotle stands forth again as the philosopher who, above all, speaks simply and directly to the common sense of all mankind. Today, Professor Veatch believes, the time may be ripe for a belated recognition that Aristotle is "a truly live option in philosophy." The discussion begins with the Physics—for Aristotle, the discipline embracing all aspects of the natural world—and examines Aristotle's doctrine of categories and his celebrated "four causes." Turning to the De Anima, Professor Veatch casts aside many errors of interpretation which have come about because of mistaken readings of the term soul and gives an intelligible account of Aristotle's psychology, seen within the context of his system as a whole. Next, the varieties of human achievement are surveyed in Aristotelian terms, with introductory discussions of the Ethics, Politics, and the Poetics. Turning to the Metaphysics, the author demonstrates that the question of the unity of subject matter in Aristotle's metaphysics does not warrant the great difficulty that has been made of it. Finally—reversing to good effect the traditional order—Aristotelian logic is presented with superb clarity and ease.

Hermann Hesse wrote Siddhartha after he traveled to India in the 1910s. It tells the story of a young boy who travels the country in a quest for spiritual enlightenment in the time of Guatama Buddha. It is a compact, lyrical work, which reads like an allegory about the finding of wisdom.

Clive James' power as a poet has increased year by year, and there has been no stronger evidence for this than Nefertiti in the Flak Tower. Here, his polymathic learning and technical virtuosity are worn more lightly than ever; the effect is merely to produce a deep sense of trust into which the reader gratefully sinks, knowing they are in the presence of a master. The most obvious token of that mastery is the book's breathtaking range of theme: there are moving elegies, a meditation on the later Yeats, a Hollywood Iliad, odes to rare orchids, wartime typewriters and sharks - as well as a poem on the fate of Queen Nefertiti in Nazi Germany. But despite the dizzying variety, James' poetic intention becomes increasingly clear: what marks this new collection out is his intensified concentration on the individual poem as self-contained universe.

An impressive new collection from a poet whose previous book was a finalist for both the National Book Award and the National Book Critics Circle Award Taking its title from Heraclitus's most famous fragment, The River Twice is an elegiac meditation on impermanence and change. The world presented in these poems is a fluid one in which so much—including space and time, the subterranean realm of dreams, and language itself—seems protean, as the speaker's previously familiar understanding of the self and the larger systems around it gives way. Kathleen Graber’s poems wander widely, from the epistolary to the essayistic, shuffling the remarkable and unremarkable flotsam of contemporary life. One thought, one memory, one bit of news flows into the next. Yet, in a century devoted to exponentially increasing speed, The River Twice unfolds at the slow pace of a river bend. While the warm light of ideas and things flashes upon the surface, that which endures remains elusive—something glimpsed only for an instant before it is gone.