Stony The Road We Trod

The publication of Stony the Road We Trod thirty years ago marked the emergence of a critical mass of Black biblical scholars--as well as a distinct set of hermeneutical concerns. Combining sophisticated exegesis with special sensitivity to issues of race, class, and gender, the authors of this scholarly collection examine the nettling questions of biblical authority, Black and African people in biblical narratives, and the liberating aspects of Scripture. The original volume reshaped and redefined the questions, concerns, and scholarship that determine how the Bible is appropriated by the church, the academy, and the larger society today. To the original eleven essays this expanded edition adds a new introduction by Brian K. Blount and three new chapters by Kimberly D. Russaw, Shively T. J. Smith, and Jennifer T. Kaalund. Not only does Blount's new introduction access the impact of the first edition, but the new contributions extend the implications of Cain Hope Felder's vision for the book.

A hallmark of American Black religion is its distinctive use of the Bible in creating community, resisting oppression, and fomenting social change. Stony the Road We Trod accomplishes this--and much more. This expanded edition contains a new introduction and three new essays that underscore the historic importance of this book for a new generation.

“Stony the Road presents a bracing alternative to Trump-era white nationalism. . . . In our current politics we recognize African-American history—the spot under our country’s rug where the terrorism and injustices of white supremacy are habitually swept. Stony the Road lifts the rug." —Nell Irvin Painter, New York Times Book Review A profound new rendering of the struggle by African-Americans for equality after the Civil War and the violent counter-revolution that resubjugated them, by the bestselling author of The Black Church. The abolition of slavery in the aftermath of the Civil War is a familiar story, as is the civil rights revolution that transformed the nation after World War II. But the century in between remains a mystery: if emancipation sparked "a new birth of freedom" in Lincoln's America, why was it necessary to march in Martin Luther King, Jr.'s America? In this new book, Henry Louis Gates, Jr., one of our leading chroniclers of the African-American experience, seeks to answer that question in a history that moves from the Reconstruction Era to the "nadir" of the African-American experience under Jim Crow, through to World War I and the Harlem Renaissance. Through his close reading of the visual culture of this tragic era, Gates reveals the many faces of Jim Crow and how, together, they reinforced a stark color line between white and black Americans. Bringing a lifetime of wisdom to bear as a scholar, filmmaker, and public intellectual, Gates uncovers the roots of structural racism in our own time, while showing how African Americans after slavery combatted it by articulating a vision of a "New Negro" to force the nation to recognize their humanity and unique contributions to America as it hurtled toward the modern age. The story Gates tells begins with great hope, with the Emancipation Proclamation, Union victory, and the liberation of nearly 4 million enslaved African-Americans. Until 1877, the federal government, goaded by the activism of Frederick Douglass and many others, tried at various turns to sustain their new rights. But the terror unleashed by white paramilitary groups in the former Confederacy, combined with deteriorating economic conditions and a loss of Northern will, restored "home rule" to the South. The retreat from Reconstruction was followed by one of the most violent periods in our history, with thousands of black people murdered or lynched and many more afflicted by the degrading impositions of Jim Crow segregation. An essential tour through one of America's fundamental historical tragedies, Stony the Road is also a story of heroic resistance, as figures such as W. E. B. Du Bois and Ida B. Wells fought to create a counter-narrative, and culture, inside the lion's mouth. As sobering as this tale is, it also has within it the inspiration that comes with encountering the hopes our ancestors advanced against the longest odds.

In this book, Africana biblical scholars argue that race, class, gender, and sexuality still matter for doing biblical interpretation/translation, centering the socio-political and cultural contexts of Africana peoples negotiating life, death, and hope in the age of #BLM, #SayHerName, #MeToo, and a global pandemic.

Race, Racism, and the Biblical Narratives is a critical essay from Stony the Road We Trod: African American Biblical Interpretation written by the project's editor, Cain Hope Felder, now in a concise stand-alone book. In this important work, Felder clarifies the profound differences in racial attitudes in the biblical world and now. The book reveals the processes at work in both the New and Old Testaments that reflect ancient ambiguity about what we call race. Felder uncovers misuses of the biblical text (such as the so-called curse of Ham) in subsequent interpretation and shows how the Bible has been used to trivialize African contributions and demean and enslave Black people. Race, Racism, and the Biblical Narratives challenges scholars and church people alike to a deeper and more honest engagement with the biblical text.

The Talking Book casts the Bible as the central character in a vivid portrait of black America, tracing the origins of African-American culture from slavery’s secluded forest prayer meetings to the bright lights and bold style of today’s hip-hop artists. The Bible has profoundly influenced African Americans throughout history. From a variety of perspectives this wide-ranging book is the first to explore the Bible’s role in the triumph of the black experience. Using the Bible as a foundation, African Americans shared religious beliefs, created their own music, and shaped the ultimate key to their freedom—literacy. Allen Callahan highlights the intersection of biblical images with African-American music, politics, religion, art, and literature. The author tells a moving story of a biblically informed African-American culture, identifying four major biblical images—Exile, Exodus, Ethiopia, and Emmanuel. He brings these themes to life in a unique African-American history that grows from the harsh experience of slavery into a rich culture that endures as one of the most important forces of twenty-first-century America.

In Lee Butler's own words, "This book is an attempt to answer the question, 'Who are we as African Americans?'" Attempting to answer this question is one way we participate in the works of salvation. Liberating Our Dignity, Saving Our Souls is a study of African American identity aimed at pointing a way out of a current crisis into a new liberation and salvation. Butler combines insights and methodologies from developmental psychology, liberation theology, and African American history to plot a new course for contemporary African Americans to gain a sense of identity that will guide them away from the identity the European and American cultures have traditionally forced upon them. This involves determining identity by personal worth; not by occupation, economic class, or social class.

Race, slavery, and ideology in colonial North America -- Resistance and African American identity before the Civil War -- War, freedom, and a nation reconsidered -- Civilization, race, and the politics of uplift -- The making of the modern Civil Rights Movement(s) -- The paradoxes of post-civil rights America -- Epilogue: Stony the road we trod.