The Stones Of Tiahuanaco

The world's most artful and skillful stone architecture is found at Tiahuanaco at the southern end of Lake Titicaca in Bolivia. The precision of the stone masonry rivals that of the Incas to the point that writers from Spanish chroniclers of the sixteenth century to twentieth-century authors have claimed that Tiahuanaco not only served as a model for Inca architecture and stone masonry, but that the Incas even imported stonemasons from the Titicaca Basin to construct their buildings. Experiments aimed at replicating the astounding feats of the Tiahuanaco stonecutters--perfectly planar surfaces, perfect exterior and interior right angles, and precision to within 1 mm--throw light on the stonemasons' skill and knowledge, especially of geometry and mathematics. Detailed analyses of building stones yield insights into the architecture of Tiahuanaco, including its appearance, rules of composition, canons, and production, filling a significant gap in the understanding of Tiahuanaco's material culture.

Text written in the seventeenth century, translated and edited by Philip Ainsworth Means, with an Introduction by the late Sir Clements R. Markham. The translation is from the Spanish edition of Marcos Jiménez de la Espada, published Madrid, 1882. Also includes 'Eight chronological tables ... compiled by P. A. Means'; 'List of words in the names of kings and Incas ...' and 'Quichua words in Montesinos'. This is a new print-on-demand hardback edition of the volume first published in 1920.

Published in 1884, one of the earliest first-hand illustrated accounts in English of the city and temple complex of Tiwanaku.

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By examining the stunning stone buildings and dynamic spaces of the royal estate of Chinchero, Nair brings to light the rich complexity of Inca architecture. This investigation ranges from the paradigms of Inca scholarship and a summary of Inca cultural practices to the key events of Topa Inca's reign and the many individual elements of Chinchero's extraordinary built environment. What emerges are the subtle, often sophisticated ways in which the Inca manipulated space and architecture in order to impose their authority, identity, and agenda. The remains of grand buildings, as well as a series of deft architectural gestures in the landscape, reveal the unique places that were created within the royal estate and how one space deeply informed the other. These dynamic settings created private places for an aging ruler to spend time with a preferred wife and son, while also providing impressive spaces for imperial theatrics that reiterated the power of Topa Inca, the choice of his preferred heir, and the ruler's close relationship with sacred forces. This careful study of architectural details also exposes several false paradigms that have profoundly misguided how we understand Inca architecture, including the belief that it ended with the arrival of Spaniards in the Andes. Instead, Nair reveals how, amidst the entanglement and violence of the European encounter, an indigenous town emerged that was rooted in Inca ways of understanding space, place, and architecture and that paid homage to a landscape that defined home for Topa Inca.