Steve Allen S Private Joke File

Why Did Steve Allen Cross the Road? Steve Allen is a legend among comedians and entertainers. He's been playing to audiences on stage, radio, film, and television for more than fifty years, gaining acclaim for his unique wit and energy. Now for the first time, he shares more than a thousand of his favorite one-liners, anecdotes, limericks, quotes, and other generally funny things. The entries are divided into nearly two hundred categories to make it easy for anyone to find the right laugh for any occasion. If you're faced with the prospect of having to "say a few words," Steve Allen's Private Joke File is the perfect place to look for ideas and inspiration on such topics as awards, drinking, baseball, lawyers, dentists, insurance, marriage, the stock market, and dozens of other subjects. A sampling: * My wife and I had words, but I never got to use mine! * If ignorance is bliss, he should die of joy. * "How are the acoustics here?" "Great, I can hardly hear you!" * I learned to rumba very early in life ... I had a tricycle with a loose seat. * Room for rent, by young lady, freshly plastered. Steve Allen has also included a number of his favorite essays and monologues. Steve Allen's Private Joke File is great to flip through for fun or for function, and for those of us looking for a good laugh -- to give one or to have one -- it's indispensable.

The Encyclopedia of Television, second edtion is the first major reference work to provide description, history, analysis, and information on more than 1100 subjects related to television in its international context. For a full list of entries, contributors, and more, visit the Encyclo pedia of Television, 2nd edition website.

American National Biography is the first new comprehensive biographical dicionary focused on American history to be published in seventy years. Produced under the auspices of the American Council of Learned Societies, the ANB contains over 17,500 profiles on historical figures written by an expert in the field and completed with a bibliography. The scope of the work is enormous--from the earlest recorded European explorations to the very recent past.

The book contains essays in honor of Victor Raskin. The contributions are all directly related to some of the major areas of work in which Raskin's scholarship has spanned for decades. The obvious connecting idea is the encyclopedic script-based foundation of lexical meaning, which informs his pioneering work in semantics in the 1970s and 1980s. The first part of the book collects articles directly concerned with script-based semantics, which examine both the theoretical and methodological premises of the idea and its applications. Script-based semantics is the foundation of both Raskin's ground-breaking work in humor research (addressed by the articles in part 2) and in Ontological semantics (addressed in part 3), the most recent development of script-based semantics. The fourth part is dedicated to a less-known, but equally important, strand of Raskin's research, the applications of linguistics to other fields, including writing, lexicography, and professional applications (e,g., tourism). Overall, the book provides and up-to-date, in-depth discussion of an influential strand of the discussion on semantics and its most recent developments and influence on other seemingly unrelated fields, such as Cognitive Linguistics.

One of the legends of show biz delves into his personal treasury of jokes ("The most comprehensive storehouse of 20th-century humor in the world"--Los Angeles Magazine) to present the most astounding array of one-liners, anecdotes, quips, and gags ever published. Line drawings.

Before television, radio was the sole source of simultaneous mass entertainment in America. The medium served as launching pad for the careers of countless future stars of stage and screen. Singers and conductors became legends by offering musical entertainment directly to Americans in their homes, vehicles, and places of work and play. This volume presents biographies of 24 renowned performers who spent a significant portion of their careers in front of a radio microphone. Profiles of individuals like Steve Allen, Rosemary Clooney, Bob Crosby, Johnny Desmond, Jo Stafford, and Percy Faith, along with groups such as the Ink Spots and the King's Men, reveal the private lives behind the public personas and bring to life the icons and ambiance of a bygone era.

Structural Ambiguity in English is a major new scholarly work that provides an innovative and accessible linguistic description of those features of the language that can be exploited to generate structural ambiguities. Most ambiguity scholarship is concerned with disambiguation-the process of making what is ambiguous clear. This book takes the opposite approach as it focuses on describing the features in the English language that may contribute towards the creation of structural ambiguities, which form the core of some of the best word-plays found in advertising, comedy and marketing. Oaks utilizes a systematic and comprehensive inventory approach that identifies individual elements in the language and their distinctive behaviors that can be manipulated in the deliberate creation of structural ambiguities. In doing so he also provides authentic examples to illustrate the concepts he presents. This book will appeal to researchers and academics interested in the structure of the English language, usage, pragmatics, communication, natural language processing, editing, and humor studies as well as those in marketing, advertising, or humor writing.