Stone In Architecture

The readers of the first two editions of Stone: Properties, Durabi lity in Man's Environment, were mostly architects, restoration architects of buildings and monuments in natural stone, profes sionals who sought basic technical information for non-geologists. The increasing awareness of rapidly decaying monuments and their rescue from loss to future generations have urged this writer to update the 1973 and 1975 editions, now unavailable and out of print. Due to the 20-year-Iong interval, extensive updating was necessary to produce this new book. The present edition concentrates on the natural material stone, as building stone, dimension stone, architectural stone, and decorative field stones. Recently, the use of stone for thin curtain walls on buildings has become fashionable. The thin slabs exposed to anew, unknown complexity of stresses, resulting in bowing of crystalline marble, has attracted much negative pUblicity. The costs of replacing white slabs of marble on entire buildings with its legal implications have led construction com panies into bankruptcy. We blame many environmental problems on acid rain. Does acid rain really accelerate stone decay that much? Stone preservation is being attempted with an ever-increasing number of chemicals applied by as many specialists to save crumbling stone. Chemists filled this need during a time of temporary job scarcity, while the general geologist missed this opportunity; he was too deeply involved in the search for fossil fuels and metals.

The weathering of historical buildings and, indeed, of monuments and sculptures of natural stone is a problem that has been encountered for hundreds of years. However a dramatic increase in deterioration in the structure of our built heritage has been observed during the past century. To understand the complex interaction that the stone in a building suffers with its near environment (the building) and the macro environment (the local climate and atmospheric conditions) requires an interdisciplinary approach and the application of many disciplines. Climate change over the next 100 years is likely to have a range of direct and indirect impacts on many natural and physical environments, including the built environment. The protection of our architectural heritage has both cultural and historical importance, as well as substantial economic and ecological value. Large sums of money are being spent world-wide on measures for the preservation of monuments and historical buildings. The past few decades has seen an unprecedented level of research activity in this area, the result of which is often difficult to access and are summarized in the new edition of STONE IN ARCHITECTURE. The 4th edition of Stone in Architecture: Properties, Durability, is a sophisticated and thorough exploration of stone – its properties, performance and conservation – in monumental contexts. The current editors, Siegfried Siegesmund and Rolf Snethlage, note the pioneering work of Erhard Winkler who wrote the first edition in 1973 when so little information could be found in the literature on the subject. This new edition, also published by Springer, nearly doubles the size of Winkler’s 1994 effort. If you are familiar with the field and need to know little more than this statement, you can put aside this review and go buy the book. George Wheeler, Department of Scientific Research, The Metropolitan Museum of Art, New York.

The weathering of historical buildings and, indeed, of monuments and sculptures of natural stone is a problem that has been encountered for hundreds of years. However, a dramatic increase in deterioration in the structure of our built heritage has been observed during the past century. To understand the complex interaction that the stone in a building suffers with its near environment (the building) and the macro environment (the local climate and atmospheric conditions) requires an interdisciplinary approach and the application of many disciplines. Climate change over the next 100 years is likely to have a range of direct and indirect impacts on many natural and physical environments, including the built environment. The protection of our architectural heritage has both cultural and historical importance, as well as substantial economic and ecological value. Large sums of money are being spent world-wide on measures for the preservation of monuments and historical buildings. The past few decades has seen an unprecedented level of research activity in this area, the results of which are often difficult to access and are summarized in the new edition of STONE IN ARCHITECTURE.

Stone is a fascinating, fresh and insightful global tour of the world's oldest and most beautiful building material Featuring more than 170 structures, from prehistory through to today, the book includes an incredible range of buildings: awe-inspiring Neolithic monuments and the epic Pyramids of Giza feature alongside the work of twentieth-century icons, from Mies van der Rohe's seminal Barcelona Pavilion to Marcel Breuer's daring Met building in New York. There are also projects by the world's best contemporary architects, from Snøhetta's angular Norwegian National Opera and Ballet in Oslo to Kengo Kuma's sculptural Chokkura Plaza in Japan and David Chipperfield's geometric Museo Jumex in Mexico City. Arranged to promote comparison and discussion, each project includes an extended caption providing a perceptive commentary on the building. An elegant and informative visual exploration, Stone demonstrates the remarkable variety of creative and innovative structures the material has inspired around the world.

A discussion of stone construction and the nature of stone as a material. Aimed at practising architects and students, this study describes the new technologies that make the new stone forms possible. This is followed by 33 case studies from around the world.

A sweeping history of premodern architecture told through the material of stone Spanning almost five millennia, Painting in Stone tells a new history of premodern architecture through the material of precious stone. Lavishly illustrated examples include the synthetic gems used to simulate Sumerian and Egyptian heavens; the marble temples and mansions of Greece and Rome; the painted palaces and polychrome marble chapels of early modern Italy; and the multimedia revival in 19th-century England. Poetry, the lens for understanding costly marbles as an artistic medium, summoned a spectrum of imaginative associations and responses, from princes and patriarchs to the populace. Three salient themes sustained this “lithic imagination”: marbles as images of their own elemental substance according to premodern concepts of matter and geology; the perceived indwelling of astral light in earthly stones; and the enduring belief that colored marbles exhibited a form of natural—or divine—painting, thanks to their vivacious veining, rainbow palette, and chance images.

The world's most artful and skillful stone architecture is found at Tiahuanaco at the southern end of Lake Titicaca in Bolivia. The precision of the stone masonry rivals that of the Incas to the point that writers from Spanish chroniclers of the sixteenth century to twentieth-century authors have claimed that Tiahuanaco not only served as a model for Inca architecture and stone masonry, but that the Incas even imported stonemasons from the Titicaca Basin to construct their buildings. Experiments aimed at replicating the astounding feats of the Tiahuanaco stonecutters--perfectly planar surfaces, perfect exterior and interior right angles, and precision to within 1 mm--throw light on the stonemasons' skill and knowledge, especially of geometry and mathematics. Detailed analyses of building stones yield insights into the architecture of Tiahuanaco, including its appearance, rules of composition, canons, and production, filling a significant gap in the understanding of Tiahuanaco's material culture.

Provides an in-depth analysis of the enormous potential of building in stone, illustrated through a series of specially created technical drawings, and a range of original drawings and photos. Architects, building professionals, scholars and students will find both architecture and detail that will leave their mark, and most likely their inspiration.