Stockholm Syndrome

A rollicking account of the bizarre hostage drama that gave rise to the term "Stockholm syndrome." On the morning of August 23, 1973, a man wearing a wig, makeup, and a pair of sunglasses walked into the main branch of Sveriges Kreditbank, a prominent bank in central Stockholm. He ripped out a submachine gun, fired it into the ceiling, and shouted, "The party starts!" This was the beginning of a six-day hostage crisis—and media circus—that would mesmerize the world, drawing into its grip everyone from Sweden’s most notorious outlaw to the prime minister himself. As policemen and reporters encircled the bank, the crime-in-progress turned into a high-stakes thriller broadcast on live television. Inside the building, meanwhile, complicated emotional relationships developed between captors and captives that would launch a remarkable new concept into the realm of psychology, hostage negotiation, and popular culture. Based on a wealth of previously unpublished sources, including rare film footage and unprecedented access to the main participants, Six Days in August captures the surreal events in their entirety, on an almost minute-by-minute basis. It is a rich human drama that blurs the lines between loyalty and betrayal, obedience and defiance, fear and attraction—and a groundbreaking work of nonfiction that forces us to consider "Stockholm syndrome" in an entirely new light.

Once, humans were what they believed. Now, the modern person is determined by data exhaust—an invisible anthropocentric ether of ones and zeros that is a product of our digitally monitored age. Author Mark Jarzombek argues that the world has become redesigned to fuse the algorithmic with the ontological, and the discussion of ontology must be updated to rethink the question of Being. In Digital Stockholm Syndrome in the Post-Ontological Age, Jarzombek provocatively studies the new interrelationship between human and algorithm. Forerunners is a thought-in-process series of breakthrough digital works. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.

STOCKHOLM SYNDROME - Bonding with Captors: True Stories of a Psychological Phenomenon In the spring of 1998, a ten year old girl was abducted on her way to school by two men in Donaustadt, Vienna. She was held captive by a sexual predator for eight years before finally making a daring, impromptu escape from her makeshift prison in her captor's cellar. When she heard the news that her former captor had committed suicide, she mourned his loss as though she were grieving the death of an old friend. In the fall of 2001, a British journalist was captured by Islamic terrorists and held captive for eleven days at their compound in Afghanistan. During her ordeal, she rightly believed that any moment could be her last. Terrorist prisoners rarely ever see freedom again following their capture, so when they uncharacteristically agreed to release her from captivity, she immediately fled home without hesitation. Upon her arrival on home soil, she converted from Christianity to Islam as a way to honour those who held her hostage.These bizarre instances, whilst rare, are a psychological phenomenon known as Stockholm syndrome. It is a trope we've seen in movies and TV shows a thousand times before. A beautiful women will be taken prisoner by hostile forces, only for a genuine affection between hostage and captor to manifest. Usually, there is an underlying narrative in these types of stories which always result in good triumphing over evil, perhaps in the form of the hostile captor seeing the error of his ways and setting his prisoner free. Or, in some stories, the hostage is simply manipulating their captor in order to aid their eventual escape. However, the reality of these circumstances is never quite so simple.

Have you wondered: Why women are more sympathetic than men toward O. J. Simpson? Why women were no more supportive of the Equal Rights Amendment than men? Why women are no more likely than men to support a female political candidate? Why women are no more likely than men to embrace feminism--a movement by, about, and for women? Why some women stay with men who abuse them? Loving to Survive addresses just these issues and poses a surprising answer. Likening women's situation to that of hostages, Dee L. R. Graham and her co- authors argue that women bond with men and adopt men's perspective in an effort to escape the threat of men's violence against them. Dee Graham's announcement, in 1991, of her research on male-female bonding was immediately followed by a national firestorm of media interest. Her startling and provocative conclusion was covered in dozens of national newspapers and heatedly debated. In Loving to Survive, Graham provides us with a complete account of her remarkable insights into relationships between men and women. In 1973, three women and one man were held hostage in one of the largest banks in Stockholm by two ex-convicts. These two men threatened their lives, but also showed them kindness. Over the course of the long ordeal, the hostages came to identify with their captors, developing an emotional bond with them. They began to perceive the police, their prospective liberators, as their enemies, and their captors as their friends, as a source of security. This seemingly bizarre reaction to captivity, in which the hostages and captors mutually bond to one another, has been documented in other cases as well, and has become widely known as Stockholm Syndrome. The authors of this book take this syndrome as their starting point to develop a new way of looking at male-female relationships. Loving to Survive considers men's violence against women as crucial to understanding women's current psychology. Men's violence creates ever-present, and therefore often unrecognized, terror in women. This terror is often experienced as a fear for any woman of rape by any man or as a fear of making any man angry. They propose that women's current psychology is actually a psychology of women under conditions of captivitythat is, under conditions of terror caused by male violence against women. Therefore, women's responses to men, and to male violence, resemble hostages' responses to captors. Loving to Survive explores women's bonding to men as it relates to men's violence against women. It proposes that, like hostages who work to placate their captors lest they kill them, women work to please men, and from this springs women's femininity. Femininity describes a set of behaviors that please men because they communicate a woman's acceptance of her subordinate status. Thus, feminine behaviors are, in essence, survival strategies. Like hostages who bond to their captors, women bond to men in an effort to survive. This is a book that will forever change the way we look at male-female relationships and women's lives.

Igor Klikovac is a poet whose work is as shaped by his Sarajevo roots as by his travels: the poems, often up in the air, between places, among the clouds that increasingly pass over European nations, are brilliantly observed, ironic, densely material, then spaciously open to what he misses and remembers and can do justice to. Translated by John McAuliffe and Igor Klikovac, the selection for this pamphlet is from Igor's third book of poetry, Stockholm Syndrome.

He took me. Trapped me. Destroyed me. Broke me down, little by little. His captive.His slave.His pet.But...something unleashes.Something forbidden. The passion. The pleasure.It's wrong. Unforgiving, and I should do what I do.Run like Hell.From this Twisted Love.

We don't get to choose who we fall in love with-and sometimes we fall too far... Daniel Eames is a bodyguard. Usually assigned to protecting politicians, he has fallen out of his boss's good books after getting too close to his last charge's son, but when rising Hollywood star and Academy Award nominee Bryan McTiernan receives peculiar letters and requires the best possible protection, Dan is put on the job. While he agrees that the letters are more than harmless fan mail, he finds it impossible to narrow down his suspicions and Bryan isn't helping by alternately seducing and irritating the hell out of him. Against his better judgement, Dan falls for Bryan's manipulations, but the more he gets to glimpse behind the façade of the young actor, the more he realises that something in Bryan's past has a strong hold over him. While both Dan and Bryan are aware of this, neither sees the full extent of his fixation. With the help of Gabe, a fellow bodyguard and friend, Dan pursues different theories and even hires a private investigator to learn about Bryan's well-hidden past. What he discovers has the potential to destroy more than just a promising career, and in the end, Bryan has to make a choice-allow for his past fixation to take him hostage again or run away and into Dan's open arms?

Set in Chapel, Utah, Stockholm Syndrome follows the lives of four aspiring musicians and their muse, who does as much harm as she does good for the band. Hunter, Michael, James and Brandt make up another garage band, spending their bored winter days writing and practicing songs. At the same time, Abby Callahan, the beautiful sociopath and love interest for most of the band, runs away from her wealthy Mormon family in search of entertainment and the atypical, without concern for who she hurts along the way. When Brandt, the band's talented frontman, ends up dead in a dingy drug house garage, the rest of the guys realize Chapel has less than nothing to offer. The group sets out for New York in hopes of making it. Abby maintains a relationship with both Hunter and Michael, refusing to choose between the two. Hundreds of miles into the road trip, tempers and tensions get the best of them. James persuades Hunter that he is better off without Abby. Michael, on the other hand, feels he should have stayed at home in Chapel instead of chasing impossible dreams across the country. With splintering motivations and dimetrically opposed ideals, the end of the band and the dream seems inevitable. Yet happiness takes different forms for different people and the finale of the book echoes Thackeray: "Who, having what he truly desires, is evber truly happy?"