Stonecutter

Critics are raving about this deliciously chilling new thriller from Scandanavian crime-writing sensation Camilla Läckberg. Named by major media outlets, such as USA TODAY, The New York Times, and The Washington Post, as a main successor to Stieg Larsson, Swedish author Läckberg is on the rise. Her new novel, which The Washington Post has already named as one of their “Ten Books We Love This Year” and praised as “richly textured and downright breathtaking,” continues the story of local detective Patrik Hedström and his girlfriend, Erica Falck, the beloved crime-solving duo whose first child has just been born. But while they celebrate this new life, a suspicious drowning claims a little girl they knew well. As the murder’s implications widen, Patrik’s investigation threatens to tear apart the rural fishing village of Fjällbacka, where a secret lurks that spans generations. A deeply satisfying third installment in her internationally bestselling series, The Stonecutter will establish Läckberg for the U.S. audience once and for all. As USA TODAY says, “If you haven’t yet read the equally entrancing Ice Princess and The Preacher, what are you waiting for?”

This adaptation of a Chinese folktale begins with a man's dissatisfaction with his life. Weary of being a stonecutter, he becomes many things in his quest for authority, each time finding that greater power lies elsewhere. Rooted in Taoist principles, Stonecutter is a story about the nature of power and the value of accepting who you are. Originally published in a limited, fine art edition and long out of print, this is one of Jon J Muth's most heartfelt and exquisite works, and a book he entrusted to Feiwel and Friends to reach a wide new audience.

The inaugural winner of the Cave Canem Northwestern University Press Poetry Prize, Indigo Moor’s Through the Stonecutter’s Window is a sustained and impressive dialogue with the visual arts, history, the natural world, and the poet’s dreams and nightmares. The verse dances polyrhythmically across and down each page. Always in motion, Moor’s lines are choreographed to make sense of all that is most elusive in meaning: music, violence, love, anger, and desire.

Dorset, 1838. When a ship is wrecked in a storm off the Portland coast, a taciturn stonecutter by the name of Joseph Rushmore sends his rescue dog to haul in plunder. What it brings instead is a baby in a cradle. As Joseph's wife has just given birth to a stillborn child, the couple decide to keep the infant girl. The Rushmores never tell their adopted daughter the truth about her origins, but on the death of Joseph and his wife, when the girl, Joanna, is 16, she finds herself at the mercy of her abusive and violent Rushmore cousins. She is rescued by a middle-aged sea captain, Tobias Darsham, who is making a pilgrimage to visit his wife's grave. When Tobias suggests that he and Joanna should get married, the desperate girl feels she has no choice but to agree. However, soon after the wedding, Tobias gets a nasty shock when he discovers Joanna's childhood cradle - because he carved it himself for his daughter. Horrified at the thought that he might have married his own daughter, Tobias fakes his own death and sets sail for Australia, leaving Joanna in the care of his second-in-command, Alexander Morcant. Finding themselves mutually dependent, Alexander and Joanna's initial animosity gradually dissolves into a passionate attraction. But will she ever discover the truth about her origins?

Lord Gold asks Martin the stonecutter to build him a tower. Martin does not think he will have enough stone. But Lord Gold tells Martin not to worry about that...

Aristede was a man of passion and heart, a stone carver and opera tenor born in Carrara, Italy in 1882. Over one hundred years later, his spirit reaches out to help his troubled great granddaughter. A dramatic three-act tale spanning a century in the life of a vigorous Italian family.

A hilarious story about thinking the grass is greener somewhere else Have you ever wished you were someone else? Stanley the stonecutter has, because cutting stones is hard work for a frog! So Stanley wishes he could have it easy like the tea-drinking businessman . . . and, boom, he's transformed. Then he decides he'd be better off as the majestic king. But even that isn't good enough when he sees the radiant sun. Why, if he were the sun, everyone would look up to him, right? Hmm, will Stanley ever be satisfied? Dave Horowitz's fantastic collage illustrations bring this classic folktale to hilarious life as Stanley's endless comparisons bring him full circle. Maybe being yourself is not half bad after all!