Stone Cold Stone Dead

December 21, 1960, the shortest day of the year: Fifteen-year-old Darleen Hicks slips away from her school bus as it idles in the junior-high parking lot, waiting to depart. Moments later the bus rumbles away without her, and she is never seen again. New Year’s Eve, 1960: The small upstate town of New Holland, New York, is in the grips of a severe cold snap, when Ellie Stone receives a late-night caller—Irene Metzger, the grieving mother of Darleen Hicks. She tells Ellie that the local police won’t help her, that they believe Darleen has run off with some older boy and will return when she is ready. Irene has read Ellie’s stories in the paper on an earlier murder case and believes Ellie is her last hope. Ellie Stone is on a chilling journey to a place of uncertainty, loss, teenage passion, and vulnerability—where Ellie’s questions are unwanted and her life is in danger. From the Trade Paperback edition.

An unwelcome blast from the past puts Patrick and Ingrid back in harm’s way . . . Nicholas Haldane was dead, but he wouldn’t lie down. And now Julian Hardy, the man who hired him in a bid to destroy Richard Daws, a top official in the National Crime Agency, is out of prison and has changed his surname to Mannering. Patrick Gillard, working for the agency but within the Avon and Somerset force with his wife Ingrid Langley, receives a request from MI5, for whom he used to work, to investigate Mannering. They are then called in when his cleaner makes a shocking discovery. Meanwhile, an enigmatic couple calling themselves Simon and Natasha Graves turn up in the village, intent on pestering Patrick’s recently widowed mother. Could there be a connection to Mannering? Patrick and Ingrid are soon embroiled in a deeply personal and disturbing case.

Stone Cold is a Carnegie Medal-winning thriller by Robert Swindells. It is one of The Originals from Penguin - iconic, outspoken, first. A tense thriller plot is combined with a perceptive and harrowing portrait of life on the streets as a serial killer preys on the young and vulnerable homeless. Link, aged 17, is distrustful of people until he pairs up with Deb, another homeless youngster. But what Deb doesn't tell him is that she's an ambitious young journalist on a self-imposed assignment to track down the killer and she's prepared to use herself as bait ... The Originals are the pioneers of fiction for young adults. From political awakening, war and unrequited love to addiction, teenage pregnancy and nuclear holocaust, The Originals confront big issues and articulate difficult truths. The collection includes: The Outsiders - S.E. Hinton, I Capture the Castle - Dodie Smith, Postcards from No Man's Land - Aidan Chambers, After the First Death - Robert Cormier, Dear Nobody - Berlie Doherty, The Endless Steppe - Esther Hautzig, Buddy - Nigel Hinton, Across the Barricades - Joan Lingard, The Twelfth Day of July - Joan Lingard, No Turning Back - Beverley Naidoo, Z for Zachariah - Richard C. O'Brien, The Wave - Morton Rhue, The Red Pony - John Steinbeck, The Pearl - John Steinbeck, Stone Cold - Robert Swindells.

One of a series of novels based on the cult 1960s TV spy series, The Man From UNCLE. The series was conceived as a Bond pastiche, pitting Napoleon Solo (Robert Vaughan) and Illya Kuryaki (David McCallum) of the secret organization UNCLE against their evil counterparts THRUSH.

"You can't truly understand the country you're living in without reading Williamson." —Rich Lowry, National Review "His observations on American culture, history, and politics capture the moment we're in—and where we are going." —Dana Perino, Fox News An Appalachian economy that uses cases of Pepsi as money. Life in a homeless camp in Austin. A young woman whose résumé reads, “Topless Chick, Uncredited.” Remorselessly unsentimental, Kevin D. Williamson is a chronicler of American underclass dysfunction unlike any other. From the hollows of Eastern Kentucky to the porn business in Las Vegas, from the casinos of Atlantic City to the heroin rehabs of New Orleans, he depicts an often brutal reality that does not fit nicely into any political narrative or comfort any partisan. Coming from the world he writes about, Williamson understands it in a way that most commentators on American politics and culture simply can’t. In these sometimes savage and often hilarious essays, he takes readers on a wild tour of the wreckage of the American republic—the “white minstrel show” of right-wing grievance politics, progressive politicians addicted to gambling revenue, the culture of passive victimhood, and the reality of permanent poverty. Unsparing yet never unsympathetic, Big White Ghetto provides essential insight into an enormous but forgotten segment of American society.